- In-depth look at ZEISS Supreme Primes with factory tour
- Interviews with the designers and teams behind the Supremes
- AJA Video Systems Celebrates 25 Years
- Pierre Angénieux ExcelLens at Cannes
- Ed Lachman, ASC & Cecile Zhang ExcelLens
- RED Simplified: MONSTRO, HELIUM, GEMINI
- Leica at Cannes, Close Focus Thalias
- ARRI Alexa LF & Signature Primes
- Technovision FF 1.5x Anamorphics
- Kramer Morgenthau ASC on Fahrenheit 451
- Blackmagic Design Pocket Cinema Camera 4K
- and lots more
- —Carey Duffy, The Tiffen Company“
FDTimes cuts to the chase and continues to impress. Keeps us up to date in a straightforward manner.
”—Paul Ryan, ASC“Film and Digital Times keeps getting better and better.
”—Tibor Sands, Legendary Camera Assistant“Everyone agrees: FDTimes is the world’s best technical magazine for motion pictures.
”—Christian Skrein, Leica CW Sonderoptic Supervisory BoardView All Readers’ CommentsAbout Jon Fauer
Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.
Cannes 2016
Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.- CW Sonderoptic renamed Leitz Cine WetzlarThe name and logo on the outside of CW Sonderoptic's new headquarters and factory in Wetzlar seemed permanent a couple of months ago. Curiously, a fabric banner covered the name yesterday at the inauguration of Leitz-Park III. Today, during an event attended by thousands of visitors, the banner came down and the new name and logo were revealed. CW Sonderoptic is now Ernst Leitz Cine Wetzlar. read more...
- Claudio Miranda ASC and GIRLS LIKE YOUClaudio Miranda, ASC talks about “the making of” Maroon 5 and Cardi B's GIRLS LIKE YOU music video on which he was the cinematographer—using Sony VENICE, motion control, programmed lighting, 250 takes, manual focus and more. The video has been viewed more than 48 million times. Claudio explained, "The way Director David Dobkin conceived the shoot was to have actors coming in at different times but to make it feel like everyone was there at the same time. So, we decided to design it as a motion control round track shot. We knew we had to get all these actors at different times, because they would never be available on the same day. It turned into a five-day non-consecutive shoot because of talent schedules. We plotted where everyone would go so they could interact with each other and the lead singer, Adam Levine. Motion control (MoCo) was really the only viable option. To hold the MoCo two shots, we used the Sony VENICE camera’s dual base ISO of 2500. I had a beta firmware of version 2 at the time. The added depth of field definitely helped get everyone into focus—close up and far away. But we still had to manually pull focus on every take. read more...
- AJA Video Systems Celebrates 25 YearsJohn Abt started AJA Video Systems with his wife Darlene in 1993 to develop simple digital parallel to serial and serial to parallel converters. Many of AJA’s products at their core continue to bridge connectivity and simplify pro video workflows through video up, down, cross format conversion. An engineer by trade, company founder John Abt is still very hands-on in... read more...
- Cannes 2018 Angenieux ExcelLens AwardEd Lachman, ASC received the 2018 Pierre Angenieux ExcelLens Lifetime Achievement Award for Cinematographer at Cannes. Daft Punk's Thomas Bangalter wrote an homage to Ed on a glass screen: "Dear Ed, With a camera you make music for the eyes. Thank you for sharing with us your vision and the unique light in your smiling eyes. Bravo." read more...
- Keslow in Salt Lake City and New OrleansKeslow Camera recently opened new offices in Salt Lake City, Utah and New Orleans, Louisiana. The new offices reflect rapid growth and the industry’s geographical migrations. Keslow Camera already supported a number of productions over the years in Utah, such as HBO’s “Mosaic,” Disney’s “Andi Mack” and now Paramount Network’s upcoming series “Yellowstone.” The recent growth in Utah is significant. In... read more...
- Ed Lachman ASC to get Angenieux Award at CannesEd Lachman, ASC will be honored with the Pierre Angénieux ExcelLens in Cinematography Award at the 71st Cannes Film Festival. This lifetime achievement award celebrates Ed’s work as Cinematographer on more than 75 films and documentaries. with Werner Herzog, Jonathan Demme, Susan Seidelman, Dennis Hopper, Paul Schrader, Mira Nair, Andrew Niccol, Robert Altman, Todd Solondz and Larry Clark. Notable films include... read more...
- Manfrotto Manufacturing TourLino Manfrotto was a photo journalist, based in Bassano del Grappa, Italy. He worked for Il Gazzettino and Il Giornale di Vicenza and also did industrial and advertising photography. By the late 1960s, he realized that his photo equipment was cumbersome, heavy and slow. There were many studio lights on the market, but Lino saw that they neglected the basic necessities. So, with the help of a colleague, Lino made his first product: a lightweight and a rugged lighting stand that extended high enough to be practical. Download our 11-page PDF Report of the Factory Visit to Manfrotto Manufacturing in Feltre. read more...
- LEICA Portugal Factory TourThis is the story of a city, a river, a region, wine, craftsmanship, transportation, lenses and cameras. They are all connected. Porto is the second largest city in Portugal, a 3-hour drive north of Lisbon. Seventy miles upstream by boat or car, vineyards cling to the terraced hills of the Douro Valley. For centuries, boats called barcos rabelos carried the wine... read more...
- 6/28/18Zeiss Full Frame Lens Workshop
Band Pro 3403 W. Pacific Avenue Burbank, CA 91505
News
Factory Tours
Events
- Cine Gear Expo 2018 SlideshowLots of launches at Cine Gear Expo 2018. ZEISS Supreme Primes; Sony VENICE V2.0 with 1-60 fps in 4K, E-mount capability, Dual Base 500 and 2500 ISO; Sony VENICE tether; Panavision Primo X, Ultra Vista large format 1.6x squeeze anamorphics, Panavision H series, PanaSpeed large format T1.4; Panavision Liquid Crystal variable ND mattebox filter; Panavision DXL-M; Leica M mount for Sony VENICE... and more... read more...
- Panavision Lenses: Ultra Vista 1.6x FFPanavision at Cine Gear: Millennium DXL2, LCD Filter and 4 new Large-Format Lens Sets Panavision’s Millennium DXL2 8K camera will be shown at Cine Gear Expo on June 1-2 at the Panavision booth (#S102) in Stage 17, along with four new large-format lens sets, a new firmware upgrade, DXL-style accessories kit for RED DSMC2 cameras, and a preview new filter... read more...
- IB/E Optics NewsIB/E Optics is growing and as of June 1, 2018 will distribute independently in the Americas. Also--Big (as in Large Format) new products: LPLx2 VV Optical Extender, PL to LPL mount, and LPL UMS Mount Adapter. read more...
- FDTimes June 2018 issue 88FDTimes June 2018 issue 88 is ready to download now: hi-rez for subscribers and a limited time lower rez copy for all to see for free. The print edition will be distributed free at Cine Gear Expo. Visit FDTimes at booth 207 in the New York Streets backlot at Paramount. read more...
- ZEISS Supreme Primes Special ReportFDTimes Factory Tour and Special Report about the new ZEISS Supreme Prime lenses. Download 44-page 11MB (high rez) PDF. ZEISS Supreme Primes cover a FULL FORMAT image area up to 46.3 mm diagonal. They are incredibly small, lightweight and fast. The focus barrel has a unique, advanced square helical thread that is as smooth as cams and even more rugged. There are 13 lenses planned so far. read more...
- RED Simplified: MONSTRO, HELIUM, GEMINIRED is simplifying with 3 models, named after the sensor, all in the same DSMC2 body. DSMC2 MONSTRO has the same specs as the WEAPON MONSTRO 8K VV camera. The body is available in aluminum alloy and , on request, in Carbon Fiber. DSMC2 HELIUM has the same specs as the WEAPON HELIUM 8K S35 camera. The body is made of aluminum alloy. On special order, this camera is also available with a HELIUM 8K S35 Monochrome sensor. DSMC2 GEMINI has better data rates and REDCODE settings than the EPIC-W 5K S35 GEMINI camera. Otherwise, the rest of the features are the same. It’s available in aluminum alloy. read more...
- ARRI Certified Pre-Owned (Used) CamerasJust as BMW and Mercedes do with their fine used cars, ARRI has established a Certified Pre-Owned Program. Christian Richter, Manager of ARRI’s Certified Pre-Owned Camera Systems, explained the program when I visited Munich. “Now customers can buy cameras at very affordable prices and be confident in the knowledge that these cameras and all components, including the sensor, are checked with... read more...
- Fujinon Full Frame ZoomsThis sounds like the introduction to a Ninja movie. In an undisclosed location at NAB, attended by unidentified executives from an unnamed company, Film and Digital Times has learned of new Full Frame zoom lenses being planned. The company is Fujifilm. They are developing Full Frame zoom lenses, to be announced later this year. We know they will be Fujinon Full Frame zooms. They will be lightweight, compact, high-end. The maximum aperture will be T2.X, where X is still being worked out. I would guess T2.9. They will weigh around 3 kg. read more...
- FDTimes at NAB 2018Get the latest 96-page April Issue #87 of Film and Digital Times. For a limited time, you can download it for free. Subscribers: log in for the high rez edition.
The print edition is shipping now. It will also be everywhere at NAB 2018. Pick up a copy from our FDTimes bin in the front of Central Hall and at our booth C10206 (next to Sony, across SIGMA).
Sign up to receive an email whenever there's a new post. Just enter your email in the box at the upper right of our homepage. fdtimes.com read more...
- ProRes RAW, Atomos, PanasonicFinal Cut Pro X gets ProRes RAW in the 10.4.1 update coming from Apple on April 9. It combines the flexibility and advantages of RAW with the performance (data rates, speed, ease) of ProRes. ProRes RAW is a new format from Apple that combines significantly lower data rates with the performance of ProRes. You will be able to play full-quality 4K... read more...
New Products
New Edition: Cine Gear 2018
June 2018: Issue 88FDTimes June 2018 issue 88 is ready to download now: hi-rez for subscribers and a limited time lower rez copy for all to see for free. The print edition will be distributed free at Cine Gear. Visit FDTimes at our booth 207 in the New York Streets backlot at Paramount. Hi-rez 80 page printable PDF 21 MB download for subscribers. Free, limited time 80 page download, lower rez, 11 MB PDF.
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I should commend you on a quite fantastic issue. From stunning front cover to in depth industry leaders interviews to hi lightighg specific products’ uses on productions.
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