Products
FUJINON Premista 19-45 T2.9 Zoom – Updated
FUJIFILM announces the third lens in their FUJINON Premista line of lightweight Full Frame zooms.
The new 19-45 mm T2.9 fulfills the demand for a wide zoom for documentary handheld shooting, Steadicam, aerials, underwater, on gimbals, remote heads and drones.
The 19-45 is 10% shorter and 14% lighter than its siblings, the Premista 28-100 mm T2.9 and Premista 80-250 mm T2.9-3.5. This is quite a feat for a short, wide zoom. The 19-45 has Cooke /i and ZEISS eXTended Data.
These are preliminary specsfor the 19-45 and will be updated when confirmed. The 19-45 is scheduled to ship in early 2021. read more…
Panasonic LUMIX S5
The new LUMIX S5 joins Panasonic’s growing line of beloved hybrid mirrorless cameras that shoot beautiful video easily.
The S5 is Full Frame—lighter and smaller than the S1H.
It shoots 4K 30p 4:2:2 10-bit and 60p 4:2:0 10-bit video internally as MOV or MP4 files.
The sensor has in-body stabilizing. Add that to Optically Image Stabilized L-mount lenses, and you gain 5 to 7 stops of steadiness. Handheld, you can almost be a human tripod.
The camera’s L-Mount has a 20 mm flange focal depth, and shares L-Mount lenses with SIGMA and Leica as part of the L-Mount alliance. read more…
Tags: Panasonic LUMIX S5
DENZ FF Optical Director’s Finder
Because not all anamorphic lenses have a 2x squeeze ratio, DENZ has added two new desqueeze modules to their OIC FF Full Frame Optical Director’s Finder. Now you can view 1.8x and 1.5x in Full Frame anamorphic desqueezed glory.
Scorpio FFA and Glaswerks Anamorphics are 2x; Cooke Full Frame Anamorphics are 1.8x and Technovision Anamorphic lenses are 1.5x, among others.
The DENZ OIC FF has a lever to flip from spherical to anamorphic (desqueezed) viewing. read more…
Tags: Denz, DENZ Optical Director’s Finder, OIC-FF
SmallHD 4K Monitors
Maybe you saw prototypes at IBC or BSC Expo. Now they’re here. SmallHD has a new series of production monitors that address screaming needs: Affordable, 4K, HDR or High Brightness or OLED, Rugged and Lightweight. Lighting and shooting 4K HDR shows while viewing on HD standard monitors seems sadly comparable to the old days of watching flickering, grainy black &… read more…
SIGMA 85mm F1.4 DG DN | Art (E & L-Mount)
SIGMA announced their latest E-Mount and L-Mount high-end 85mm F1.4 Full-Frame lens for mirrorless cameras. The new SIGMA 85mm F1.4 DG DN | Art prime lens is remarkably small and lightweight yet displays superb optical performance. MTF values even exceed its much larger 85mm F1.4 DG HSM | Art predecessor. read more…
Sony α7S III: Internal 4K 10-bit, External 4K 16-bit
Sony’s new α7S III continues to blur the boundaries between still and cine cameras. Not blurred, of course, are its images and the trajectory of thoughtful innovation inside. Some quick specifications of the new α7S III: 12 MP resolution, 4264 x 2814 3:2 (1.5:1) 36 x 24 mm sensor. ISO 80-102,400. (40-409,600 extended.) 15+ stop dynamic range in S-log3…. read more…
Blackmagic Design URSA Mini Pro 12K
July 16, 2020. We zoom from Wetzlar to Melbourne. Today was a day when resolution seemed to matter. A few hours after Andreas Kaufmann announced the new 40 Megapixel Leica M10-R (R for resolution) still camera, Grant Petty introduced the latest Blackmagic Design URSA Mini Pro 12K. He said that Blackmagic Design was aiming for the high end with this affordable camera. Did he say 12K? Yes. read more…
40 Megapixel Leica M10-R
July 16, 2020. Leica Camera introduced the latest in their long line of beloved M cameras. The new M10-R has a new, 40 Megapixel sensor. Image noise is reduced, dynamic range increased, time exposure now goes to 16 minutes for those night sky shots, and ISO ranges from 100 to 50,000. The shutter is quieter and causes less vibration…. read more…
Canon EOS R5 — Full Frame 8K RAW Inside
This should catch your attention. Canon’s new EOS R5 is a 45 Megapixel Full-Frame RF-mount mirrorless hybrid still/video camera that shoots and records 8K DCI 12-bit RAW at 2600 Mbps to an internal CFexpress card. You may not wear socks from Memorial Day to Labor Day, but if you did, the R5 specs might just knock your socks off.
Full Frame (36 x24 mm approx) 45 megapixel (4.40 μm photosites) CMOS sensor
8K RAW internal video recording up to 29.97 fps
8K internal video recording up to 29.97 fps in 4:2:2 10-bit Canon Log (H.265) / 4:2:2 10-bit HDR PQ (H.265).
4K internal video recording up to 119.88 fps in 4:2:2 10-bit Canon Log (H.265) / 4:2:2 10-bit HDR PQ (H.265).
Full-width (no crop) 8K RAW and 8K/4K sensor modes. read more…
Gods of Focus: Chris Silano
Usually this episodic series about legendary Focus Pullers is called “The Gods of Focus.” This month’s story could be called “The Lion Tamers of Focus.” Read this article to see why. Chris Silano said, “They call Preston Cinema Systems’ Light Ranger 2 the Focus Puller’s friend. And while that’s true, it’s much more. It’s also the friend of the actor, director, editor and producer. Finally, the Light Ranger is the audience’s friend as they get a better movie, every time. read more…
SIGMA fp RAW Video Recording
This is a quick summary of the full article just published in July FDTimes, issue 103.
SIGMA announced a major firmware update, V2.00, for their fp camera and the big news is support for RAW video recording.
DCI 4K 12-bit / HDMI RAW output.
RAW recording via HDMI with Atomos Ninja V monitor-recorder. (Free AtomOS firmware update for Ninja V is required).
Blackmagic RAW recording via HDMI with Blackmagic Video Assist 12G models. (Requires firmware update of Video Assist 12G models using Video Assist Update 3.3.)
HDR in video shooting. etc. read more…
Angenieux Optimo Prime 40mm T1.8
Here are framegrabs taken with the new Angénieux Optimo Prime Full Frame 4omm T1.8. Still socially distancing and wrangling family and friends feigning reluctance at lens tests, here are framegrabs of the new Angénieux Optimo Prime Full Frame 4omm T1.8. Marlena Fauer endured permutations of Optimo Prime optimization and degrees of flare. An in-depth article with interviews is coming in the next FDTimes. read more…
Angénieux Optimo Primes
Three Angénieux Optimo Primes arrived. 28mm, 40mm, 135mm. All T1.8. Full Frame. Scene One: photograph them on a plexi milkglass sweep. Images follow. First impressions: beautifully made, smooth focus cams, lightweight, small, fit in one hand (don’t need both hands for a lens change.) Lots of opportunities to customize: front filters, rear filters, and the eagerly-awaited internal element, also artistically called “palette.” read more…
Tags: Angénieux Optimo Primes
Blackmagic URSA Mini Pro 4.6K Update
Blackmagic Camera 6.9.3 Update is available now as a free download from the Blackmagic Design website for the original Blackmagic URSA Mini Pro 4.6K camera. This update brings the URSA Mini Pro 4.6K software up to the level of the URSA Mini Pro 4.6K G2 and URSA Broadcast. Our favorite thing: customizable frame guides. read more…
ARRI OCU-1 and Master Grips
Here’s a quick refresher course on the ARRI OCU-1 (Operator Control Unit) for camera operators to recover control of focus or other lens functions. The OCU-1 lets you override and take back focus, zoom or iris control from the WCU-4 (Wireless Compact Unit) at the touch of a button, even when lens motors are attached. read more…
Canon CINE-SERVO 25-250mm T2.95-3.95 Zoom
Canon’s new CINE-SERVO 25-250 mm T2.95-3.95 weighs a mere 6.7 lb and is about 11 inches long. It comes in PL or EF mount. Usually you don’t handhold a 10:1 zoom. This one you can. It covers Super35 and, with its built-in 1.5x Extender/Expander, Full Frame as well. In M.O.D. Mode, you can fill the frame with an image area about the size of a credit card. read more…
AJA U-TAP for Webcam
The AJA U-TAP HDMI works as a great high-end webcam. You can attach many video or still cameras with an HDMI connector. AJA also makes an SDI version: U-TAP SDI. Wouldn’t it be nice to have a webcam with a really good camera, a lens worthy of your attention and tighter than The Revenant? Most likely, the built-in webcam on your laptop has the equivalent of 28mm Full Frame (18mm Super35) lens and the depth of field goes from here to eternity. The U-TAP changes all that. read more…
Tags: AJA U-TAP, AJA U-Tap Webcam
Atomos Ninja V + Z CAM + ProRes RAW 12-bit
The Apple ProRes RAW “consortium” continues to grow. Atomos Ninja V 5” HDR monitor-recorders and Z CAM E2 cinema cameras will soon record 12-bit Apple ProRes RAW via HDMI up to 4Kp60. Atomos and Z CAM also announced development of touch-screen camera control on the Ninja V for E2 system cameras. The cameras can be operated and key settings adjusted from the Ninja V’s AtomOS touch screen. read more…
Codex Compact Drive Dock for ALEXA Mini LF
Codex and ARRI introduce their new Thunderbolt 3 Compact Drive Dock. It can read ARRI ALEXA Mini LF Compact Drive Media up to 20 Gb/sec. That is 2.5x faster than the currently-shipping Compact Drive USB-C Reader.
The Codex Compact Drive Dock lets you offload ARRI ALEXA Mini LF data much faster than ever before. Combined with Codex Device Manager and HDE (High Density Encoding), downloads are easy and reliable. read more…
Mole LED Spacelites and 20K LED
The next generation of Mole-Richardson Co. LED Spacelites will debut in 2020 — the Varispace 2 and Varispace 4. With power draws of 350 watts for the Varispace 2, and 900 watts for the Varispace 4, they are designed as LED alternatives to the Mole 2000 watt and 6000 watt quartz Spacelites. read more…
