Tag Archives: RED V-RAPTOR Full Frame
Mike Prickett, 100 Foot Wave, 50-1000 Zooms
Michael Prickett, DP on the HBO documentary series “100 Foot Wave”, won a 2022 Emmy for Outstanding Cinematography. The 6-part series centers on big wave surfer Garrett McNamara and giant waves at Nazaré, Portugal. Equipment included Canon EOS C500 MkII, RED MONSTRO 8K, V-RAPTOR, Phantom 4K Flex and Canon Cine-Servo 50-1000mm zooms, among other things. read more…
Michael Cioni on Frame.io C2C and Partners
Michael Cioni was like an orchestra conductor in a candy store at Cine Gear LA this past June. With BSC Expo coming up, I expect to see cameras, audio recorders and post production apps festooned again with Adobe Frame.io Camera to Cloud and Adobe’s Creative Cloud services.
Michael Cioni called with interesting comments a few months ago. Ask Michael one question and that will elicit a wordflow —WORDFLOW! — that requires no additional prompting.
He began, “What’s fun is that this has actually been a long time coming. Even though we’ve had great success with Camera to Cloud thus far, adding the RED V-RAPTOR and the Fujifilm X-H2S took quite some time. There’s an old phrase that I love: “The best time to plant a tree is 20 years ago.” read more…
RED V-RAPTOR Full Frame
Following on the Super35 KOMODO, another repilian-named RED camera arrived.
RED announced V-RAPTOR, as in Velociraptor.
V-RAPTOR is an 8K Full Frame (VV) or 6K Super35 cine camera. It weighs 4.03 lb.
V-RAPTOR has a new DSMC3 body that is just slightly larger than KOMODO–so it’s about 4.25″ h x 4.25″ w x 6″ long. The sensor was described as a new design with 8K resolution 8192 x 4320 (40.96mm x 21.60mm) and blisteringly fast top speeds–including 120 fps in 8K. read more…
Tags: RED V-RAPTOR Full Frame, V-RAPTOR