Products

Sigma Full Frame and S35 Cine Lenses

The rumors are confirmed. The big booth at IBC makes sense: Sigma is jumping into the cinema industry with a new line of CINE LENSES. The big news is that most of them are Full Frame, High Speed, ridiculously small and incredibly light. At IBC, Sigma introduces a new line of Sigma Cine Lenses. The initial set will consist of five Full Frame Primes: 20, 24, 35, 50 and 85 mm, all T1.5 — and a Full Frame Zoom 24-35mm T2. For Super35, Sigma offers two fast zooms: 18-35mm T2 and 50-100mm T2. read more…

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Angénieux Type EZ Zooms: FF and S35

Here are two new, convertible, compact zooms from Thales Angénieux. They cover both Super35 and Full Frame/VistaVision. This is a new paradigm for Angénieux: an affordable zoom lens filling the gap between the DSLR and Cinema lenses for the growing corporate, documentary and owner-operator markets. At IBC, Angénieux debuts two models. Type EZ-1 is a standard 3x zoom. Type EZ-2 is a wide-angle 2.7x zoom. Both lenses have exchangeable rear lens groups and hence the ability to be swapped between Super35mm format and Full Frame/VistaVision. read more…

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Panasonic+Codex VariCam Pure

At IBC 2016, Panasonic introduces the VariCam Pure. It  is a “co-production” between Panasonic and Codex. VariCam Pure is a new S35 4K/2K camera system with high-quality imaging, 14+ stops of dynamic range,  dual ISO 800/5000,   and built-in, uncompressed RAW to 120 fps. The new VariCam Pure camera records pure, uncompressed RAW up to 120 fps onto familiar, industry-standard Codex Capture Drive 2.0 media already widely used by many camera systems, post facilities and studios. read more…

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New Cooke Panchro Classics

In response to continued enthusiasm from cinematographers and demand by rental houses for Cooke Optics’ vintage Speed Panchro lenses from the 1920s-1960s, Cooke introduces a new series of Panchro Classics based on the original design, with PL mounts and modern mechanics. The Panchro Classic line is scheduled to ship around April 2017. read more…

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ZEISS LWZ.3 21-100mm T2.9-3.9

ZEISS launches a new Super 35 format Lightweight Zoom: LWZ.3 21-100mm/T2.9-3.9 T*. It is light (2 kilos), compact, very affordable and has interchangeable mounts (PL, EF, F, E, MFT). What sets the new 21-100 zoom lens apart is a combination of attractive features: range, light weight, optical and mechanical quality, and astonishingly affordable price. Here’s a new Super 35 zoom lens from ZEISS for many types of productions that will fit digital and film cameras. read more…

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Canon Cinema EOS C700

This is the camera that many have dreamed Canon would build. They have. Canon presents Cinema EOS C700 at IBC 2016. It’s a Super35 format studio and shoulder-resting “A” camera with internal 4K ProRes and XF-AVC as well as integrated Codex uncompressed RAW recording. There is a choice of two lens mounts, PL or EF mount—and a choice of Global Shutter or Standard CMOS sensor. Pixel size is 6.4 x 6.4 μm. Depending on model and mode, effective image area is 26.2 x 13.8mm (29.6 mm diagonal) when shooting 4K and 28.9 x 15.2 (32.6mm diagonal) in RAW 4.5K. Download the 12-page PDF special report. read more…

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New Canon EOS 5D Mark IV

Canon USA announced the highly anticipated successor in the EOS 5D series of DSLRs, the EOS 5D Mark IV. From a still photography standpoint, Canon has improved upon the already impressive 5D line by upgrading to a 30.4 megapixel 35mm Full Frame Canon CMOS sensor, and with the help of their new processor, the DIGIC 6+, 7 fps for up… read more…

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Scorpio 138-405 T4.3 Anamorphic Zoom

Alfredo and Andres Valles, above, have a long history of obsession with building lenses. Alfredo was working as a mechanical engineer in Barcelona in the late 1970s. Andres was a DP. They decided to start a camera rental company and start building lenses. The company was Servicevision and their first product was the Servilens series of Nikon Macros, with a… read more…

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Leica Cine MacroLux +1 (x3)

Leica Cine MacroLux +1 is no ordinary Diopter, as we saw at NAB. You could do the almost unthinkable: stack 3 of them together (to achieve +3) and still maintain great image quality. Thee MacroLux is a spherical doublet that exhibits no spherical aberrations, no color fringing, and almost no light loss. Its coatings are color matched to the rest… read more…

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Canon Compact Servo 18-80 T4.4 and a Discussion with Mr. Hibi and Imaoka

About the new Canon Compact Servo 18-80 T4.4 Canon’s Compact Servo 18-80mm T4.4 EF-mount zoom for Super 35 cine format is a new kind of hybrid lens. It combines attributes of 3 lines of Canon lenses: L-Series EF professional still photography lenses, Cinema Zooms with manual focus/iris/zoom barrels, and Cine-Servo zooms. The 18-80 comes in an EF mount. It has… read more…

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AJA Hi5-Fiber Mini-Converter

AJA Video Systems has updated the Hi5-Fiber Mini-Converter with 3G-SDI support for high frame rates. It is shipping now. The Hi5-Fiber’s small size lets you attach it to easily onto the back of a monitor and extends signal reach to HDMI displays up to 10km from the source. Hi5-Fiber converts 3G-SDI over single mode optical Fiber to HDMI. Up to… read more…

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Sony AXS-R7 X-OCN (Original Camera Negative)

As many suspected, Sony’s new AXS-R7 Recorder does a lot more than 4K RAW, full resolution 120p recording, and 30 second caching. Why else would it be larger than its older brother, the R5? The big news is X-OCN.     In addition to 16-bit linear RAW, the AXS-R7 will record Sony’s new 16-bit X-OCN format. X-OCN stands for eXtended… read more…

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King Peter (DENZ) Sensor Positioning Gauge

King Peter (KP for short) is the latest optical measuring device for professional digital cinema cameras from DENZ. It provides accurate measurements of the image sensor’s position—including the optical center, rotation around the optical axis, and any deviation of the chip away from perpendicular. read more…

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Paralinx ACE

Paralinx updated their ACE close-range, zero delay, uncompressed wireless system. The chassis is improved and the DC IN connector is now a professional grade 2-pin LEMO. read more…

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Teradek Color Cine

COLR CINE is a new version of Teradek COLR with updated features and a new set of outputs. read more…

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GDU Tilt/Swing Plate

Global Dynamics United makes the best looking compact tilt/swing plate I’ve seen. It’s simple and quick to use. The GDU Tilt 20 is designed to tilt 20 degrees up or down. You can use it bolted to a piece of plywood as a low hat, attached to a car mount, or just flat on the ground. read more…

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Teradek Sphere

Teradek’s new Sphere is the core to monitoring a stitched 360 degree VR  quad HD stream wirelessly—without seeing yourself in the shot. It’s like VR Video Assist. Sphere also can do live web streaming of 360 VR content to compatible online platforms. read more…

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LED Lens Projector & News From Chrosziel

Chrosziel introduced a new, cool, bright LED lens projector with remote focus capability. No more burnt fingers fumbling in the dark of a lens testing room at the rental house or lens repair facility. Chrosziel also has a new Handgrip Extender and Zoom Rocker. read more…

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Fujinon Lens Day In Hollywood at ASC

Tuesday May 24th was Fujinon Day in Hollywood, at the ASC Clubhouse.  It was an afternoon and evening to learn about lens design, technology, applications and Fujinon’s wide selection of PL mount zoom lenses. Workshops and panel discussions explored the creative, optical and budgetary considerations that are critical to modern optics design. Some of the topics, including objective and subjective differences, were: Flare Color Contrast Sharpness… read more…

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ZEISS lens kit for iPhone

Now at the Apple Store: a wide-angle accessory lens kit by ZEISS and ExoLens. This is the first in an add-on lens set. The ExoLens with ZEISS Mutar 0.6x Asph T* wide-angle lens is available exclusively from Apple ($199.95). ZEISS and ExoLens are also planning to introduce tele and a macro-zoom lenses for the iPhone this summer. The ExoLens bracket attaches the ZEISS optics to the phone…. read more…

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