- FUJINON Premista Full Frame Zooms
- Bruno Delbonnel and the Angénieux Award at Cannes
- FF VENICE at 60 fps & Cooke Anamorphic FF
- ARRI Rental DNA LF
- The First CineMakers
- LEITZ THALIA-T 90mm
- and much more
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”—Juan Martinez, Sony Sr Product Mngr“One of the few printed pubs still worth picking up.
”—Chris Hurd, DV Info NetView All Readers’ CommentsAbout Jon Fauer
Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.
Cannes 2016
Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.- Koerner Pacific Northwest Lens Summit 2019Koerner Camera Systems hosted the third annual Pacific Northwest Lens Summit on a sunny Saturday, May 4th, in their spacious Portland, Oregon facility. The Lens Summit is a single-day event focused on cine optics. You can meet two dozen lens, optical and accessory vendors and ogle their products with few distractions. Perhaps 500 people attended, twice as many as last year. read more...
- Cine Gear 2019
Cine Gear 2019. This is probably the first time I can remember wishing a trade show actually lasted longer. Cine Gear 2019 was bigger and more packed with people than ever. It was impossible to see all the exhibits and stay on schedule with all the meetings in two days. Here's a report on new announcements and a slideshow of Cine Gear highlights. read more... - Tribe7 plus One: Alexander Schwarz
After more than fifteen years as Senior Director of Worldwide Key Accounts at Vantage Film, ASC Associate Member Alexander Schwarz has decided to move on. Effective June 1, 2019, he has been directing worldwide sales strategy and business development activities at Tribe7 — the technology start-up founded by Bradford Young, ASC and Neil Fanthom. Tribe7’s first venture is with the new Blackwing7 lens system - a highly creative, tuneable range of cine optics for large format image capture. read more... - First Angénieux 35mm Prime in 1951
Here's an update from Cannes about the newly announced Angénieux Optimo Prime lenses. (18mm, 21mm, 24mm, 28mm, 32mm, 40mm, 50mm, 60mm, 75mm, 100mm, 135mm, 200mm.) Specifications and prices will be announced at Cine Gear.
Willy Kurant, ASC, AFC talked about working with Orson Welles and the first Angénieux wide angle 18.5 mm prime lens (FDTimes September 2013). “In the 1950s, I bought the 18.5 mm Angenieux Retrofocus wide angle prime. read more... - Bruno Delbonnel, AFC, ASC and the Angénieux Excellens Award at Cannes
Bruno Delbonnel, AFC, ASC was born in Nancy, France and graduated in 1978 from ESEC film school in Paris. A distinguished cinematographer, he has worked with Jean-Pierre Jeunet, Tim Burton, the Coen brothers, Joe Wright and many others. Bruno Delbonnel has been nominated five times for Best Cinematography Oscar: Amélie (2001), A Very Long Engagement (2004), Harry Potter and the Half-Blood Prince (2009), Inside Llewyn Davis (2013), and Darkest Hour (2017). On May 24, 2019, Bruno receives the Pierre Angénieux ExcelLens Award in cinematography at the Cannes Film Festival. read more... - C’est Cannes 2019
The 72nd Festival de Cannes is now open. Follow the 12 days of Cannes on the official Festival website. The Cannes 2019 poster celebrates filmmaker Agnès Varda. If anyone knows the name of the camera assistant or grip whose back she’s standing on, please contact FDTimes. It was August 1954 and, as the official Cannes press release describes, she was filming... read more... - ZEISS Supreme Primes Special Report
FDTimes Factory Tour and Special Report about the new ZEISS Supreme Prime lenses. Download 44-page 11MB (high rez) PDF. ZEISS Supreme Primes cover a FULL FORMAT image area up to 46.3 mm diagonal. They are incredibly small, lightweight and fast. The focus barrel has a unique, advanced square helical thread that is as smooth as cams and even more rugged. There are 13 lenses planned so far. read more... - ARRI Large Format Camera System
This is a standalone, 64-reprint of the ARRI Large Format Special Report from FDTimes February 2018 Issue 86. Download 9 MB PDF here. ARRI ALEXA LF Why Large Format? Stephan Schenk, Marc Shipman-Mueller Klemens Kehrer, Achim Oehler, Thorsten Meywald Building an ALEXA LF ARRI Signature Primes Signature Prime Lens Manufacturing New LPL Mount ALEXA LF Test by Matias Boucard ALEXA LF Dimensions ALEXA... read more...
News
Factory Tours
- Hasselblad X1D II 50CThis is the next episode in Game of Formats, and a very exciting saga it promises to be. Hasselblad introduced their new X1D II 50C mirrorless Medium Format digital camera today. It has the same lens mount as the original X1D introduced in 2016 and many improvements. The XCD lens mount has an 18.3mm flange focal depth and ~61mm Inside Diameter. That's an extremely short distance from the lens mount to the sensor, which is nice. Google "Hasselblad XCD Adapters" and you'll see many mechanical mounts. The 50 megapixel CMOS sensor has 5.3μm photosites. It measures 43.8 x 32.9 mm, which is 54.78mm diagonal. read more...
- Panasonic S1H: Full Frame 24p, 6K
S1H The Panasonic Lumix DC-S1H launched at 12:30pm at Cine Gear on May 31, 2019. The S1H is a full-frame, 36mm x 24mm sensor, 24p, 6K video camera “hiding” in the body of a DSLM. The shape makes it great as a grab camera, handheld, on rigs, gimbals, drones, or fully outfitted with a studio rig. It gets interesting when... read more... - FDTimes June 2019 Online & at Cine Gear
Film and Digital Times June 2019 Issue 95 is now online. Go to fdtimes.com top left for details and download. We are also at Cine Gear. Visit us in booth 207 in the New York Streets. read more... - Angénieux Optimo Prime Flying In
Enroute AF 072 CDG-LAX. May 29. Flying in to Cine Gear
Across the aisle on Air France 072 from Paris to LAX is a 40mm prototype Angénieux Optimo Prime. It is carefully hand-carried by Angénieux executives Severine Serrano, Christophe Remontet and Emmanuel Sprauel -- heading for Cine Gear this Friday-Saturday. See the framegrabs in the post as well. read more... - New Preston Hand Unit 4 HU4
New Preston Hand Unit HU4 to be introduced at Cine Gear. Features
35% lighter weight than HU3 with Micro Force zoom.
Adjustable focus knob drag.
LED triplet provides uniform focus scale illumination.
Super-rugged tactile switches rated for 10 million cycles.
Menu items can be accessed either by tactile keys or touch screen entry.
Large sunlight-visible 4.63" diagonal display.
Large display fonts make lens data easy to read.
Reversible black/white background for interior/exterior use.
Focus, Iris, and Zoom scales are precisely represented.
Non-linear iris scales are mapped to a linear scale. read more... - Angenieux Optimo Prime Lenses
Cannes, France. Thursday May 23. Angenieux announces Optimo Prime Lenses. Full Frame 46.5mm image circle coverage Maximum aperture 1.8 T-stop. 21mm, 28mm, 40mm, 50mm, 75mm and 135mm for the initial 6-lens production run scheduled for delivery Fall 2020. The complete 12-lens set will include the above focal lengths and 18mm, 32mm, and 100mm lenses delivering Winter 2020; and 24mm, 60mm and 200mm... read more... - Teradek RT CTRL.3
The Teradek RT CTRL.3 is a new, 3-axis wireless Focus, Iris and Zoom lens control. With built-in lens mapping, you can set up and calibrate the scales of your lenses and store the data inside the control unit— to be summoned up in an instant when you change lenses, thus avoiding time-consuming end-stop and focus mark setup. read more... - Tokina Vista Primes
Planning for the Tokina Vista Primes began in 2013. During the early stages, Ryan Avery, VP of Formatt KT America and Tokina Cinema products, met with cinematographers to get feedback. He also came up with the name: Vista Primes. From the beginning the lenses have been designed to cover beyond Full Frame and cover the RED 8K VV sensor (46.7mm image diagonal) that was introduced in June 2015. The image illumination of the longer focal lengths covers the 5K image area of the Alexa 65 camera that was introduced a year earlier, in September 2014. The lenses came to market a year later, in 2016. read more... - CVP Large Format Test with ARRI
CVP recently hosted a Large Format event in collaboration with ARRI at the CVP & ARRI Creative Space. The CVP team set up a test with the ALEXA LF, ALEXA Mini (fitted with LPL mount) and ARRI Signature primes. The lenses were 18, 25, 35, 47, 75 and 125 mm. The event was overseen by CVP Account Manager Aaron George, who prior to joining CVP in 2017, spent almost 12 years at ARRI as UK Head of Camera Service. read more... - Blackmagic Pocket Cinema Camera 4K & RAW
Blackmagic Camera 6.2 update eanbles Blackmagic RAW in the Blackmagic Pocket Cinema Camera 4K.
The Pocket Cinema Camera 4K has a Micro Four Thirds (MFT) size 18.96 x 10 mm sensor. The lens mount has a Flange Focal Depth of 19.25mm and its inside diameter is nominally 40.2 mm Ø.
Blackmagic RAW is a new codec that combines the quality and benefits of RAW with the ease of use, speed and file sizes of traditional video formats. File sizes are smaller, which means recording time is longer. You’ll be able to record 2 hours of Blackmagic RAW in 4K on a single 256GB SD UHS-II card. read more... - SmallHD Cine 7 Monitor
You’re probably familiar with SmallHD’s system of “pages,” where you swipe the touchscreen to view various modes and functions.
The new SmallHD Cine 7 Monitor takes this another step, with screens for video, tools and now direct camera menu controls. read more...
New Products
New Cine Gear 2019 June Edition
June 2019: Issue 95
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FDTimes has been a great help to me and to the film community at large. Thank you and keep up the great work! Your wonderful bit on Henri Cartier-Bresson, “The Decisive Moment” (Feb. 2013) with its free use of historical context is one of the reasons I find your publication so captivating to read. To know where we’re going, it’s helpful to know where we’ve been.
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