Monthly Archives: November 2016

InterBEE 2016 Tokyo

InterBEE 2016 ran for 3 days — November 16, 17, 18 in the Makuhari Messe Convention Center, Chiba, about an hour northeast of Tokyo. 1,090 companies and organizations exhibited in 1,926 booths. There were 593 exhibitors from 34 countries. 38,047 visitors attended. 6,000 copies of the Special November Film and Digital Times InterBEE Edition in Japanese were printed in Tokyo and distributed at… read more…

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FDTimes InterBEE Japanese Edition

FDTJ – Film and Digital Times Japan November 2016 InterBEE Japanese Language Edition is now ready to download. read more…

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ALEXA 65 at Age 2, ARRI Rental & ARRI Tour

This Report is a 24-page “reprint” from FDTimes November 2016 Edition, #79: ARRI ALEXA 65 at Age 2, its newest 65mm format lenses,  ALEXA Prime 65 S Series and Prime DNA Series, a tour of ARRI Rental’s new facility near Munich, a look at camera manufacturing on Türkenstrasse and ARRI’s post facilities at Bavariafilm. read more…

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Sony FS7 II Quick Guide – Free Download

Read FDTimes’ free 12-page how-to quick guide to Sony’s new cinéma vérité PXW-FS7 II camera. New features of the camera: Lever Lock E-mount, In-Camera Electronic Variable ND, versatile viewfinder, smarter SmartGrip, improved ergonomics. read more…

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New Sony FS7 II with Lever Lock E-Mount

Sony introduces the new cinéma vérité PXW-FS7 II. The successful FS7 will remain in Sony’s lineup. However, the FS7 II is the model you’ll want for its new Lever Lock E-mount, In-Camera Electronic Variable ND, versatile viewfinder, smarter SmartGrip, and improved interface. Imagine the familiar E-mount of previous FS or a7 series cameras. Now, instead of twisting the lens clockwise to secure it within the mount, the new Lever Lock E-mount works like an industry-standard PL, PV or Mitchell style breech lock. read more…

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BIRTV China 2016

The China film industry’s growth potential is big, increasing at 17% per year since 2011. The media and film industry at the end of 2016 will be worth $180 billion and next year an increase is expected, while the domestic film audience will exceed that of the U.S. in less than four years. Today, China’s movie ticket sales is second only to the U.S. Last year’s box office revenue hit a record $6.8 billion – up 49% from 2014. All this activity was tangible at this year’s BIRTV in Beijing, Asia’s influential exhibition for the film and broadcast industry. read more…

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