Products

SmallHD Cine7 RED Camera Control

SmallHD is releasing a new Camera Control for RED DSMC2 software license for their popular Cine7 touchscreen monitors. This software gives users full menu access to a RED DSMC2 camera when the monitor is connected using an included custom cable. With just a simple swipe across the screen, a menu appears as an overlay with offerings of multiple options to dial-in configurations for the camera. read more…

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Sony F EC 16-35mm T3.1 G Full Frame Zoom

Just as the FX9 was inevitable, so were more Sony E-mount cinema lenses. The new FE C 16-35mm T3.1 G zoom is the first in a new series of Full-Frame zooms. Focus, iris and zoom gears are all standard 0.8M. The iris clicks and declicks for cine or still work. Zoom is switchable from manual to servo. The servo unit comes with the lens and is operated by the camera handle or handgrip zoom control. The servo can be detached. The Sony FE C 16-35mm T3.1 G zoom lens will be available around Spring 2020. Estimated price is $5,500. read more…

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Sony PXW-FX9 Full Frame

The Sony FX9 is an affordable, compact, lightweight cine camera that can democratize Full-Frame. With a new companion Full-Frame zoom lens, this system is about the same size and weight as Super35 predecessors and still shoots both formats. Full-Frame cine becomes mainstream. And, history repeats itself. read more…

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ARRI ALEXA Mini LF

ARRI ALEXA Mini LF is shipping now. It is thoughtfully designed and meticulously built. Usually the measure of a camera’s goodness is to count how many petty peeves you wrote down to send to the engineers. The fewer the better. This time, the page was blank. It’s my favorite ARRI camera since the Arriflex 235. read more…

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IBC 2019 Slideshow

Highlights of IBC 2019 from FDTimes: slideshow. read more…

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MINI MIX from DMG Lumière by ROSCO

The MINI MIX from DMG Lumière by ROSCO blends six LEDs to create almost any color you can conjure up or you can accurately match Rosco gels. read more…

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Wooden Camera LPL Mounts for RED and Sony

Wooden Camera has LPL Mounts for RED DSMC2, Sony VENICE and Sony E-mount Alpha mirrorless cameras (a9, α7 series). LPL is the new lens mount introduced by ARRI in February 2018. It is standard on ALEXA LF and now ALEXA Mini LF. LPL has a 44 mm Flange Focal Depth and 62 mm Inside Diameter. ARRI Signature Primes only come with LPL mounts. By the way, all PL mount lenses fit by using a PL to LPL adapter. read more…

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Servicevision Scorpiorama 70 Full-Frame 1.65x Squeeze Front Anamorphic

At IBC 2019, Servicevision will present new 1.65x FFA Full-Frame Front Anamorphic lenses. They have characteristic flares, streaks and the smoothness that you get from front anamorphic cylinders. The 1.65x squeeze ratio fills a 1.5:1 (3:2) Full-Frame sensor like ALEXA or VENICE and desqueezes it very nicely to 2.39:1 without wasting left and right side pixels in post. The Servicevision 1.65x FFA lenses are small and lightweight and have front anamorphic elements.  These lenses premiere at IBC in Servicevision’s booth 12.C43. read more…

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Panasonic S1H Full-Frame 6K

Panasonic’s Matt Frazer describes the S1H as “a camera that speaks three languages: still, video and filmmaking.” Let’s begin with its compelling capabilities for filmmaking since the S1H has also been called a DSLM (Digital Single Lens Mirrorless) with “A” camera image quality. The S1H offers 6K Full-Frame 4:2:0 10-bit, 4K Full Frame 4:2:2 10-bit, and 4K Super35 4:2:0 10-bit internal video recording (among many other choices.)  An HDMI Type A connector outputs 4:2:2 10-bit 4K 60p/50p and other things that we’ll get to in another story. read more…

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NEW K35 Primes by Servicevision.

Those Full Frame Fanatics from Barcelona are at it again. The same Servicevision team who designed and built the FFA Scorpiolens Anamorphic 2x primes have developed a completely new series of lenses with matching characteristics, flares and bokeh to augment the original, venerable, vintage Canon K35 sets. These new lenses are called NEW K35 by Servicevision. The set includes a 15mm T1.5… read more…

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Bright Tangerine Drumstix

Drum roll please. Bright Tangerine’s new Drumstix Sterling Titanium Support Rods are incredibly lightweight and very solid—¼ of the weight of stainless steel lens rods. read more…

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Vocas LPL and PL Mounts

The Vocas camera accessory line will be shown at NAB 2019 in the booths of several leading brands such as Angenieux, Atomos, Panasonic, Spirit Labs, etc. read more…

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Sony α7R IV – 61 Megapixels

Sony launched their new full-frame mirrorless a7R IV (model ILCE-7RM4) today. With a new 61 megapixel sensor, this is Sony’s highest resolution full-frame camera. It has a totally new sensor—the first major update for Alpha still cameras since 2015. The full-frame sensor measures 35.7×23.8mm. We estimate the pixel pitch around 3.6 microns. Maximum resolution for stills is 9504 x 6336. Gone may… read more…

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SIGMA Classic Primes

At the SIGMA launch in Tokyo, CEO Kazuto Yamaki kept pulling rabbits out of the hat. Actually, no rabbits and no hat — just gasps of astonishment when a SIGMA Classic Prime appeared in his hand on stage. Uncoated inside, mildly coated on the outside front and rear element surfaces, these are flarey, classic, vintage primes that will make Samuel… read more…

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SIGMA FP 4K Full Frame 12-bit RAW Camera

Fortissimo Pianissimo. fp. The New SIGMA FP camera was introduced in Tokyo on Thursday evening. SIGMA CEO Kazurto Yamaki calls it a “deconstructed digital imaging device.” It seamlessly bridges the gaps from still photography to video, from smart phone to Directors Finder. Astonishingly, it shoots Full Frane 4K 12-bit RAW internally. It has an L mount (20m FFD) and is… read more…

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SIGMA L Mount & E-Mount Lens Launch

Today in Tokyo, SIGMA introduces the first 3 models in a new series of full-frame lenses for mirrorless cameras. The SIGMA 14-24mm F2.8 DG DN | Art is a large-diameter, ultra-wide-angle zoom lens for L-Mount and Sony E-mount full-frame mirrorless cameras. It is astonishingly compact – almost impossibly small. The SIGMA 35mm F1.2 DG DN | Art is described by SIGMA as “The world’s first autofocus 35mm F1.2 L-Mount and Sony E-mount lens for full-frame mirrorless systems. F1.2 maximum aperture.” The SIGMA 45mm F2.8 DG DN | Contemporary is an all-purpose lens that is intended to travel with the camera at all times, ready for rapid street photography and any other shot you might want to grab at a moment’s notice. read more…

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Hasselblad X1D II 50C

This is the next episode in Game of Formats, and a very exciting saga it promises to be. Hasselblad introduced their new X1D II 50C mirrorless Medium Format digital camera today. It has the same lens mount as the original X1D introduced in 2016 and many improvements. The XCD lens mount has an 18.3mm flange focal depth and ~61mm Inside Diameter. That’s an extremely short distance from the lens mount to the sensor, which is nice. Google “Hasselblad XCD Adapters” and you’ll see many mechanical mounts. The 50 megapixel CMOS sensor has 5.3μm photosites. It measures 43.8 x 32.9 mm, which is 54.78mm diagonal. read more…

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Panasonic S1H: Full Frame 24p, 6K

S1H The Panasonic Lumix DC-S1H launched at 12:30pm at Cine Gear on May 31, 2019. The S1H is a full-frame, 36mm x 24mm sensor, 24p, 6K video camera “hiding” in the body of a DSLM. The shape makes it great as a grab camera, handheld, on rigs, gimbals, drones, or fully outfitted with a studio rig. It gets interesting when… read more…

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FDTimes June 2019 Online & at Cine Gear

Film and Digital Times June 2019 Issue 95 is now online. Go to fdtimes.com top left for details and download. We are also at Cine Gear. Visit us in booth 207 in the New York Streets. read more…

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Angénieux Optimo Prime Flying In

Enroute AF 072 CDG-LAX. May 29. Flying in to Cine Gear

Across the aisle on Air France 072 from Paris to LAX is a 40mm prototype Angénieux Optimo Prime. It is carefully hand-carried by Angénieux executives Severine Serrano, Christophe Remontet and Emmanuel Sprauel — heading for Cine Gear this Friday-Saturday. See the framegrabs in the post as well. read more…

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