- In-depth look at ZEISS Supreme Primes with factory tour
- Interviews with the designers and teams behind the Supremes
- AJA Video Systems Celebrates 25 Years
- Pierre Angénieux ExcelLens at Cannes
- Ed Lachman, ASC & Cecile Zhang ExcelLens
- RED Simplified: MONSTRO, HELIUM, GEMINI
- Leica at Cannes, Close Focus Thalias
- ARRI Alexa LF & Signature Primes
- Technovision FF 1.5x Anamorphics
- Kramer Morgenthau ASC on Fahrenheit 451
- Blackmagic Design Pocket Cinema Camera 4K
- and lots more
- —Bill Turner“
I should commend you on a quite fantastic issue. From stunning front cover to in depth industry leaders interviews to hi lightighg specific products’ uses on productions.
”—Carey Duffy, The Tiffen Company“FDTimes is for me like REUTERS is for financial guys.
”—Ernesto Musitelli, Musitelli Film & Digital“Fantastic and very informative. Each issue gets better. You have outdone yourself and every other publication that has ever ever been done with this issue
”—Denny Clairmont, Clairmont CameraView All Readers’ CommentsAbout Jon Fauer
Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.
Cannes 2016
Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.- ALEXA LF and 35mm format Anamorphic LensesMarc Shipman-Mueller published a helpful and interesting white paper, “ALEXA LF & Anamorphic Lenses.” It is in the DOWNLOADS section of the ALEXA LF microsite. Here’s a summary of the key points. You have a Netflix show. You’d like to shoot with 35mm anamorphic lenses on Alexa LF. Can you satisfy the Netflix 4K UHD UHD specification? Yes. You can do this with Alexa LF Open Gate sensor mode and crop in post. read more...
- Michael Neuhaeuser new ARRI Board Member
July 24, 2018, Munich. The Supervisory Board of ARRI Group announced today that Dr. Michael Neuhaeuser will be appointed as the new Executive Board member responsible for technology effective Sept 1. He succeeds Professor Franz Kraus. Franz Kraus will join the Supervisory Board and continue to work closely with the company. To clarify: Joerg Pohlman and Michael Neuhaeuser, as the Executive... read more... - Cooke Optics, Caledonia, Same Team
By now, the press releases are online, complete with Cooke mistooked as Cook, along with a distraction of financial figures. Les Zellan called with clarifications today. Caledonia Investments plc, a self-managed investment trust based in the UK, acquired a majority stake in Cooke Optics. The current Cooke management team and day-to-day company activities remain unchanged. Caledonia's investment will facilitate company growth and development of new lenses. read more... - Nick Hayes at Angenieux North America
Nick Hayes has been appointed North America Sales Manager of Cinema Optics at Angenieux. He is based in Irvine, California. Nick is a familiar face in the industry. He worked at RED Digital Cinema for over 6 years, first as a Bomb Squad sales representative and corporate accounts manager. He was then promoted to Territory Manager for Western US and Canada.... read more... - CW Sonderoptic renamed Leitz Cine Wetzlar
The name and logo on the outside of CW Sonderoptic's new headquarters and factory in Wetzlar seemed permanent a couple of months ago. Curiously, a fabric banner covered the name yesterday at the inauguration of Leitz-Park III. Today, during an event attended by thousands of visitors, the banner came down and the new name and logo were revealed. CW Sonderoptic is now Ernst Leitz Cine Wetzlar. read more... - Claudio Miranda ASC and GIRLS LIKE YOUClaudio Miranda, ASC talks about “the making of” Maroon 5 and Cardi B's GIRLS LIKE YOU music video on which he was the cinematographer—using Sony VENICE, motion control, programmed lighting, 250 takes, manual focus and more. The video has been viewed more than 48 million times. Claudio explained, "The way Director David Dobkin conceived the shoot was to have actors coming in at different times but to make it feel like everyone was there at the same time. So, we decided to design it as a motion control round track shot. We knew we had to get all these actors at different times, because they would never be available on the same day. It turned into a five-day non-consecutive shoot because of talent schedules. We plotted where everyone would go so they could interact with each other and the lead singer, Adam Levine. Motion control (MoCo) was really the only viable option. To hold the MoCo two shots, we used the Sony VENICE camera’s dual base ISO of 2500. I had a beta firmware of version 2 at the time. The added depth of field definitely helped get everyone into focus—close up and far away. But we still had to manually pull focus on every take. read more...
- ZEISS Supreme Primes Special Report
FDTimes Factory Tour and Special Report about the new ZEISS Supreme Prime lenses. Download 44-page 11MB (high rez) PDF. ZEISS Supreme Primes cover a FULL FORMAT image area up to 46.3 mm diagonal. They are incredibly small, lightweight and fast. The focus barrel has a unique, advanced square helical thread that is as smooth as cams and even more rugged. There are 13 lenses planned so far. read more... - ARRI Large Format Camera System
This is a standalone, 64-reprint of the ARRI Large Format Special Report from FDTimes February 2018 Issue 86. Download 9 MB PDF here. ARRI ALEXA LF Why Large Format? Stephan Schenk, Marc Shipman-Mueller Klemens Kehrer, Achim Oehler, Thorsten Meywald Building an ALEXA LF ARRI Signature Primes Signature Prime Lens Manufacturing New LPL Mount ALEXA LF Test by Matias Boucard ALEXA LF Dimensions ALEXA... read more...
News
Factory Tours
- Sony VENICE V2.0 FDTimes Special ReportDownload the latest free FDTimes Sony VENICE Special Report. Includes all the firmware and hardware updates for V2.0 as of August 8, 2018. 140 page PDF. includes: VENICE Version 2 Firmware Update, Tether, Formats; Travel Guide to VENICE; VENICE PL and E-mount; VENICE: Modular and User-Swappabe Sensor Block; Built-in Optical ND Filters; RAW & Internal Recording; Outfitting VENICE; VENICE Full Frame and Super35 Formats; VENICE Roadmap, Specs, Dimensions; and lots more. read more...
- Netflix Mode for Sony Consumer Televisions
If you’re like me, you spend an inordinate amount of time tweaking and fiddling with the color, contrast and other settings of your home TV. This is maddening. Today, Sony and Netflix announced a helpful collaboration. Here’s the edited press release: Sony Electronics Launches MASTER Series TVs with Exclusive Netflix Calibrated Mode, Bringing Studio-quality Picture Mastering to the Living Room.... read more... - ARRI Large Format Japanese Edition
To coincide with the delivery of an ARRI Alexa LF camera to NAC Image Technology in Tokyo, here is the Film and Digital Times “ARRI LARGE FORMAT CAMERA SYSTEM” Special Report in Japanese. Translation courtesy of ARRI ASIA. - Ultra Lightweight ARRI 35mm cameras for drones: for sale
Here’s an ultra-lightweight carbon fiber Arriflex 35mm camera package for sale. It is ideal for drones, gimbals, helium-filled balloons — and was used extensively on the film OCEANS. The system includes two Arriflex 2 cameras, each under 1.4 kg, modified with carbon fiber bodies, new motors and mounts. Frédéric Jacquemin, writes: “We met at the 2010 AFC Micro Salon in... read more... - Sony VENICE Version 2 Released Today
Great expectations were rewarded today as Sony released the long-awaited VENICE Version 2 firmware. It’s a major release that makes the VENICE do what almost everyone wanted it to do. Sony’s engineering team were probably working long hours for many months. They scrambled and came through with these new updates ahead of schedule. Version 2 makes VENICE fully functional. The... read more... - Cine Gear Expo 2018 Slideshow
Lots of launches at Cine Gear Expo 2018. ZEISS Supreme Primes; Sony VENICE V2.0 with 1-60 fps in 4K, E-mount capability, Dual Base 500 and 2500 ISO; Sony VENICE tether; Panavision Primo X, Ultra Vista large format 1.6x squeeze anamorphics, Panavision H series, PanaSpeed large format T1.4; Panavision Liquid Crystal variable ND mattebox filter; Panavision DXL-M; Leica M mount for Sony VENICE... and more... read more... - Panavision Lenses: Ultra Vista 1.6x FF
Panavision at Cine Gear: Millennium DXL2, LCD Filter and 4 new Large-Format Lens Sets Panavision’s Millennium DXL2 8K camera will be shown at Cine Gear Expo on June 1-2 at the Panavision booth (#S102) in Stage 17, along with four new large-format lens sets, a new firmware upgrade, DXL-style accessories kit for RED DSMC2 cameras, and a preview new filter... read more... - IB/E Optics News
IB/E Optics is growing and as of June 1, 2018 will distribute independently in the Americas. Also--Big (as in Large Format) new products: LPLx2 VV Optical Extender, PL to LPL mount, and LPL UMS Mount Adapter. read more... - FDTimes June 2018 issue 88FDTimes June 2018 issue 88 is ready to download now: hi-rez for subscribers and a limited time lower rez copy for all to see for free. The print edition will be distributed free at Cine Gear Expo. Visit FDTimes at booth 207 in the New York Streets backlot at Paramount. read more...
- RED Simplified: MONSTRO, HELIUM, GEMINI
RED is simplifying with 3 models, named after the sensor, all in the same DSMC2 body. DSMC2 MONSTRO has the same specs as the WEAPON MONSTRO 8K VV camera. The body is available in aluminum alloy and , on request, in Carbon Fiber. DSMC2 HELIUM has the same specs as the WEAPON HELIUM 8K S35 camera. The body is made of aluminum alloy. On special order, this camera is also available with a HELIUM 8K S35 Monochrome sensor. DSMC2 GEMINI has better data rates and REDCODE settings than the EPIC-W 5K S35 GEMINI camera. Otherwise, the rest of the features are the same. It’s available in aluminum alloy. read more...
New Products
New Edition: Cine Gear 2018
June 2018: Issue 88
FDTimes June 2018 issue 88 is ready to download now: hi-rez for subscribers and a limited time lower rez copy for all to see for free. The print edition will be distributed free at Cine Gear. Visit FDTimes at our booth 207 in the New York Streets backlot at Paramount. Hi-rez 80 page printable PDF 21 MB download for subscribers. Free, limited time 80 page download, lower rez, 11 MB PDF.
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