Products
Cine Gear Expo 2018 Slideshow
Lots of launches at Cine Gear Expo 2018. ZEISS Supreme Primes; Sony VENICE V2.0 with 1-60 fps in 4K, E-mount capability, Dual Base 500 and 2500 ISO; Sony VENICE tether; Panavision Primo X, Ultra Vista large format 1.6x squeeze anamorphics, Panavision H series, PanaSpeed large format T1.4; Panavision Liquid Crystal variable ND mattebox filter; Panavision DXL-M; Leica M mount for Sony VENICE… and more… read more…
Tags: Cine Gear Expo 2018
Panavision Lenses: Ultra Vista 1.6x FF
Panavision at Cine Gear: Millennium DXL2, LCD Filter and 4 new Large-Format Lens Sets Panavision’s Millennium DXL2 8K camera will be shown at Cine Gear Expo on June 1-2 at the Panavision booth (#S102) in Stage 17, along with four new large-format lens sets, a new firmware upgrade, DXL-style accessories kit for RED DSMC2 cameras, and a preview new filter… read more…
IB/E Optics News
IB/E Optics is growing and as of June 1, 2018 will distribute independently in the Americas. Also–Big (as in Large Format) new products: LPLx2 VV Optical Extender, PL to LPL mount, and LPL UMS Mount Adapter. read more…
Tags: IB/E Optics
FDTimes June 2018 issue 88
FDTimes June 2018 issue 88 is ready to download now: hi-rez for subscribers and a limited time lower rez copy for all to see for free. The print edition will be distributed free at Cine Gear Expo. Visit FDTimes at booth 207 in the New York Streets backlot at Paramount. read more…
Tags: Cine Gear Expo, FDTimes June 2018
ZEISS Supreme Primes Special Report (PDF)
FDTimes Factory Tour and Special Report about the new ZEISS Supreme Prime lenses. Download 44-page 11MB (high rez) PDF. ZEISS Supreme Primes cover a FULL FORMAT image area up to 46.3 mm diagonal. They are incredibly small, lightweight and fast. The focus barrel has a unique, advanced square helical thread that is as smooth as cams and even more rugged. There are 13 lenses planned so far. read more…
RED Simplified: MONSTRO, HELIUM, GEMINI
RED is simplifying with 3 models, named after the sensor, all in the same DSMC2 body. DSMC2 MONSTRO has the same specs as the WEAPON MONSTRO 8K VV camera. The body is available in aluminum alloy and , on request, in Carbon Fiber. DSMC2 HELIUM has the same specs as the WEAPON HELIUM 8K S35 camera. The body is made of aluminum alloy. On special order, this camera is also available with a HELIUM 8K S35 Monochrome sensor. DSMC2 GEMINI has better data rates and REDCODE settings than the EPIC-W 5K S35 GEMINI camera. Otherwise, the rest of the features are the same. It’s available in aluminum alloy. read more…
Tags: DSMC2 RED, GEMINI, Helium, RED Simplified: MONSTRO
ARRI Certified Pre-Owned (Used) Cameras
Just as BMW and Mercedes do with their fine used cars, ARRI has established a Certified Pre-Owned Program. Christian Richter, Manager of ARRI’s Certified Pre-Owned Camera Systems, explained the program when I visited Munich. “Now customers can buy cameras at very affordable prices and be confident in the knowledge that these cameras and all components, including the sensor, are checked with… read more…
Fujinon Full Frame Zooms
This sounds like the introduction to a Ninja movie. In an undisclosed location at NAB, attended by unidentified executives from an unnamed company, Film and Digital Times has learned of new Full Frame zoom lenses being planned. The company is Fujifilm. They are developing Full Frame zoom lenses, to be announced later this year. We know they will be Fujinon Full Frame zooms. They will be lightweight, compact, high-end. The maximum aperture will be T2.X, where X is still being worked out. I would guess T2.9. They will weigh around 3 kg. read more…
FDTimes at NAB 2018
Get the latest 96-page April Issue #87 of Film and Digital Times. For a limited time, you can download it for free. Subscribers: log in for the high rez edition.
The print edition is shipping now. It will also be everywhere at NAB 2018. Pick up a copy from our FDTimes bin in the front of Central Hall and at our booth C10206 (next to Sony, across SIGMA).
Sign up to receive an email whenever there’s a new post. Just enter your email in the box at the upper right of our homepage. fdtimes.com read more…
Tags: FDTimes at NAB 2018
ProRes RAW, Atomos, Panasonic
Final Cut Pro X gets ProRes RAW in the 10.4.1 update coming from Apple on April 9. It combines the flexibility and advantages of RAW with the performance (data rates, speed, ease) of ProRes. ProRes RAW is a new format from Apple that combines significantly lower data rates with the performance of ProRes. You will be able to play full-quality 4K… read more…
Tags: Final Cut Pro ProRes RAW
Canon EOS C700 FF
Download the Film and Digital Times Camera Report — 4.5 MB PDF. Canon introduces a new Full Frame Cinema Camera. This is Full Frame democratized, FF for all. The Canon EOS C700 FF has a new 38.1 x 20.1 mm (43.1 mm Ø) Full Frame, 18.69 megapixel (5952 x 3140) sensor. Pixel size is 6.4 x 6.4 μm. The EOS C700 FF is aspirational Full Frame at an affordable price. It will be especially attractive for independent features, commercials and many other productions. EOS C700 FF records Full Frame RAW, ProRes and XF-AVC and comes with either Canon locking EF mount or PL. read more…
SONY α7 III Full Frame Camera
The Sony α7 III Mirrorless Still and Motion Picture Camera is the latest E-mount Full Frame (36x24mm) mirrorless, interchangeable lens camera in the alpha-series product line. Sony camera designers listened to users and have come up with very important tools for most photographers and cinematographers. read more…
Tags: Mark Forman, Sony a7 III, Sony alpha
Canon EOS M50 Mirrorless 4K APS-C
Canon’s new EOS M50 Interchangeable Lens Camera (ILC) is a mirrorless still camera that shoots 4K video. The 24.1 Megapixel sensor is APS-C format, approximately 22.3 x 14.9mm. Although Canon calls the EOS M50 “an all-around, entry-level camera” it has many interesting and innovative features that surely will trickle up to other products in the Canon camera pyramid. The mirrorless EF-M mount… read more…
Grand Format Lenses at Micro Salon
At the AFC Micro Salon in Paris, it was called “le Grand Format”– Full Frame, Large Format. And Grand Format was partout. Here is a parade of Large Format images. Photographed using a Sony a9 still camera with PL-to-E-mount adapter and LPL-to-E-mount adapter. All lenses wide open–maximum aperture. Credits and more details will follow as I edit this post. The filename… read more…
Panavision DXL2
On Friday, Feb 1 at BSC Expo in London, Panavision launched their new Millennium DXL2 8K Large Format camera. Sensor size: 40.96 x 21.60 mm (46.31 mm diagonal). No one at BSC Expo could have missed the significance of having most of the major cine manufacturers embracing the new, larger format, variously called Full Frame – Full Format – Large Format… read more…
ARRI Large Format Camera System
This is a standalone, 64-reprint of the ARRI Large Format Special Report from FDTimes February 2018 Issue 86. Download 9 MB PDF here. ARRI ALEXA LF Why Large Format? Stephan Schenk, Marc Shipman-Mueller Klemens Kehrer, Achim Oehler, Thorsten Meywald Building an ALEXA LF ARRI Signature Primes Signature Prime Lens Manufacturing New LPL Mount ALEXA LF Test by Matias Boucard ALEXA LF Dimensions ALEXA… read more…
Gods of Focus Speak: Preston Light Ranger 2
Every Preston Light Ranger 2 user I’ve talked to refers to it as “a game changer.” For focus pulling on large sensor cameras I would add the phrases “an essential tool” and “job security.” My last two projects were both 65mm (one in 8K), and there is no way I could have perfectly achieved and repeated some of the shots without the LR2’s guidance. read more…
Hawk Trilogy
Three new series of Hawk lenses from Vantage address new realities in contemporary production. Hawk class-X 2x squeeze Anamorphic Primes and Zooms have an iconic look for Super35 format. MiniHawk primes are lightweight, compact, anamorphically hybrid, oval bokeh Super35 format lenses. Hawk65 Anamorphic 1.3x squeeze Primes fill Large Format and 65mm frames. Cinematographers can comfortably and consistently mix and match these latest sets. For example, you might shoot principal photography with Hawk class-X anamorphics; use MiniHawks for gimbal and drone shots that require ultralight lenses with extremely close focus and no distortion; and then work with Hawk65 lenses on a Large Format camera for vast vistas and title sequences. The three latest sets of lenses from Vantage currently comprise 28 matching lenses. There are 11 Hawk class-X lenses: 9 primes and 2 zooms. There are 8 MiniHawks. And there are 9 focal lengths in the Hawk65 set. They are all available now.
Full Frame Canon EOS C700 FF
Download the Film and Digital Times Camera Report — 4.5 MB PDF. Canon introduces a new Full Frame Cinema Camera. This is Full Frame democratized, FF for all. The Canon EOS C700 FF has a new 38.1 x 20.1 mm (43.1 mm Ø) Full Frame, 18.69 megapixel (5952 x 3140) sensor. Pixel size is 6.4 x 6.4 μm. The EOS C700 FF is aspirational Full Frame at an affordable price. It will be especially attractive for independent features, commercials and many other productions. EOS C700 FF records Full Frame RAW, ProRes and XF-AVC and comes with either Canon locking EF mount or PL. read more…
Tags: Canon C700 FF, Canon EOS C700 FF, Full Frame
