- Leitz Cine Wetzlar factory tour
- Interview with Grant Petty, CEO of Blackmagic Design
- New Cooke Full Frame 1.8x Anamorphic/i
- ARRI Operator Control Unit
- Lunch with Ed Lachman, ASC & Todd Haynes
- RED Report with Jarred Land and Brent Carter
- ARRI Alexa LF Updates
- Sony VENICE Updates
- New Sigma FF Fast Primes
- AJA FS-HDR for DPs and DITs
- New mirrorless cameras from Canon, Nikon, Fujifilm
- and lots more…see Table of Contents
- —Chuck Westfall, Technical Advisor, Canon USA“
Fantastic issue. From stunning front cover to in-depth industry leaders interviews to highlighting product uses on Productions. Insightful articles benefit both camera department and manufacturer readership. Just brilliant.
”—Cary Duffy, Technical Director, Tiffen International“The only thing to read for professional information
”—Alexander Bscheidl, Vantage Film“One of the few printed pubs still worth picking up.
”—Chris Hurd, DV Info NetView All Readers’ CommentsAbout Jon Fauer
Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.
Cannes 2016
Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.- Scorpio FFA Full Frame 2x Anamorphic PrimesJeff Berlin recently shot The Shoot, a short, in Full Frame with Sony VENICE and Scorpio Full Frame 2x Anamorphic lenses. The Shoot was shot 16-bit linear in X-OCN ST with Servicevision Scorpio Full Frame Anamorphic 2x lenses, covering the full 24mm height of the VENICE sensor. read more...
- DJI Mavic 2 and Aerial Dolly-Zooms
There's a good example of a dolly-zoom in Joseph Losey's 1967 film Accident. Accident is Losey’s steamy love quadrangle of Oxford students and professors, punctuated by the inevitable pregnant pauses of Pinter’s screenplay, filmed in saturated wood-panelled interiors and humid green exteriors by Gerry Fisher, BSC. It was one of Fisher’s first jobs as DP. Now, you can do a dolly-zoom simply, seamlessly, nimbly and in the air with DJI’s new Mavic 2 Zoom. It’s one of two new DJI camera drones that landed this August. read more... - Musitelli Montevideo M 0.8 + MONSTRO
Musitelli Film & Digital, based in Montevideo, Uruguay, has been supplying productions with Leitz M 0.8 lenses lately. The Leitz M 0.8 primes worked on multiple RED MONSTRO cameras at the Teatro Colón opera house in Buenos Aires, famous for acoustics that rank among the best in the world. read more... - Grant Petty, CEO of Blackmagic Design
It is always fascinating to catch up with Grant Petty, CEO of Blackmagic Design. After a bit of mischievous banter (jamming systems, cones of silence, wire cutters?) on how to foil a vexing public address system that insistently interrupted our conversation, we got down to serious stuff about Blackmagic Design’s latest products, philosophy and aspirations. read more... - RED Report September 2018 (and 8K, Turing)
Jarred Land, President of RED Digital Cinema and Brent Carter, COO of RED, patiently endured another episode of FDT questions about Full Format, Lenses, Motors and other matters. read more... - Mounting Questions: September 2018
Revisions and updates on lens mounts. Updates include new L, LPL, Z, and R. What are the trends? Shorter Flange Focal Depth and wider inside diameter of mounts. Mount Flange Focal Depth (FFD) Inside Diameter of Mount Nikon Z mount 16 mm 55 mm Fujifilm X-series 17.7 mm 43.5 mm Sony E-mount 18mm 46.1 mm Canon EOS M-Mount 18mm... read more... - ZEISS Supreme Primes Special Report
FDTimes Factory Tour and Special Report about the new ZEISS Supreme Prime lenses. Download 44-page 11MB (high rez) PDF. ZEISS Supreme Primes cover a FULL FORMAT image area up to 46.3 mm diagonal. They are incredibly small, lightweight and fast. The focus barrel has a unique, advanced square helical thread that is as smooth as cams and even more rugged. There are 13 lenses planned so far. read more... - ARRI Large Format Camera System
This is a standalone, 64-reprint of the ARRI Large Format Special Report from FDTimes February 2018 Issue 86. Download 9 MB PDF here. ARRI ALEXA LF Why Large Format? Stephan Schenk, Marc Shipman-Mueller Klemens Kehrer, Achim Oehler, Thorsten Meywald Building an ALEXA LF ARRI Signature Primes Signature Prime Lens Manufacturing New LPL Mount ALEXA LF Test by Matias Boucard ALEXA LF Dimensions ALEXA... read more...
News
Factory Tours
- ARRI OCU-1 Operator Control UnitARRI's OCU-1 is a focus override knob. The Operator Control Unit is a single channel unit that lets the camera operator temporarily retake control of any wireless lens control function from the camera assistant, and then return control. One OCU-1 can take over focus, iris or zoom control. read more...
- CineTape2 and Wireless AIR Mobile2
Cinematography Electronics introduces a new model: the CineTape2. With all of the familiar features and controls of the original CineTape, it adds more than 50 new features and innovations. CineTape2 now has long range 2-way radios, Bluetooth, faster processing—all bundled into a smaller, lighter enclosure. read more... - IB/E Optics
IB/E Optics’ LPLx2 VV Optical Extender doubles the focal length of Large Format LPL mount lenses. High-index, low-dispersion glass ensures high resolution and contrast with minimal optical degradation. read more... - Wooden Camera LPL for RED DSMC2 & Sharkfin Battery Bracket for Alexa LF
Wooden Camera introduced a DSMC2 LPL mount at IBC. So, if you’d like to shoot with Large Format Signature Primes on a RED MONSTRO 8K VV Camera, simply attach this mount with its 4 captive screws. 44 mm FFD, 62 mm Ø. read more... - AJA FS-HDR for DPs and DITs
Bryce Button, AJA’s Director of Product Marketing, explains the FS-HDR and how it helps in cinema production. read more... - Panasonic LUMIX S1R and S1
Panasonic showed two prototype models of their next Leica Format (Full Frame) Digital L-mount Mirrorless cameras: LUMIX S1R and the S1. I mention “Leica Format” mischievously because this is part of the L-Mount Alliance. The Leica Camera, Panasonic and Sigma L-mount triumvirate was announced at Photokina. Itss members agreed on using Leica’s L-mount, which has a 20mm Flange Focal Depth... read more... - FUJIFILM GFX 50R Medium Format Camera
Photokina. September 25, 2018. Watch what they do, not what they say, as MSNBC’s Rachel Maddow is fond of saying. While many in the photography industry were saying, “Watch the new mirrorless Full Format (36x24mm) cameras,” Fujifilm was doing something completely different. They were leap-frogging from APS-C directly to Medium Format, and in the process, bypassing Full Format completely. The... read more... - IB/E Smartfinder Pro: 65mm Director’s Finder
IB/E Optics is presenting a nice, new Director’s Viewfinder for lenses from S35 to Full Format and up to 65mm format. The Smartfinder Pro uses IB/E’s UMS Universal Mount System. This includes ARRI LPL, XPL and PL. You attach a lens. The image is gathered on a 62mm ∅ groundglass, which is slightly larger than the image area of an ARRI... read more... - ULTRASCORPIO 70 Super Full Frame T1.4
Breaking news during IBC Set-Up day in Amsterdam. Servicevision will announce a new series of spherical large format lenses and show an 85mm T1.4 prototype this Saturday at their IBC booth 12.C43. The lenses are light, small and fast. Focal lengths: 18, 25, 35, 50, 85, 105 mm — all T1.4 — in 2019. 40mm and others coming later. Image... read more... - Look! Cooke 1.8x Anamorphic/i Full Frame Plus
Cooke Optics introduced 1.8x Anamorphic/i Full Frame Plus lenses at IBC.
Les Zellan, Cooke Chairman, calling from the far side of the world, explained, “As soon as we introduced S7/i Full Frame Plus spherical primes, users asked for Full Frame anamorphics.” Cooke showed a 50mm T2.3 Full Frame Plus 1.8x Anamorphic/i lens at IBC. The core set will be 40, 50, 75 and 100 mm, all T2.3. Front diameters will be 110 mm. They will be similar in size to the Cooke S7/i Full Frame Plus lenses. These will be followed by 32, 135 and 180 mm. All these lenses will cover the Full Frame image area of 36 mm wide x 24mm high (image diagonal of 43.27 mm). read more... - Cine Lens Specialist at ARRI Burbank
ARRI INC is looking for a Cinema Lens Specialist to work in their Burbank, CA office. Responsible for growing ARRI’s new line of cinema lenses by working closely with the sales and marketing team. Research the digital cinema markets to gain insight into market size and its potential for new sales. Interact with potential and existing clients. ARRI seeks a... read more... - Lens Technician wanted at Band Pro BurbankLens Service Technician position available at Band Pro Burbank, CA. Responsible for service and maintenance of professional digital motion picture lenses and accessories. Includes the current lenses sold by Band Pro Film & Digital Inc. but may include vintage lenses that customers may provide. Technician’s role: 1. Service, maintain and repair cinema lenses, ensuring equipment is complete and meets operational performance... read more...
New Products
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IBC 2018-Cinec-Worldwide Edition
September 2018: Issue 89-90
FDTimes September 2018 issue 89-90 now online and in the mail. Hi-rez for subscribers and a limited time lower rez free preview for all to see for free. The print edition will be distributed free at IBC Amsterdam and Cinec Munich. Visit FDTimes at IBC booth 12.F30. And at Cinec booth 3-A17.
Hi-rez 96 page printable PDF 30 MB download for subscribers. Free, limited time 96 page download, lower rez, 15 MB PDF.
Readers’ Comments
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Another great issue as always.
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