- Canon EOS R Mirroless Full Frame System
- Philippe Rousselot, ASC, AFC on Alexa 65 & Thalias
- Daniel Patterson on Spike Lee’s She’s Gotta Have It
- New Leitz Cine Leica Format Primes and Zooms
- Blackmagic RAW: Eats, Shoots & Leaves
- ARRI Stellar App
- AbelCine’s CameoGrip
- Teradek DSMC2 Bolt & ACI for RED DSMC2
- Tilta Camera Cages
- LOUDER! Can’t Hear What You’re Singin’, Wimp!
- ARRI Alexa 65 and Alexa LF
- —Adam Suschitzky, BSC“
Cudos for FDTimes 58-59. The cover photo is wonderful. All the info about all the various lenses being manufactured was extensive and informative.
”—Bill Bennett, ASC“Our cinematography-loving postal worker knows which is the best film magazine today: he keeps FDTimes for himself and delivers the rest.
”—Anonymous in Brazil“Always a fantastic read. I can always rely on your detailed critique of new products. I have a small camera company at Pinewood studios called “Camera Facilities” and I’ve been reading your books and papers for the last twenty years–from loading my first 16mm camera.
”—Peter Welch, Camera Facilities LtdView All Readers’ CommentsAbout Jon Fauer
Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.
Cannes 2016
Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.- Creative Solutions Acquires AmimonTeradek has acquired Amimon. The official wording is that Amimon Inc has been acquired by The Vitec Group plc. Amimon will be integrated into Vitec’s Creative Solutions division. Creative Solutions has its headquarters in Southern California and their brands include Teradek, SmallHD, Wooden Camera, Paralinx, Rycote—and now Amimon. Creative Solutions products are used on motion picture, commercial, documentary, television, sports, news, streaming and event productions worldwide. If you work with a wireless video system, chances are that an Amimon chipset is inside. read more...
- Sony VENICE Version 2 and 3 Updates
Sony VENICE Version 2.0 firmware update was announced on June 27, 2018. Version 3.0 details are shown at IBC in September. read more... - Scorpio FFA Full Frame 2x Anamorphic Primes
Jeff Berlin recently shot The Shoot, a short, in Full Frame with Sony VENICE and Scorpio Full Frame 2x Anamorphic lenses. The Shoot was shot 16-bit linear in X-OCN ST with Servicevision Scorpio Full Frame Anamorphic 2x lenses, covering the full 24mm height of the VENICE sensor. read more... - DJI Mavic 2 and Aerial Dolly-Zooms
There's a good example of a dolly-zoom in Joseph Losey's 1967 film Accident. Accident is Losey’s steamy love quadrangle of Oxford students and professors, punctuated by the inevitable pregnant pauses of Pinter’s screenplay, filmed in saturated wood-panelled interiors and humid green exteriors by Gerry Fisher, BSC. It was one of Fisher’s first jobs as DP. Now, you can do a dolly-zoom simply, seamlessly, nimbly and in the air with DJI’s new Mavic 2 Zoom. It’s one of two new DJI camera drones that landed this August. read more... - Musitelli Montevideo M 0.8 + MONSTRO
Musitelli Film & Digital, based in Montevideo, Uruguay, has been supplying productions with Leitz M 0.8 lenses lately. The Leitz M 0.8 primes worked on multiple RED MONSTRO cameras at the Teatro Colón opera house in Buenos Aires, famous for acoustics that rank among the best in the world. read more... - Grant Petty, CEO of Blackmagic Design
It is always fascinating to catch up with Grant Petty, CEO of Blackmagic Design. After a bit of mischievous banter (jamming systems, cones of silence, wire cutters?) on how to foil a vexing public address system that insistently interrupted our conversation, we got down to serious stuff about Blackmagic Design’s latest products, philosophy and aspirations. read more... - ZEISS Supreme Primes Special Report
FDTimes Factory Tour and Special Report about the new ZEISS Supreme Prime lenses. Download 44-page 11MB (high rez) PDF. ZEISS Supreme Primes cover a FULL FORMAT image area up to 46.3 mm diagonal. They are incredibly small, lightweight and fast. The focus barrel has a unique, advanced square helical thread that is as smooth as cams and even more rugged. There are 13 lenses planned so far. read more... - ARRI Large Format Camera System
This is a standalone, 64-reprint of the ARRI Large Format Special Report from FDTimes February 2018 Issue 86. Download 9 MB PDF here. ARRI ALEXA LF Why Large Format? Stephan Schenk, Marc Shipman-Mueller Klemens Kehrer, Achim Oehler, Thorsten Meywald Building an ALEXA LF ARRI Signature Primes Signature Prime Lens Manufacturing New LPL Mount ALEXA LF Test by Matias Boucard ALEXA LF Dimensions ALEXA... read more...
News
Factory Tours
- FDTimes Nov 2018 Now OnlineFilm and Digital Times November 2018 PDF Issue #91 is now online. See fdtimes.com homepage -- top left. Print editions are shipping from Los Angeles now. Film and Digital Times Japan November 2018 print edition will be at InterBEE in Tokyo beginning November 14. The online PDF edition will be available within the next couple of days. Visit FDTimes Japan at InterBEE in Makuhari HALL 4, booth no. 4101. read more...
- ARRI DRW-1 Digital Remote Wheels
ARRI rolled out new Digital Remote Wheels DRW-1 at IBC. They work with ARRI’s Stabilized Remote Head SRH-3. Up to now, you had to “drive” the Remote Head with a joystick (e.g. RCP) or other device. But, a number of Camera Operators missed the muscle memory, fine hand-eye control (especially in a bouncing chase car) and the accurate repeatability of wheels. read more... - ARRI OCU-1 Operator Control Unit
ARRI's OCU-1 is a focus override knob. The Operator Control Unit is a single channel unit that lets the camera operator temporarily retake control of any wireless lens control function from the camera assistant, and then return control. One OCU-1 can take over focus, iris or zoom control. read more... - CineTape2 and Wireless AIR Mobile2
Cinematography Electronics introduces a new model: the CineTape2. With all of the familiar features and controls of the original CineTape, it adds more than 50 new features and innovations. CineTape2 now has long range 2-way radios, Bluetooth, faster processing—all bundled into a smaller, lighter enclosure. read more... - IB/E Optics
IB/E Optics’ LPLx2 VV Optical Extender doubles the focal length of Large Format LPL mount lenses. High-index, low-dispersion glass ensures high resolution and contrast with minimal optical degradation. read more... - Wooden Camera LPL for RED DSMC2 & Sharkfin Battery Bracket for Alexa LF
Wooden Camera introduced a DSMC2 LPL mount at IBC. So, if you’d like to shoot with Large Format Signature Primes on a RED MONSTRO 8K VV Camera, simply attach this mount with its 4 captive screws. 44 mm FFD, 62 mm Ø. read more... - AJA FS-HDR for DPs and DITs
Bryce Button, AJA’s Director of Product Marketing, explains the FS-HDR and how it helps in cinema production. read more... - Panasonic LUMIX S1R and S1
Panasonic showed two prototype models of their next Leica Format (Full Frame) Digital L-mount Mirrorless cameras: LUMIX S1R and the S1. I mention “Leica Format” mischievously because this is part of the L-Mount Alliance. The Leica Camera, Panasonic and Sigma L-mount triumvirate was announced at Photokina. Itss members agreed on using Leica’s L-mount, which has a 20mm Flange Focal Depth... read more... - FUJIFILM GFX 50R Medium Format Camera
Photokina. September 25, 2018. Watch what they do, not what they say, as MSNBC’s Rachel Maddow is fond of saying. While many in the photography industry were saying, “Watch the new mirrorless Full Format (36x24mm) cameras,” Fujifilm was doing something completely different. They were leap-frogging from APS-C directly to Medium Format, and in the process, bypassing Full Format completely. The... read more... - IB/E Smartfinder Pro: 65mm Director’s Finder
IB/E Optics is presenting a nice, new Director’s Viewfinder for lenses from S35 to Full Format and up to 65mm format. The Smartfinder Pro uses IB/E’s UMS Universal Mount System. This includes ARRI LPL, XPL and PL. You attach a lens. The image is gathered on a 62mm ∅ groundglass, which is slightly larger than the image area of an ARRI... read more... - Cine Lens Specialist at ARRI Burbank
ARRI INC is looking for a Cinema Lens Specialist to work in their Burbank, CA office. Responsible for growing ARRI’s new line of cinema lenses by working closely with the sales and marketing team. Research the digital cinema markets to gain insight into market size and its potential for new sales. Interact with potential and existing clients. ARRI seeks a... read more... - Lens Technician wanted at Band Pro BurbankLens Service Technician position available at Band Pro Burbank, CA. Responsible for service and maintenance of professional digital motion picture lenses and accessories. Includes the current lenses sold by Band Pro Film & Digital Inc. but may include vintage lenses that customers may provide. Technician’s role: 1. Service, maintain and repair cinema lenses, ensuring equipment is complete and meets operational performance... read more...
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November 2018
November 2018: Issue 91Hi-rez 64-page printable PDF 21 MB download for subscribers.
Free, limited time preview, 64-page download, lower rez, 11 MB PDF.
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Congratulations on continuing to supply the industry with ever interesting and well put together articles on both the talent behind the screen images and the equipment they use.
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