- Canon EOS C500 Mark II – Full-Frame 5.9K
- ARRI ALEXA Mini LF
- Sony PXW-FX9
- Teradek Bolt 4K MAX
- Panasonic LUMIX DC-S1H
- Blackmagic Pocket Cinema Camera 6K
- SIGMA Full-Frame Classic Art Primes
- FUJIFILM GFX100, Premista and ALPA XO
- RED RANGER HELIUM & RANGER GEMINI
- ARRI Orbiter
- —Otto Nemenz“
Just read your latest issue and I found it so facinating and well written. It was some of the best cinematography writing in recent history. Thank you.
”—Peter Lyons Collister, ASC“The only thing to read for professional information
”—Alexander Bscheidl, Vantage Film“I don’t know how I managed before without all the info of FDTimes
”—Philippe Ros, AFC, Member Imago Tech CommitteeView All Readers’ CommentsAbout Jon Fauer
Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.
Cannes 2016
Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.- AbelCine Brooklyn ASC Master ClassStuart Dryburgh, ASC will teach the next AbelCine ASC Masterclass this coming weekend. The ASC Master Class is an intensive weekend seminar taught by accomplished cinematographers. It is intended for students and filmmakers with intermediate-to-advanced cinematography skills. read more...
- Before the Fall
I'm now in lovely Freyung Hospital with a bunch of broken ribs after a close encounter with a metal post while mountain biking with Klaus Eckerl on Sunday. Photos of the carnage and recovery are on Instagram @fdtimes.
Freyung is about 2 hours east of Munich. IB/E Optics headquarters are in two large, modern buildings on -the main road leading into town. IB/E is also conveniently located right next door to the hospital. So, should you choose to visit, Klaus and team can demonstrate their impressive line of products in their offices or in the privacy of a hospital room :) read more... - FDTimes Sep 2019 IBC Edition
Film and Digital Times September 2019 Edition will be distributed at IBC on Friday, Sep 13 beginning 12 noon Amsterdam time. That's when the last embargo lifts. Paper copies will be available all over Hall 12 and elsewhere at IBC. It will also go online here at that time.
Also, visit FDTimes at IBC Booth 12.F30 (Aaton-Transvideo).
The worldwide edition printing in Los Angeles will ship on September 13 as well.
Watch the top left column of this page to download the PDF on September 13 at 12 noon Amsterdam time. read more... - William Rexer’s Equipment List on “The Hunt”
William Rexer is shooting The Hunt, a TV series in New York for Amazon Studios. This article first appeared in June 2019 FDTimes, but now it's updated with his comprehensive equipment list. REXER: "We’re shooting in Full Frame with three RED MONSTRO 8K VV cameras. I was attracted to the Sigma FF High Speed lenses and then I was blown away by them. We have three sets. I’m a big fan of Full Frame. Amazon wants 4K deliverables. Al Pacino is the lead actor. It was very easy for me to explain that if we were shooting a medium close up and it was a perfect performance, you could easily pull a tighter shot out of it in the MONSTRO’s Full Frame 8K resolution. You have that flexibility. read more... - Film and Digital Times Chinese Edition – FDTC
In time for BIRTV, the Film and Digital Times Chinese language PDF August 2019 Edition is now ready. Go to the FDTC (Film and Digital Times Chinese Language) landing page and download the latest issue.
Pick up a free paper copy in the booths of many companies who were kind enough to do the translations. (Thank you!) And follow the FDTimes Chinese Edition on WeChat. read more... - FDTimes August 2019 Edition #96
Film and Digital Times August 2019 Edition #96 is now online for subscribers. Print copies are going out the week of August 12. Read all about the Angénieux introduction of Optimo Prime Lenses at the Cannes Film Festival. SIGMA Full Frame Classic Art Primes and fp Full Frame camera. “The Innocents of Florence” by David Battistella, shot with RED and... read more... - ZEISS Supreme Primes Special Report
FDTimes Factory Tour and Special Report about the new ZEISS Supreme Prime lenses. Download 44-page 11MB (high rez) PDF. ZEISS Supreme Primes cover a FULL FORMAT image area up to 46.3 mm diagonal. They are incredibly small, lightweight and fast. The focus barrel has a unique, advanced square helical thread that is as smooth as cams and even more rugged. There are 13 lenses planned so far. read more... - ARRI Large Format Camera System
This is a standalone, 64-reprint of the ARRI Large Format Special Report from FDTimes February 2018 Issue 86. Download 9 MB PDF here. ARRI ALEXA LF Why Large Format? Stephan Schenk, Marc Shipman-Mueller Klemens Kehrer, Achim Oehler, Thorsten Meywald Building an ALEXA LF ARRI Signature Primes Signature Prime Lens Manufacturing New LPL Mount ALEXA LF Test by Matias Boucard ALEXA LF Dimensions ALEXA... read more...
News
Factory Tours
- Teradek Bolt 4K MAXTeradek Bolt 4K MAX joins Bolt 4K 750 and Bolt 4K 1500 (announced earlier this year). The Bolt 4K MAX is the most fully-equipped Bolt transmitter yet. Bolt 4K MAX can transmit 4K HDR video wirelessly—in real-time—over distances up to 5000 ft (1500 m) in normal operation and up to 10,000 ft (3000 m) in Broadcast Mode. For a limited time, all Bolt and Paralinx Tomahawk owners are eligible to earn a trade-in credit toward the new Bolt 4K. read more...
- Small4K Monitors
SmallHD announces two lines of new 4K HDR monitors. The name is “Small4K.” There will be a Small4K Vision Series and a Small4K Cine Series, each featuring three monitor sizes: 13", 17", and 24". read more... - SmallHD Cine7 RED Camera Control
SmallHD is releasing a new Camera Control for RED DSMC2 software license for their popular Cine7 touchscreen monitors. This software gives users full menu access to a RED DSMC2 camera when the monitor is connected using an included custom cable. With just a simple swipe across the screen, a menu appears as an overlay with offerings of multiple options to dial-in configurations for the camera. read more... - Sony F EC 16-35mm T3.1 G Full Frame Zoom
Just as the FX9 was inevitable, so were more Sony E-mount cinema lenses. The new FE C 16-35mm T3.1 G zoom is the first in a new series of Full-Frame zooms. Focus, iris and zoom gears are all standard 0.8M. The iris clicks and declicks for cine or still work. Zoom is switchable from manual to servo. The servo unit comes with the lens and is operated by the camera handle or handgrip zoom control. The servo can be detached. The Sony FE C 16-35mm T3.1 G zoom lens will be available around Spring 2020. Estimated price is $5,500. read more... - Sony PXW-FX9 Full Frame
The Sony FX9 is an affordable, compact, lightweight cine camera that can democratize Full-Frame. With a new companion Full-Frame zoom lens, this system is about the same size and weight as Super35 predecessors and still shoots both formats. Full-Frame cine becomes mainstream. And, history repeats itself. read more... - ARRI ALEXA Mini LF
ARRI ALEXA Mini LF is shipping now. It is thoughtfully designed and meticulously built. Usually the measure of a camera’s goodness is to count how many petty peeves you wrote down to send to the engineers. The fewer the better. This time, the page was blank. It's my favorite ARRI camera since the Arriflex 235. read more... - IBC 2019 Slideshow
Highlights of IBC 2019 from FDTimes: slideshow. read more... - MINI MIX from DMG Lumière by ROSCO
The MINI MIX from DMG Lumière by ROSCO blends six LEDs to create almost any color you can conjure up or you can accurately match Rosco gels. read more... - Wooden Camera LPL Mounts for RED and Sony
Wooden Camera has LPL Mounts for RED DSMC2, Sony VENICE and Sony E-mount Alpha mirrorless cameras (a9, α7 series). LPL is the new lens mount introduced by ARRI in February 2018. It is standard on ALEXA LF and now ALEXA Mini LF. LPL has a 44 mm Flange Focal Depth and 62 mm Inside Diameter. ARRI Signature Primes only come with LPL mounts. By the way, all PL mount lenses fit by using a PL to LPL adapter. read more... - Servicevision Scorpiorama 70 Full-Frame 1.65x Squeeze Front Anamorphic
At IBC 2019, Servicevision will present new 1.65x FFA Full-Frame Front Anamorphic lenses. They have characteristic flares, streaks and the smoothness that you get from front anamorphic cylinders. The 1.65x squeeze ratio fills a 1.5:1 (3:2) Full-Frame sensor like ALEXA or VENICE and desqueezes it very nicely to 2.39:1 without wasting left and right side pixels in post. The Servicevision 1.65x FFA lenses are small and lightweight and have front anamorphic elements. These lenses premiere at IBC in Servicevision's booth 12.C43. read more...
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IBC 2019 Edition
September 2019: Issue 97
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