- Vanja Černjul and Crazy Rich Asians
- Creative Solutions acquires Amimon
- Still Moving Pictures: The Favourite
- Greig Fraser, VICE, Arricam, Cooke
- Tour of Sony’s Atsugi Tech Center
- Sasaki & Cioni on Large Format
- CVP in the Camera Triangle
- RED Ranger for Rentals
- Tokina Vista Primes
- DJI Ronin-S
- Panther S-Type Dolly
- Louma 2 Point & Plane
- Sekonic C-800 Color Meter
- Preston Cinema Light Ranger 2W
- Blackmagic Pocket Cinema Camera 4K
- Cooke Panchro/i Classics & FF Anamorphics
- Guillermo Granillo, ALEXA LF & ZEISS Supremes
- —Piero Basso, AIC, Chair of the Cinematography Program, New York Film Academy“
Your December Issue is…GREAT!
”—Jacques Lipkau-Goyard, Producer“Congratulations on continuing to supply the industry with ever interesting and well put together articles on both the talent behind the screen images and the equipment they use.
”—Adam Suschitzky, BSC“Another brilliant issue. There is more useful, interesting, well-written info in one FDTimes than in a year’s worth of anything else.
”—Brian Heller, CinematographerView All Readers’ CommentsAbout Jon Fauer
Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.
Cannes 2016
Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.- The Show will Go OnThe Academy’s Board of Governors did the right thing today, issuing this statement: “The Academy has heard the feedback from its membership regarding the Oscar presentation of four awards – Cinematography, Film Editing, Live Action Short, and Makeup and Hairstyling. All Academy Awards will be presented without edits, in our traditional format. We look forward to Oscar Sunday, February 24.”
- Cinematography Oscar during Commercial Break?
At the ASC Awards on Saturday, I thought someone was joking when he mentioned that the Oscar for Best Cinematography would be presented during a commercial break. Alas, it is true: “We [The Academy] believe we have come up with a great way to do this, and keep the show to three hours. While still honoring the achievements of all... read more... - BSC Expo 2019
BSC Expo in London was the best ever. More than 5500 visitors gathered in the Battersea Park Evolution exposition space on Feb 1-2. If there was a theme, it was full frame and large format lenses. Panavision had 11 or 12 series of large format sphericals and anamorphics at their lens bar. Michael Cioni’s 4-screen display let you compare the... read more... - Leitz Cine Leica Format Primes
Leitz Leica Format Cine Lenses (not the official name) made a prominent prototype debut at the CVP Lens Bar in BSC Expo. Four focal lengths were shown: 18mm, 21mm, 65mm and 100mm — all T1.8. The new Leitz lenses were first presented to the world inside an untouchable glass case at IBC. This time the Leitz Leica Format Primes were... read more... - FDTimes February 2019 now online
Limited time complimentary download of the full 96-page edition. read more... - FDTimes at BSC Expo
The ever- fabulous BSC Expo begins in Battersea Park Evolution: Friday Feb 1 - Saturday Feb 2. FDTimes will be there with a BSC Expo complimentary special printed edition. The full 96-page worldwide edition goes online later this evening and paper copies ship tomorrow. read more... - Greig Fraser, ASC, ACS on “VICE”
“VICE” opened today, Christmas Eve. Round up the reindeer and steer your sleigh to the nearest movie theater. Directed by Adam McKay, “VICE” swings from drama to satire with a hint of the absurd (if it weren’t so true.) It’s the story of Dick Cheney, the Washington insider who maneuvered to become the most powerful person in the US government... read more... - NAB 2018 belated Slideshow
New Year 2019 Resolution: Get these slideshows posted on time. Here are Mark Forman’s excellent photos from NAB 2018. Click on any thumbnail to enlarge and click through all 330 pictures: - ZEISS Supreme Primes Special Report
FDTimes Factory Tour and Special Report about the new ZEISS Supreme Prime lenses. Download 44-page 11MB (high rez) PDF. ZEISS Supreme Primes cover a FULL FORMAT image area up to 46.3 mm diagonal. They are incredibly small, lightweight and fast. The focus barrel has a unique, advanced square helical thread that is as smooth as cams and even more rugged. There are 13 lenses planned so far. read more... - ARRI Large Format Camera System
This is a standalone, 64-reprint of the ARRI Large Format Special Report from FDTimes February 2018 Issue 86. Download 9 MB PDF here. ARRI ALEXA LF Why Large Format? Stephan Schenk, Marc Shipman-Mueller Klemens Kehrer, Achim Oehler, Thorsten Meywald Building an ALEXA LF ARRI Signature Primes Signature Prime Lens Manufacturing New LPL Mount ALEXA LF Test by Matias Boucard ALEXA LF Dimensions ALEXA... read more...
News
Factory Tours
- RED Ranger at Rental HousesJarred Land talks about the new RED RANGER Camera, available exclusively to Rental Houses. "The RANGER is a special camera that we will sell only to authorized rental houses. They will get this camera that hopefully addresses some features and requests that are unique to rental houses." read more...
- TRIBE7
Neil Fanthom and Bradford Young ASC are up to something. Today they launched a new venture called TRIBE7 and a technology called BLACKWING7. Since I’m sitting in London within shouting distance of Sherlock Holmes’s 221B Baker Street, a bit of deduction might help unravel some of the mysteries that are yet to be revealed. As Holmes might have told Watson,... read more... - RED Ranger Rental Only
New custom camera called RANGER is being built by Red Digital Cinema exclusively for authorized rental houses. Designed at Red Studios Hollywood by Jarred Land and Matt Tremblay. More details to follow around BSC Expo time. - Panasonic EVA1 and ProRes RAW
Panasonic has a new, free VariCam LUT Library online.
You can preview, view, create and load 35 Look-Up Tables for VariCam and EVA1 cinema cameras. They were created by Panasonic with the help of Local 600 DITs. read more... - cmotion cPRO, cVision Focus Assist
Here's an update on the latest cmotion lens controls: cPRO hand unit, cPRO motors, cPRO Camin, cvsion focus assistn, cinefade, and more. read more... - DENZ MFC65 Large Format Lens Projector
Rental houses and repair facilities need lens projectors—and especially the new DENZ MFC65. It tests all photo and cine lenses with image circles up to Ø60mm — from 8mm, 16mm, Super 35, Full Frame 35 up to Alexa 65 format. The MFC65 has been designed from the ground up for speed, accuracy and avoidance of mistakes while working — one of the main reasons why ARRI Rental has selected it as the test projector for their facilities worldwide. read more... - Technovision 1.5x Anamorphic LF by P+S
Technovision Anamorphic lenses were "reborn” by P+S Technik at Cine Gear 2018. The new lenses are named Technovision Classics and are 1.5x squeeze Full Frame anamorphics. The series consists of 5 primes: 40mm T2.2 , 50mm T2.2, 75mm T2.5, 100mm T3.0 and 135 T3.0 mm. There are 2 zoom lenses: 40-70mm T3.2 (previously 35-70) and 70-200mm T3.0. They all have cylindrical front anamorphic elements. read more... - SIGMA 28, 40 & 105mm T1.5 FF
The family of SIGMA Cine FF High Speed Primes continues to grow.
SIGMA Corporation adds three new SIGMA CINE lenses to their FF High Speed Prime Line: 28, 40 and 105 mm—all T1.5. This brings the Sigma Full Frame Cine lens total to 10 high speed primes, from 14mm to 135mm and a fast 24-35mm T2.2 zoom. read more... - SIGMA LPL Mounts
The Sigma Cine Lens series will soon include the option of having LPL mounts. This is the new lens mount released by ARRI in February 2018 with the Alexa LF. The LPL mount has a flange focal depth of 44mm and a 62 mm Ø diameter. The planned release date for SIGMA CINE LENSES in LPL mount is 2019 or... read more... - Anamorfaux CP.2 from NAC
NAC Image Technoloy Rentals wondered what to do with their large inventory of CP.2 primes now that they have many ZEISS CP.3 and Supreme lenses. So, they modified ZEISS CP.2 primes with an oval shaped mask in front of the iris. Identified with the gold band above the lens mount. This creates faux anamorphic oval bokehs. Works best wide... read more... - Canon’s Full Frame vs S35 Demo
Jingle bells! With thanks to Masaki Akamatsu and the crew at Canon’s InterBEE exhibit, here are framegrabs of their live demo comparing Full Frame and Super35. Two cameras were set up at the same distance from a reindeer doll. The Canon C700 FF (Full Frame) had a 50mm lens at T1.5. The Canon C700 (Super35) had a 35mm lens at T1.5.... read more...
New Products
February 2019
February 2019: Issue 92
Hi-rez 96-page printable 36 MB PDF download for subscribers. Click below on SUBSCRIBERS
Free, limited time preview, 96 page download, lower rez, 16 MB PDF. Click below on FREE PREVIEW.
(Best with Adobe Acrobat Reader, 2-page view, show cover page.)
Readers’ Comments
Titans of the Industry
Moguls
Executive Producers
Producers
Co-Producers
Assoc. Producers
Media Partners
Rental Houses
Thank you for keeping FDTimes so updated and such an important reference for us all.
”