Products

Takumi 40.6 – 332 mm Full Frame

Musashi Optical System Company is located in Saitama, Japan. Their expanders, extenders and optical adapters are well known, including the OptMag, OptMag Plus and OptMore. Now, Mushashi-Opt presents their new Takumi 40.6-332 mm T4.8 Full Frame zoom lens.

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Leica M10-R — 40 Megapixel Sensor

March 1914, Wetzlar. Oskar Barnack completes the prototype of his Liliput camera, the “Ur-Leica. It shoots 36×24 mm (Full Frame) stills, using 35mm cine film positioned horizontally. March 1925. The Leica I begins serial production and is introduced at the Leipzig Fair. The format is called Leica Format. 1930: the Leica I gets a 39 mm diameter threaded mount for interchangeable lenses and looking back, can be called a primordial  ILMC—Interchangeable Lens Mirrorless Camera. 1932: the Leica model C standardizes on a Flange Focal Depth of  28.8 mm. 1954. The first M series Leica Camera, with a bayonet mount, is introduced at Photokina. Flange Focal Depth is now 27.8 mm and the mount’s Inside Diameter is 44 mm. July 2020: Leica Camera introduces the latest in their long line of M cameras–the M10-R has a new 40 Megapixel sensor.

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ARRI Lightweight Lens Support LLS-1

The sun is swiftly setting and you are scrambling with five more setups until wrap. You’re changing lenses faster than a short-order cook. But where are those essential lens supports? Instead of excavating the depths of the Bermuda Triangle that is your Camera Assistant bag, use ARRI’s versatile, adjustable lens support. The Lightweight Lens Support LLS-1 secures lenses with diameters from 39 mm to 153 mm. That’s a wide range from primes without support threads to big zooms.

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Canon EOS R5 and EOS R6

Canon launched the EOS R System in Hawaii on Sept 5, 2018 with the Full-Frame Mirrorless EOS R camera and RF lenses. At that time, it was made clear that there would be more to come. The more affordable EOS RP was released in March 2019. For the third act in the EOS R series, Canon introduced the R5 and R6 cameras on July 9, 2020. Both cameras are weather, dust and spray resistant. My favorite feature, carried from the original  R, is the mechanical shutter that completely covers and protects the sensor from dust when changing lenses (when the camera is turned off).  All cine and mirrorless still cameras should have this.

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ARRI Bicycle Grip Adapters

Philip Vischer started out as a Camera Assistant, Focus Puller and Camera Operator.  Next he worked as a camera rental manager and head of sales. These positions  surely influenced the thoughtful designs he undertook in the latest phase of his career, as ARRI PCA (Pro Camera Accessories) Product Manager for more than the past ten years.Here are some of the latest Professional Camera Accessories from ARRI, including the BGA-2 and BGA-2. Note that these accessories are camera agnostic. read more…

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John Brawley and The Great New 12K Camera

Grant Petty introduced the Blackmagic Design URSA Mini  Pro 12K on July 16, 2020. It has a 12,288 x 6,480 12K Super35 image sensor, 14 stops of dynamic range,  and shoots up to 60 fps in 12K at 80 megapixels per frame as well as  8K up to 110 fps, and 4K DCI full sensor up to 110 fps. One of the first cinematographers to try it was “The Great” John Brawley (who shot “The Great.”) His demo footage showed silky smooth skin tones, gorgeous color and low to no noise. read more…

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FUJINON Premista 19-45 T2.9 Zoom – Updated

FUJIFILM announces the third lens in their FUJINON Premista line of lightweight Full Frame zooms.

The new 19-45 mm T2.9 fulfills the demand for a wide zoom for documentary handheld shooting, Steadicam, aerials, underwater, on gimbals, remote heads and drones.

The 19-45 is 10% shorter and 14% lighter than its siblings, the Premista 28-100 mm T2.9 and Premista 80-250 mm T2.9-3.5. This is quite a feat for a short, wide zoom. The 19-45 has Cooke /i and ZEISS eXTended Data.

These are preliminary specsfor the 19-45 and will be updated when confirmed. The 19-45 is scheduled to ship in early 2021. read more…

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Panasonic LUMIX S5

The new LUMIX S5 joins Panasonic’s growing line of beloved hybrid mirrorless cameras that shoot beautiful video easily.

The S5 is Full Frame—lighter and smaller than the S1H.

It shoots 4K 30p 4:2:2 10-bit and 60p 4:2:0 10-bit video internally as MOV or MP4 files.

The sensor has in-body stabilizing. Add that to Optically Image Stabilized L-mount lenses, and you gain 5 to 7 stops of steadiness. Handheld, you can almost be a human tripod.

The camera’s L-Mount has a 20 mm flange focal depth, and shares L-Mount lenses with SIGMA and Leica as part of the L-Mount alliance. read more…

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DENZ FF Optical Director’s Finder

Because not all anamorphic lenses have a 2x squeeze ratio, DENZ has added two new desqueeze modules to their OIC FF Full Frame Optical Director’s Finder. Now you can view 1.8x and 1.5x in Full Frame anamorphic desqueezed glory.

Scorpio FFA and Glaswerks Anamorphics are 2x; Cooke Full Frame Anamorphics  are 1.8x and Technovision Anamorphic lenses are 1.5x, among others.

The DENZ OIC FF has a lever to flip from spherical to anamorphic (desqueezed) viewing. read more…

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SmallHD 4K Monitors

Maybe you saw prototypes at IBC or BSC Expo. Now they’re here. SmallHD has a new series of production monitors that address screaming needs: Affordable, 4K, HDR or High Brightness or OLED, Rugged and Lightweight.  Lighting and shooting 4K HDR shows while viewing on HD standard monitors seems sadly comparable to the old days of watching flickering, grainy black &… read more…

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SIGMA 85mm F1.4 DG DN | Art (E & L-Mount)

SIGMA announced their latest E-Mount and L-Mount high-end 85mm F1.4 Full-Frame lens for mirrorless cameras. The new SIGMA 85mm F1.4 DG DN | Art prime lens is remarkably small and lightweight yet displays superb optical performance. MTF values even exceed its much larger 85mm F1.4 DG HSM | Art predecessor. read more…

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Sony α7S III: Internal 4K 10-bit, External 4K 16-bit

  Sony’s new α7S III continues to blur the boundaries between still and cine cameras. Not blurred, of course, are its images and the trajectory of thoughtful innovation inside. Some quick specifications of the new α7S III: 12 MP resolution, 4264 x 2814 3:2 (1.5:1) 36 x 24 mm sensor. ISO 80-102,400. (40-409,600 extended.) 15+ stop dynamic range in S-log3…. read more…

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Blackmagic Design URSA Mini Pro 12K

July 16, 2020. We zoom from Wetzlar to Melbourne. Today was a day when resolution seemed to matter. A few hours after Andreas Kaufmann announced the new 40 Megapixel Leica M10-R (R for resolution) still camera, Grant Petty introduced the latest Blackmagic Design URSA Mini  Pro 12K. He said that Blackmagic Design was aiming for the high end with this affordable camera. Did he say 12K? Yes. read more…

40 Megapixel Leica M10-R

  July 16, 2020. Leica Camera introduced the latest in their long line of beloved M cameras. The new M10-R has a new, 40 Megapixel sensor. Image noise is reduced, dynamic range increased, time exposure now goes to 16 minutes for those night sky shots, and ISO ranges from 100 to 50,000. The shutter is quieter and causes less vibration…. read more…

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Canon EOS R5 — Full Frame 8K RAW Inside

This should catch your attention. Canon’s new EOS R5 is a 45 Megapixel Full-Frame RF-mount mirrorless hybrid still/video camera that shoots and records 8K DCI 12-bit RAW at 2600 Mbps to an internal CFexpress card. You may not wear socks from Memorial Day to Labor Day, but if you did, the R5 specs might just knock your socks off.

Full Frame (36 x24 mm approx) 45 megapixel (4.40 μm photosites) CMOS sensor

8K RAW internal video recording up to 29.97 fps

8K internal video recording up to 29.97 fps in 4:2:2 10-bit Canon Log (H.265) / 4:2:2 10-bit HDR PQ (H.265).

4K internal video recording up to 119.88 fps in 4:2:2 10-bit Canon Log (H.265) / 4:2:2 10-bit HDR PQ (H.265).

Full-width (no crop) 8K RAW and 8K/4K sensor modes. read more…

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Gods of Focus: Chris Silano

Usually this episodic series about legendary Focus Pullers is called “The Gods of Focus.” This month’s story could be called “The Lion Tamers of Focus.” Read this article to see why. Chris Silano said, “They call Preston Cinema Systems’ Light Ranger 2 the Focus Puller’s friend. And while that’s true, it’s much more.  It’s also the friend of the actor, director, editor and producer. Finally, the Light Ranger is the audience’s friend as they get a better movie, every time. read more…

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SIGMA fp RAW Video Recording

This is a quick summary of the full article just published in July FDTimes, issue 103.

SIGMA announced a major firmware update, V2.00, for their fp camera and the big news is support for RAW video recording.

DCI 4K 12-bit / HDMI RAW output.

RAW recording via HDMI with Atomos Ninja V monitor-recorder. (Free AtomOS firmware update for Ninja V is required).

Blackmagic RAW recording via HDMI with Blackmagic Video Assist 12G models. (Requires firmware update of Video Assist 12G models using Video Assist Update 3.3.)

HDR in video shooting. etc. read more…

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Angenieux Optimo Prime 40mm T1.8

Here are framegrabs taken with the new Angénieux Optimo Prime Full Frame 4omm T1.8. Still socially distancing and wrangling family and friends feigning reluctance at lens tests, here are framegrabs of the new Angénieux Optimo Prime Full Frame 4omm T1.8. Marlena Fauer endured permutations of Optimo Prime optimization and degrees of flare. An in-depth article with interviews is coming in the next FDTimes. read more…

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Angénieux Optimo Primes

Three Angénieux Optimo Primes arrived. 28mm, 40mm, 135mm. All T1.8. Full Frame. Scene One: photograph them on a plexi milkglass sweep. Images follow. First impressions: beautifully made, smooth focus cams, lightweight, small, fit in one hand (don’t need both hands for a lens change.) Lots of opportunities to customize: front filters, rear filters, and the eagerly-awaited internal element, also artistically called “palette.” read more…

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Blackmagic URSA Mini Pro 4.6K Update

Blackmagic Camera 6.9.3 Update is available now as a free download from the Blackmagic Design website for the original Blackmagic URSA Mini Pro 4.6K camera. This update brings the URSA Mini Pro 4.6K software up to the level of the URSA Mini Pro 4.6K G2 and URSA Broadcast. Our favorite thing: customizable frame guides. read more…

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