Products
Canon L Lenses with Iris & Zoom Marks
Canon continues an industry trend of hybrid still/cine lenses with manual iris and zoom marks as well as having autofocus and auto iris.
The new RF24mm F1.4 L VCM and RF50mm F1.4 L VCM primes are fast (f/1.4), compact (3.9 inches long) Full Frame RF-mount lenses.
Things get really interesting with Canon’s new RF70-200 F2.8 L IS USM Z zoom lenses. read more…
iodyne Pro Mini: smart drive
If you’re a DIT, DP, AC, creator or crew rushing to download the day’s footage onto an off-the-shelf SSD, you know that heat can also slow transfers down, often to a frustrating crawl.
Now there’s a super fast SSD that can take the heat: iodyne Pro Mini. Incidentally, iodyne is the company that also makes Pro Data Thunderbolt storage (NVMe 12/24/48TB 5 GB/s SSDs.) The name iodyne comes from “i/o” like in/out, and “dyne,” a unit of force, as in dynamic.
Pro Mini is iodyne’s smart drive, about the size of your iPhone, developed specifically for cinema production and photography. Think of it as a Thunderbolt shuttle drive with sophisticated features—speedy, sustained read/write speeds; Passkey authentication, security and encryption, digital labeling and Find My tracking. It comes in 4TB or 8TB capacities. read more…
Canon EOS C80 – RF mount Full Frame
Download 8-page FDTIMES PDF Report on the new Canon Cinema EOS C80 Camera at fdtimes.com
Canon introduces the new Cinema EOS C80 Camera.
Full Frame, RF mount, compact and lightweight, it has a 6K (26.67 Megapixel) sensor that measures 36.0 x 19.0 mm (40.7 mm diagonal). And look—it has a 4K 12G SDI Output BNC!
You could say this is the inevitable successor to the Cinema EOS C70 Camera that came out four years ago—September 2020. The C70 was the first RF mount Cinema EOS Camera. It became a breakthrough success because its Super35 4K sensor was similar to the Canon EOS C300 Mark III and yet it came in a much smaller body, albeit with fewer capabilities. read more…
Blackmagic URSA Cine 12K LF & 17K 65
Blackmagic URSA Cine 12K LF Review and Preview of Blackmagic URSA Cine 17K 65
Download this free 16-page 6MB PDF standalone special report now.
This report is a hands-on look at the Blackmagic URSA Cine 12K LF Camera.
The article will appear in Film and Digital Times September 2024 Issue 127 and the IBC Edition printing in Amsterdam and available at the show.
There’s also a brief preview of the Blackmagic URSA Cube 17K 65 Camera.
https://fdtimes.us/URSA-Cine-LF read more…
Wooden Camera Accessories for Canon EOS C400
Wooden Camera’s new Elite Accessory System for the Canon EOS C400 and Core System will be released in September, when the camera will ship as well. The Core System includes the essentials for the C400 camera. The Elite System adds Wooden Camera’s Top Handle, Baseplate, and rods. read more…
CVP Summer Kit Fest 2024
CVP Summer Kit Fest 2024 is a two-day event in London, Wednesday July 24 and Thursday July 25 ((11:00 – 18:00).
It will be like a walking tour (kit scavenger hunt? pub crawl?) of trendy Fitzrovia. Your waypoints are four company showrooms, kitted out with the latest equipment and presumably hydrating and nourishing refreshments. I still have trouble thinking of kit as equipment and not a toy model. A quick detour via OED cites T. E. Lawrence (after Arabia), “Sergeant take this man to the Q.M. Stores, kit him at once, and put him into the first train…”
Anyway, your adventure begins at CVP Quartermaster Stores and Fitzrovia Showroom where you pick up your badge. read more…
Tags: CVP Summer Kit Fest 2024
TRIBE7 – BLACKWING7 Binary II Lenses
TRIBE7 introduces a limited run of Second Edition BLACKWING7 Binary Prime Lenses. This release builds on the legacy of the original prototypical Binary lenses, introduced five years ago. 10 sets were made in 2019 as test and evaluation optics. The new Second Edition BLACKWING7 Binaries pay complete homage to their prototypical predecessors, while offering filmmakers greater creative control through new modular components such as custom-tuned optics, flare control systems and the SKIN program of alternative coatings for BLACKWING7 front lens elements. read more…
SmallHD Quantum 32 Monitor
SmallHD launches their Quantum 32 – a 31.5” OLED reference monitor. It is intended for grading suites, post-production and on-set monitoring for discerning eyes: DPs, DITs and Directors. The Quantum 32 displays HDR and SDR images using Quantum Dot OLED technology, with exceptional luminance, color uniformity and a wide viewing angle. read more…
Blackmagic URSA Cine 12K
“Ladies and Gentlemen, please fasten your seatbelts.” The descent into Las Vegas Airport for NAB can be turbulent as adiabatic or katabatic winds from the nearby Valley of Fire shake the aircraft. Blackmagic Design also seems to delight in shaking things up at NAB. This year is delightfully interesting with the introduction of their new flagship Blackmagic URSA Cine 12K… read more…
ARRI ALEXA 35 Live – Multicam System
Marc Shipman-Mueller, ARRI Senior Product Manager, and John Gilbert, ARRI Product Manager Fiber Systems, appear on a video meeting with stop-the-press news.
“ARRI is introducing a completely new camera system called the ALEXA 35 Live – Multicam System, said Marc Shipman-Mueller, ARRI Senior Product Manager. “It is for live production applications such as concerts, musical events, sports, esports, TV shows, fashion shows, scripted content, comedy specials, etc. This is a major commitment by ARRI to the live entertainment sector, bringing together specialist cameras, stabilizers, lighting, and custom solutions. We put a lot of resources into this and we’re planning other products in the future and expanding the system.” read more…
DJI Focus Pro, RS 4 Pro & RS 4
DJI PRO has three interesting new products to keep scenes steady and in focus: DJI RS 4 Pro, DJI RS 4, and DJI Focus Pro. They are intuitive, work together, setup quickly, and provide advanced focus control.
DJI Focus Pro includes Automated Manual Focus (AMF) control.
DJI RS 4 Pro is the new, top-of-line RS (Ronin Single-handle) gimbal stabilizer that, among other features, supports heavier payloads and has carbon fiber arms.
DJI RS 4 is a more affordable stabilizer for lighter payloads. read more…
Tags: DJI Focus Pro, DJI RS 4, DJI RS 4 Pro
Cooke Gallery London
“The wand chooses the wizard, remember…I think we must expect great things from you.” Stepping into the Cooke Gallery in Fitzrovia, London immediately conjures up Ollivander’s Wand Shop of J.K. Rowling’s Harry Potter and the Sorcerer’s Stone. The lens chooses the Cinematographer…no doubt about it. Wizards and filmmakers alike can step into this magical space on Newman Street. Enter into a museum-like gallery with large video displays and photographs. The current exhibition is all about Focus. Pick up a pair of headphones paired with moving images on the wall for examples of deep focus, shallow depth of field, rack focus, and more. read more…
Tags: Cooke Gallery London
ZEISS Nano Primes
ZEISS launches Nano Primes: Full Frame, fast (T1.5), lightweight and compact cine lenses. They have nice ZEISS notoriously accurate lined focus scales and marks and are amazingly affordable.
Download the free FDTimes 20-page NP PDF Special Report
excerpted from the February 2024 FDTimes edition, going online and on paper shortly.
There are 6 focal lengths in the set: 18mm, 24mm, 35mm, 50mm, 75mm, and 100mm.
Nano Primes come in E-mount. What, not PL or LPL? read more…
RED V-RAPTOR [X] & V-RAPTOR XL [X] Global Shutter
RED DIGITAL CINEMA announced new V-RAPTOR [X] 8K VV and V-RAPTOR XL [X] 8K VV cameras. Both models now have Full Frame VV global shutter sensors.
RED introduced global shutter in October 2020 on the KOMODO which has a Super35 global shutter. With a global shutter, all the photosites of the sensor are exposed simultaneously. A global shutter is good when you’re filming fast movement or explosions, fire, flashes, strobes, stunt sequences and even handheld work. With a rolling shutter, you might get artifacts from flashes, skewing and bending of objects. read more…
Sony FX3 and Wooden Camera Accessories
Once upon a time, FDTimes wrote, “The Sony FX3 camera’s cage-free design begs you to mount it anywhere—in all kinds of places where a single mounting point wouldn’t dare to thread. FX3 is free to range almost everywhere because it is small, light and ergonomic. I should have expected that calling it “cage-free” implied you don’t need a cage, and that is like asking a child not to jump in the nearest puddle. Of course there would be a cage and clever accessories—and they are now here from Wooden Camera.
Tags: Sony FX3, Wooden Camera
SmallHD Ultra 7 Monitor
The new SmallHD Ultra 7 Monitor has buttons to summon up shortcuts. Weatherproof for bad weather. Rubber bumpers to endure mayhem. Joystick for when sticky craft-service donut-encrusted fingers don’t want to touch the touchscreen.
Ultra 7 has a 1920×1200 Quantum Dot LED Edge-Lit LCD Display that is extremely bright (2300 nits). It has 6G SDI and HDMI 2.0 in and out, up to 4K 60p. It can be powered by Gold or V-Mount batteries, or external power. read more…
ARRI 360 EVO Stabilized Remote Head
ARRI has launched the 360 EVO, the third iteration of their 3-axis stabilized remote heads. It has 360-degree rotation of the roll axis (and the pan axis), heavier duty construction (payloads up to 30 kg), and more remote control possibilities. It has a new, logical graphical user interface (GUI). Many accessories can be shared with the ARRI TRINITY 2. read more…
ARRI TRINITY Live
TRINITY Live is an upgrade for ARRI’s original 3-axis vest-mounted camera stabilizer. It includes new hardware, wiring, and connections intended mainly for live, multi-camera and broadcast productions. read more…
Leica Cine 1 Projector
Far-off adventures and family trips were inevitably followed by a slide show at home. It was a ritual. Adman Mad Man Dad would set up his latest Leica Pradovit slide projector, unfurl a large retractable Da-Lite screen, dim the lights and let the show begin. Leitz/Leica Pradovit projectors were familiar fixtures for many years. It was a given that Leitz Elmarit lenses were major contributors to the luminous images sliding in the dark. read more…
Tags: Leica Cine Projector
Leitz ELSIE 125mm T2.1
Leitz ELSIE lenses cover Full Frame +, from 15mm to 150mm, all T2.1. Designed and produced at Leitz Park in Wetzlar, Germany, ELSIE primes have the familiar Leitz and Leica warmth, resolution, look and smooth skin tones. ELSIE primes come in LPL mount. As with HUGO primes, ELSIE’s LPL 44mm flange depth enabled an advanced design and high performance at a reasonable price. read more…
Tags: ELSIE Leitz Cine Lenses, Leitz, prime