Products
Ovide Koko 10″ Recorder/Mon/Video Assist v1.7
Ovide Koko is a versatile and highly capable 10″ 4K HDR video assist monitor/recorder with VAO (Video Assist Operator), Focus Puller and DIT functions.
It is the lighter, smaller, faster and nimble 10″ brother of Ovide’s larger 24″ Ovide Smart Assist and Smart Assist M-400 models.
Koko is the monitor/recorder/video assist unit to carry handheld as you scramble up a hill for that spectacular sunset sequence. It also fits comfortably on your crowded DIT or VAO cart or mount nicely as an onboard camera monitor or on a Focus Puller’s rolling stand. Attach left and right handgrips to the anti-twist threads on each side and view/record/playback handheld. read more…
Manfrotto ONE Tripod with Quick XCHANGE Top
The Manfrotto ONE is a stylish, lightweight, hybrid tripod system that’s fun, fast and flexible.
It combines the speed of still photography setups with smooth moves for cine. You can swap heads with a quick twist of the wrist. No more fumbling with 3/8-16 threads.
Each tripod leg has 3 sections. The nicely stiff sections lock and unlock simultaneously with XTEND levers comfortably located at the top of each leg. One lever per leg secures all three sections, saving lots of setup time.
Another lever, just below the base and appropriately labeled LVL, instantly loosens or locks the captive ball level.
The center column not only takes your camera higher but also adjusts to horizontal and underslung configurations. read more…
Laowa Probe Zoom 15-35mm T12 – T40
Laowa’s latest Full Frame Probe Zoom turns the tables on tabletop work.
There are two versions: Laowa Probe Zoom Macro Lens: 15-35mm T12-T40 and 15-24mm T8-T32. They have interchangeable mounts: PL, E, L, Z, RF and EF. And there are four configurations: Direct View (straight tube); 35-Degree View; 90-Degree View; and Periscope.
With the simple turn of the M0.8 geared zoom barrel, we zoom in on the Ikura, going from 15mm (110.5° angle of view in the framegrab at the top of this story) to 35mm. For reference, each briny salmon roe egg is about 5mm in diameter. The lens is parfocal — it maintains focus as you zoom in. read more…
Sigma AF Cine 28-45 on Blackmagic PYXIS 12K
Character continued: the look of a new lens and the character who does FDTimes—abandoned by talent and crew after long hours of tabletop product shots, resorting once again to cine self portraiture with the new Sigma AF CINE LINE 28-45mm T2 FF on a Blackmagic PYXIS 12K camera.
Working in multi-hyphenate mode as Director-producer-DP-Character-Gaffer-AC-DIT is a foolish endeavor. Fortunately, the PYXIS 12K with L-Mount allows autofocus and auto iris with so-equipped lenses. And as the name says, the Sigma AF Cine 28-45 T2 FF (Full Frame) can switch seamlessly from auto to manual focus with the flip of a switch. The iris ring rotates in familiar third-stop linear increments and then on to “A” as in Auto. read more…
55/65 Larger Format Anamorphic Lenses
In this episode of the Fujifilm GFX ETERNA 55 saga, let’s answer some questions asked about availability of anamorphic lenses for Larger Format (55/65).
The GFX ETERNA 55 has an interesting sensor for anamorphic because it’s the tallest so far for digital Larger Formats and it has a familiar 4:3 (1.33:1) aspect ratio that desqueezes comfortably without having to crop vast amounts of real estate.
Here’s Fujifilm’s ever-popular John Blackwood squeezed 1.5x on the GFX ETERNA 55’s 43.6 x 32.7 mm (54.53 mm Ø) sensor with a prototype Atlas Kaizen 65 format 75mm T2.2 1.5x anamorphic. fdtimes.us/65anamorphic read more…
Fujifilm GFX ETERNA 55
Here is the first of several Fujifilm GFX ETERNA 55 camera reports. GFX ETERNA 55 with Tilta accessories and Fujifilm GF32-90mmT3.5 PZ OIS WR zoom lens on a Cartoni Mixo 21 head with carbon fiber legs and a prototype 65mm format Atlas Kaizen 75mm 1.5x anamorphic lens. read more…
Tags: Fujifilm GFX ETERNA 55
DJI Osmo Action 6
DJI releases the Osmo Action 6. It’s an all-in-one action camera with an adjustable apertures from f/2.0 to f/4.0. The 1/1.1-inch square CMOS sensor has a pixel pitch of 2.4 μm which is large for such a small sensor, making it very capable in low light. Most action cameras have fixed apertures—typically f/2.8. The DJI Osmo Action 6 has a maximum aperture of f/2.0 that can be set manually. There’s also an adaptive auto aperture mode, with stops from f/2.0 to f/4.0. read more…
Tags: Action Camera, DJI Osmo Action 6
Nanlux Evoke 150C & 600C with 8-Color Nebula Light Engine
The Nebula C8 is the new eight-color LED Light Engine from NANLUX. It includes deep red, red, amber, lime, green, cyan, blue, and indigo emitters. NANLUX’s proprietary color-mixing technology precisely balances and blends these eight colors to provide a wider color temperature range, better skin tone reproduction and a broader color gamut. read more…
Angénieux IOP Oval Iris
Optimo Primes normally come with round 9-blade irises. Interchangeable 3-blade vintage-style iris are also available. But what if you want to have an anamorphic look, or match spherical with anamorphic, or the VFX team insists on distortion-free lenses? New 16-blade oval irises are now available. read more…
Canon Cinema EOS C50
Full Frame, Full Width, Full Height 3:2. fdtimes.us/c50
Like the chant “Asa Nisi Masa” in Fellini’s 8½, the cheer for Canon’s new Cinema EOS C50 camera is “Full Frame, Full Height, 3:2.”
This is Canon’s first Cinema EOS camera with a Full Frame, Full Height, Full Width 3:2 recording format. It is also Canon’s smallest and lightest Cinema EOS camera—even smaller than their ever-popular R5 C and even more dedicated to cinematography. Fellini’s alter ego director Guido Anselmi, played by Marcello Mastroianni, would now be chanting “Lighter, Smaller, Faster, Cooler.”
The Canon Cinema EOS C50 has a 32 Megapixel sensor that can record 7K RAW ST internally, covering the entire 36 x 24 mm sensor—the same image area occupied in 3:2 still photo mode. read more…
Tags: Canon Cinema EOS C50
EVF on Fujifilm ETERNA 55
A couple of days after the Fujifilm ETERNA 55 camera launched at a gala event in the Amsterdam EYE Film Museum, it sported a new prototype EVF at IBC.
The 3D-printed electronic viewfinder was connected and displayed images. We were told that this is not the final shape or configuration and it was developed in response to numerous user requests. read more…
Leitz HUGO Family grows to 14
And now there are 14 Leitz HUGO lenses. A beloved 40mm focal length joins the HUGO Series from Leitz Cine. In the beginning there were nine siblings in the HUGO family. They were descendents of beloved Leica M lenses, redesigned with robust cine-style barrels and gears and fitted with LPL, Leica M or Leica L Mounts. This is Series I. (The 50-N HUGO is in the N-as-in-Noctilux Series.) The HUGO family grew to 13 a year ago with the addition of the 75mm T2.1, 66mm T2.1 and 90mm T2.1. This is Series II. The new Leitz Cine 40mm T1.5 HUGO is ready for pre-order and expected to ship in Q4 of 2025. read more…
ARRI ALEXA 35 Xtreme
ARRI’s new ALEXA 35 Xtreme will replace the regular ALEXA 35. It will cost the same. But it goes extremely fast, with slow motion speeds up to 660 fps. On the outside, the 35 Xtreme looks the same as ALEXA 35, except for the extremely Xtreme graphic on the camera right side and taller antennas. ALEXA 35 Xtreme has a new processor, more efficient cooling and some new electronics. The sensor, body, controls, buttons, finder, menu and accessories remain the same. read more…
FUJIFILM GFX100RF
While waiting for GFX ETERNA, get ready for “More than Full Frame” imaging with the new 102 megapixel FUJIFLM GFX100RF camera. While FDT was calling it “Larger Format,” and others referred to it as “Medium Format,” Fujifilm trademarked “More than Full Frame.”
Tags: FUJIFILM GFX100RF
AJA KUMO 6464-12G
Is your current router starting to get overwhelmed as you work with more and more high resolution, high dynamic range signals? With 64x 12G-SDI inputs and 64x 12G-SDI outputs, AJA KUMO 6464-12G has you covered, offering high bandwidth and cost-effective signal routing. read more…
Tags: AJA KUMO 6464-12G
RED V-RAPTOR [X] and KOMODO-X Z Mount
RED V-RAPTOR [X] and KOMODO-X now come with a choice of locking Nikon Z mounts or locking RF mounts. The Nikon Z Mount has a Flange Focal Depth of a mere 16 mm from lens mount to sensor. Inside diameter of the mount is 55 mm. read more…
Nanlux Evoke 5000B – 5,000 Watt LED
NANLUX introduced the Evoke 5000B on February 12, 2025 in London. Powerful, IP66 weatherproof, this 5000 Watt LED fixture approaches the brightness of a 9kW HMI or 24kW tungsten light.
“B” is for bi-color: color temperature adjusts from 2700K-6500K with Green/Magenta correction. read more…
Tags: Nanlux Evoke 5000B
Sony OCELLUS Camera Tracking System
OCELLUS is the new camera tracking system from Sony. It consists of 3 parts: a sensor unit that sits on top of the camera, a processing box to calculate data, and lens encoders.
OCELLUS is marker-free. It recognizes objects on set and on location, so you do not have to attach targets on ceilings, walls or the ground. read more…
ALEXA 265 – 65mm Format Camera
The ARRI ALEXA 265 launched in December 2024. Here are some camera views from our FDTimes February 2025 article. read more…
Preston and RED Talk to Each Other
Preston Cinema Systems and RED Digital Cinema cameras now talk to each other.
RED has added a new communication protocol in Firmware 2.0 that allows for even more devices to communicate with the camera using the existing RCP2 (RED Command Protocol). Serial devices can communicate with the camera—as long as they can parse the language RCP2 uses. Previously, it was an entirely network-oriented protocol. read more…
