Issue 130 Contents

• Yokohama Harbor……………………………………………………………………………. 3
• The Beautiful Foolishness of Things………………………………………………… 4
• Sigma BF Beautifully Foolish, Brilliantly Fun Camera………………………… 5
• Sigma BF………………………………………………………………………………………. 6
• Sigma BF L-Log and Aspect Ratios………………………………………………….. 7
• Kazuto Yamaki on the Sigma BF……………………………………………………… 8
• BF Worldwide Launch at Sigma Head Office in Kanagawa…………………. 9
• Sigma BF L-Mount…………………………………………………………………………. 10
• Sigma DG Contemporary I Series L-Mount Lenses…………………………….. 10
• BF Launch at CP+ Yokohama…………………………………………………………… 11
• BF: Beauty and Function………………………………………………………………….. 12
• BF: Beautiful Food………………………………………………………………………….. 13
• DJI RS 4 Mini……………………………………………………………………………….. 14
• DJI RS 4 Mini with BF and S1RII…………………………………………………….. 15
• Sony City Minato Mirai in Yokohama……………………………………………….. 16
• Sony VENICE Extension System Mini (aka RIALTO Mini)…………………… 17
• Sony RIALTO Mini…………………………………………………………………………… 18
• Sony RIALTO Mini Camera Views……………………………………………………… 19
• Sony RIALTO Mini…………………………………………………………………………… 20
• Leitz LPL Mount for Sony RIALTO Mini…………………………………………….. 20
• Sony OCELLUS Camera Tracking System…………………………………………… 21
• Sony OCELLUS Details……………………………………………………………………. 22
• Sony OCELLUS……………………………………………………………………………… 23
• Preston Cinema and RED Cameras Talk to Each Other………………………… 24
• Preston Hand Unit 4 Display for RED Camera Menus…………………………. 25
• Nanlux Evoke 5000B – 5,000 Watt LED……………………………………………. 26
• Nanlux Evoke 5000B………………………………………………………………………. 27
• ALEXA 265 – 65mm Format Camera Views…………………………………………. 28
• ALEXA 265 Filter Cartridge………………………………………………………………. 28
• ALEXA 265 – 65mm Format Camera………………………………………………….. 29
• DJI SDR (Software Defined Radio) Transmission System…………………….. 30
• DJI SDR Transmission System Setups……………………………………………….. 31
• Blackmagic URSA Cine 17K 65 Updates……………………………………………… 32
• Blackmagic URSA Cine 17K 65…………………………………………………………. 33
• Blackmagic URSA Cine 17K 65 Camera Views……………………………………… 34
• Blackmagic URSA Cine 17K 65 Media Module and Dock…………………….. 35
• Blackmagic URSA Cine 17K 65 Camera Systems Ready to Roll…………….. 35
• Blackmagic URSA Cine 17K 65 Camera Left………………………………………… 36
• Blackmagic URSA Cine 17K 65 Camera Right & Rear………………………….. 37
• URSA Cine 17K 65 Lens Mounts……………………………………………………….. 38
• URSA Cine 17K 65 Top & Bottom………………………………………………………. 39
• URSA Cine 17K 65 — Formats, Aspect Ratios, Image Size, etc……………… 40
• Connections…………………………………………………………………………………. 40
• URSA 65 with Cooke Panchro /i 65…………………………………………………. 41
• 65mm Format Lenses…………………………………………………………………….. 41
• TILTA Nucleus-M II – new Wireless Lens Control……………………… 42
• TILTA Nucleus-M II Wireless Lens Control…………………………….. 43
• FUJIFILM GFX ETERNA Open Gate……………………………………………….. 44
• FUJIFILM GFX ETERNA at CP+ and BSC Expo………………………………… 45
• FUJIFILM GFX100RF………………………………………………………………………. 46
• FUJIFILM GFX100RF………………………………………………………………………. 47
• ZEISS Cine Team Stories………………………………………………………………….. 48
• ZEISS Cine Team Stories………………………………………………………………….. 49
• RED V-RAPTOR [X] and KOMODO-X Z Mount…………………………………. 50
• Panasonic LUMIX S1RII…………………………………………………………………… 51
• LUMIX S1RII Setup and Menus………………………………………………………….. 52
• LUMIX S1RII Setup and Menus………………………………………………………….. 53
• LUMIX S1RII Setup and Menus………………………………………………………….. 54
• LUMIX S1RII Setup and Menus………………………………………………………….. 55
• Cartoni, Spaghetti Carbonara, 90th Anniversary and E-Heads …………….. 56
• Cartoni, E-Heads, Professional Show, Qubit ………………………………………… 57
• Cartoni, E-Heads, Professional Show, Qubit ………………………………………. 58
• AJA BRIDGE LIVE 3G-8…………………………………………………………………… 59
• AJA KUMO 6464-12G…………………………………………………………………….. 60
• AJA DANTE-12GAM……………………………………………………………………….. 61

• Ensō………………………………………………………………………………………. 4
• Introduction to Ensō Primes by Walter Trauninger ……………………….. 5
• ARRI Ensō Prime Lenses………………………………………………………….. 6
• Thorsten Meywald on ARRI Ensō Primes………………………………….7-8
• Ensō Specifications………………………………………………………………….. 9
• Lake Suwa in 1830, by Hokusai ………………………………………………. 10
• Lake Suwa today, Nagano Prefecture……………………………………….. 11
• Ensō Tabletop: Extremely Close Focus……………………………………… 12
• Ensō at Masumi Brewery…………………………………………………………. 13
• Ensō Portraits…………………………………………………………………….14-15
• nittoh: from Silk to Cine Lenses………………………………………………… 16
• Ensō Manufacturing…………………………………………………………….17-18
• Ensō Lens Coating…………………………………………………………………. 19
• Ensō Lens Assembly………………………………………………………………. 20
• Tom Fährmann Up Close with Ensō………………………………………21-22
• Ensō Frames…………………………………………………………………………. 23
• LARGER FORMAT…………………………………………………………………. 24
• FUJIFILM GFX ETERNA Larger Format Filmmaking Camera…..24-25
• Blackmagic URSA Cine 17K 65…………………………………………….26-27
• Cooke Panchro 65/i Lens Series…………………………………………..28-29
• Leitz THALIA for 65mm Format………………………………………………… 30
• Ottoblads for 65mm Format……………………………………………………… 31
• BLACKWING7 and EZANA for Larger Format……………………………. 32
• Blackmagic URSA 65mm & LF Cameras…………………………………… 33
• Vance Burberry, ASC, ACS on URSA LF & 65………………………..34-36
• Burberry and Nemenzised URSA Cine LF…………………………………. 37
• Burberry Blackmagic URSA Cine LF Frames………………………….38-39
• Blackmagic Camera 9.1.2 Update for URSA Cine 12K LF……………. 40
• Wooden Camera Elite Accessories for URSA 65 & LF…………………. 41
• SIGMA Prototype Manual / Autofocus Cine Lens………………………… 42
• Canon Firmware Updates………………………………………………………… 43
• Wooden Camera Canon EOS C80 Accessories…………………………. 44
• Kinefinity SDI e-Viewfinder ……………………………………………………… 45
• Canon RF Hybrid Auto/Manual Iris and Zoom Lenses……………..46-47
• Sony Firmware Updates………………………………………………………….. 48
• EL Zone in Sony VENICE 2 Version 4.0…………………………………….. 49
• ZEISS Supreme Zoom Radiance (SZR)…………………………………….. 50
• Christophe Casenave Introduces SZR………………………………………. 51
• ZEISS SZR and SPR………………………………………………………………. 52
• ZEISS SZR, SPR, SP Specifications…………………………………………. 53
• Markus Förderer, ASC, BVK on SZR……………………………………..54-57
• Markus Förderer’s My View SZR Frames………………………………58-59
• Lensworks Legacy 1.8x Anamorphic Primes………………………………. 60
• Nanlite PavoSlim Series………………………………………………………….. 61
• Nanlux EVOKE 2400B…………………………………………………………62-63
• Panasonic LUMIX S5IIX (DC-S5M2X) Firmware Updates……………. 64
• Panasonic LUMIX S5IIX …………………………………………………………. 65
• Litepanels Gemini 2×1 Hard Spacelight…………………………………66-67
• Adorama Rental Company (ARC)…………………………………………….. 68
• Godox KNOWLED MS60R “Inkie”…………………………………………….. 69
• Godox KNOWLED Lighting Series………………………………………..70-71
• DJI Ronin RS4 Pro with Focus Pro Hand Unit and LiDAR………..72-77
• Ronford-Baker Atlas Mini 7………………………………………………………. 78

Contents: June 2024 Issue 126

• What’s in Your Bag? New Canon Cinema EOS C400………………………….. 4
• New Canon Cinema EOS C400…………………………………………………………5-9
• Canon Cinema EOS C400 with RF Zoom Lenses…………………………………… 10
• Canon Cinema EOS C400 with RF to PL Mount Adapter…………………………. 11
• EOS C400 with PL mount lens………………………………………………………….. 11
• Canon EOS C400 Prep, Menus and Monitor Views………………………………… 12
• New Tiffen Gear at Cine Gear Expo…………………………………………………….. 14
• Steadicam Volt3 on M-2 Series…………………………………………………………. 15
• STEADICAM G-70x. Arm……………………………………………………………..16-17
• Steadicam Axis—with 3-Axis Volt Stabilization……………………………………. 18
• New Tiffen MCS (Mag Control System) Magnetic Filters………………………. 19
• New Preston Cinema Systems MDR-5…………………………………………….20-21
• Preston Cinema UK………………………………………………………………………… 22
• Preston Cinema EU………………………………………………………………………… 22
• SmallHD Quantum 32…………………………………………………………………….. 23
• Blackmagic URSA Cine 12K………………………………………………………….24-28
• Blackmagic PYXIS 6K……………………………………………………………………… 29
• Krystian Winszewski, Signature Primes and Impression Filters……………..30-31
• Jason Wright: Portrait of a Racing Driver Framegrabs…………………………32-33
• Krystian Winszewski, Signature Primes and Impression Filters…………… 34
• Bright Tangerine Prodigy Air Deflector, Signatures and Impressions……. 35
• Keiji Oishi and Jarred Land on Nikon and RED……………………………..36-39
• Checco Varese, ASC: Ang.nieux Optimo Primes, VENICE 2…………….. 40
• Litepanels Astra IP………………………………………………………………………. 44
• Anton/Bauer VCLX LI Battery……………………………………………………….. 45
• Salty-E Dog News………………………………………………………………………….. 45
• OConnor 2575E…………………………………………………………………………….. 46
• OConnor 2575E Platinum Edition…………………………………………………… 47
• ZEISS Nano Primes and Sony BURANO on McLaren……………………….48-51
• Nanlite PavoSlim 240B, 240C, 60CL………………………………………………. 52
• Lens Cuff…………………………………………………………………………………….. 53
• Markus F.rderer’s CINEFLARES…………………………………………………….. 53
• Pr.t . Tourner Lens Charts………………………………………………………………. 54
• Second Edition BLACKWING7 Binaries…………………………………………… 55
• Infinity Photo-Optical DipR …………………………………………………………. 56
• Kipon 1.25x CINE Expander…………………………………………………………. 56
• Ron Sim, CSC — SIMMOD and CINEXYZ………………………………………. 57
• Coral 1.5x Anamorphic FF from Second Reef……………………………………58-59
• Krypton OR Lenses………………………………………………………………………… 60
• OFG Customs 65…………………………………………………………………………… 61
• SIGMA 28-45 F1.8 DG DN ART……………………………………………………… 62
• SIGMA 24-70 F2.8 DG DN II ART ………………………………………………… 62

Contents: April 2024 Issue 125

• Simon Beaufils on Anatomy of a Fall 4-8
• Frames from Anatomy of a Fall 9
• DJI RS 4 Pro, DJI RS 4, and DJI Focus Pro  10
• DJI RS 4 Pro 11
• DJI RS 4 Pro compared with DJI RS 4 12
• DJI RS 4 12-13
• DJI Focus Pro 14-15
• Cooke Gallery London 16-17
• Cooke SP3 Lens Mounts: M, L, RF and E 18-19
• Jonathan Ricquebourg, AFC on The Taste of Things 20-23
• Baselight 6.0 for DPs, ACs, Directors, Producers… 24-25
• AJA ColorBox v2.1 26-27
• Tiffen MagSafe 58mm Filter System for iPhone 28
• SHAPE WLB 29
• Leica SL3 30-32
• ARRI ALEXA 35 Live – Multicam System 32-35
• Philipp Paulus on Blackmagic Cinema Camera 6K 36-41
• Nanlux Motorized Fresnel FL-35E for Evoke 2400B 42-43
• Fujifilm GFX100 II Larger Format 44-45
• Assembling Fujifilm GFX100 II 46
• Fujifilm GF Lens Assembly 46
• The GFX FDT Assembly Challenge 47-49
• Cartoni Encoded E-Lambda 25, E-Maxima 5.0, E-Jibo 50
• Tilta Khronos System for iPhone 15 Pro / Pro Max 51
• Funicular Goats 52-56
• SIGMA 15mm F1.4 DG DN & 500mm F5.6 DG DN 57
• SIGMA 15mm F1.4 DG DN Diagonal Fisheye | Art 58
• SIGMA 50mm F1.2 DG DN | Art 59
• Godox Knowled P1200R Hard 60
• Godox Knowled App 61
• STEADICAM G-70x² Arm 62-63
• No longer top secret: Easyrig Boom Rig for Sound 64

Contents: Feb 2024 – Issue 124

• SmallHD Ultra 7 Monitor 4-5
• ZEISS Nano Primes (NP) 6-9
• Christophe Casenave on ZEISS Nano Primes 10-12
• Thomas Steinich & Dennis Meyer on ZEISS Nano Primes 13-15
• NP at RVZ 16
• NP with Vincent Tartar 17
• NP with Valentine Lequet 18
• NP with Jon Joffin, ASC and Brendan Steacy, ASC, CSC 19
• Brice Michoud on ZEISS CinCraft Scenario 20-21
• RED V-RAPTOR [X] and V-RAPTOR XL [X] Global Shutter 22-24
• Maxime Cointe on Lupin, Season 3 25-27
• Balazs Bolygo, BSC, HCA with SP3 on FX3 28
• Matthew Waving, DoF, MoD, SoFT 29
• Matt Waving on Cooke SP3 30
• Blackmagic URSA Mini Pro 12K OLPF 31
• Blackmagic Cinema Camera 6K 32-33
• Q&A BCC 6K 34
• Matteo Bertoli 35
• Florent Piovesan 36-37
• Blackmagic Cinema Camera 6K Lens Adapters 38
• Blackmagic Cinema Camera 6K 39
• Cinema Camera 6K with Atlas Mercury Anamorphics 40
• Blackmagic Cinema Camera 6K 41
• BCC 6K Tiltable EVF and Monitor 42
• L-Mount Lenses 42
• SIGMA DG DN | Contemporary Primes L-Mount 43
• SIGMA DG DN | Art Primes and Zooms in L-Mount 43
• SIGMA Lenses in 2023 44
• SIGMA Headquarters in Kawasaki, Japan 45
• Canon CN-R RF Mount Cine Lenses 46-47
• Canon RF24-105mm F2.8 L IS USM Z 48-49
• Canon EOS R5 C 50
• Canon RF24-105mm F2.8 vs RF24-70mm F2.8 51
• ARRI 360 EVO Stabilized Remote System 52
• Nanlux Wired Controller 53
• Nanlux Lightweight Fresnel FL-28 53
• DJI 8K Inspire 3 54
• DJI 8K Ronin 4D 8K 55
• DJI Muses: Ronin 4D 6K, 4D 8K and Inspire 3 8K 55
• DJI Ronin 4D 8K System 56
• DJI Inspire 3 8K System 56
• DJI 8K: Inspire 3 57
• DJI Inspire 3 58-60
• DJI Ronin 4D 8K 61
• Chayse Irvin, ASC, CSC on Ronin 4D 8K 62-4
• Brightest Godox | Knowled MG2400Bi 65
• Duncan Parker on Nature Cinematography. 66
• Duncan Parker on Cartoni Spinhead 67
• Laowa Pro2be 68-69
• Nikon Z 9 and Leitz ELSIE 70-71
• IRIOMOTE Frames 72
• Volo Cosi Frames 73
• Nikon Engineers Discuss the Z 8 Camera 74-77
• Fujifilm GFX100 II – Giant Format, Larger Format 78-79
• Fujifilm GFX100 II – Spherical Lenses 80
• Fujifilm GFX100 II – Anamorphic Lenses 81
• Fujifilm GFX100 II – Sensor Modes & Some Formats 82-83
• Fujifilm GFX100 II – Sensor Modes: GFX, Premista 82
• Fujifilm GFX100 II – Sensor Modes: 35mm, Anamorphic 83
• Fujifilm GFX100 II and X-T5 84
• Following the Path of Matsuo Basho 85-86
• On the Path of Matsuo Basho 87-91
• C. Kim Miles, ASC, CSC on The Brothers Sun 92-93
• Cheng Seng Group 94-95
• Band Pro – Passing the Mic 96-97
• The Life of Trevor 98-105

Contents: Sep-Oct 2023 Issue 122-123 

• Prone to Risk. Bob Richardson, ASC on AIR 4
• AIR – First feature using ALEXA 35 4
• Bob Richardson, ASC on AIR 5-10
• Jimmy Ward: AC on AIR 11
• Natalie Carr’s Cart on AIR 12
• Virginie Verrier, Director of Marinette 13-15
• Marinette 16
• Xavier Dolléans, AFC on Marinette 17-19
• Frames from Marinette 20
• BURANO 21
• New Sony BURANO 22
• Size Comparison: Sony VENICE 2 8.6K 22
• Sony BURANO Studio and Handheld Mode 23
• Sony BURANO Camera Body Views: E-mount 24
• Sony BURANO Camera Body Views: PL Mount 25
• VENICE 2 Comparison: 25
• BURANO E-mount 26
• BURANO PL Mount over E-mount 26
• BURANO PL Mount 26-27
• Sony BURANO Handheld 28
• Nobu Takahashi, GM of Prof Imaging, introduces Sony BURANO 29-31
• Sony Cinema Line: FX3, FX6, FX9… 32
• Sony Cinema Line: VENICE, VENICE 2, BURANO 33
• BURANO Product Planners, Product Manager and Project Leader 34-35
• Studio mode PL Mount 36
• Handheld mode E-mount 37
• BURANO EVF Positions 38
• Camera System 39
• Wooden Camera Cage and AKS 39
• BURANO Imager Modes, Aspect Ratios, Formats, Resolution, etc. 40
• Comparison to VENICE 2 V2.00 Imager Modes 41
• BURANO Menus 42
• Quick Menus – one push of MENU button 43
• Quick Menu Setup 44
• Deep Dive Menu 45-47
• Chris Schmid in Zambia 48-49
• Danny Schmidt in Jackson Hole 50-51
• Unjoo Moon & Dion Beebe, ACS, ASC on Original 52
• Stefan Duscio with BURANO in Melbourne 54
• BURANO’s New LUTs 55
• Angénieux Type EZ-1, EZ-2 and now EZ-3 56
• New Angénieux Type EZ-3 57
• Angénieux Type EZ-3, EZ-1 and EZ-2 Zooms 58-59
• Guillaume Dubois, Product Manager, Angénieux Type EZ-3 60-61
• EZ-3 Full Frame to Super35 Swap 62-64
• EZ-3 Multi Format S35 and FF 65
• A Timeline Look at Cooke Speed Panchros 66
• New Cooke SP3 67
• Cooke SP3 Set of 5 Prime Lenses 68
• Cooke SP3 Specs 69
• Danny Haikin on Cooke SP3 70-71
• Looks with Cooke SP3 72-73
• Kees van Oostrum, ASC on SP3 74
• Graham Cassely, Optical Designer, Cooke SP3 75
• Michel Suissa on the Middle Market 76-77
• Swapping SP3 Lens Mount: E, RF, M, L 78
• Cooke SP3 on Sony a7R5 79
• Cooke SP3 on RED KOMODO-X 80
• RED KOMODO-X 81
• RED KOMODO compared with KOMODO-X 82
• RED KOMODO-X 83
• Attach RED DSMC3 RED TOUCH 7.0″ SmallHD Monitor 84
• Attach Top Handle and Monitor 85
• Add an RF to EF Adapter and lens 86
• Attach KOMODO-X RF to PL Adapter with Electronic ND 87
• KOMODO-X Menus 88-89
• Wooden Camera Elite Accessory System for KOMODO-X 90
• Wooden Camera Accessory Plate System 91
• AJA HDR Image Analyzer 12G v3.0 Software Update 92-97
• ZEISS CinCraft Scenario 98-101
• SIGMA 100-400 DG DN OS | Contemporary for Fujifilm X Mount 102
• SIGMA 23 DC DN | Contemporary for Fujifilm X Mount 103
• Infinity Photo-Optical TS-160 104-105
• PhotoCineRent Mattebox and Filters for FUJINON 25-1000 106
• PhotoCineRent & Abracam ClipOne 6×9 & Filters for 25-1000 107
• Wooden Camera Cage for FUJINON Duvo 25-1000 108
• FUJINON DUVO 24-300 109
• Tiffen Rear Filters for Signature Primes 110-111
• ARRI Camera Control Monitor CCM-1 112-114
• Fred Merten, Sean Dooley & Greg Smokler on CCM-1 115
• Neill Blomkamp on Directing Gran Turismo 116-117
• Jacques Jouffret, ASC on Gran Turismo 118-119
• Tilta Nucleus Nano II 120-121
• Leitz ELSIE 125mm T2.1 122
• Leitz ELSIE Specifications 122
• Eve M. Cohen on Leitz ELSIE Primes 123
• A.J. Marson on Leitz ELSIE Primes 124
• Leica Cine 1 Projector 125
• Bright Tangerine KOMODO-X AKS and Misfit Kick Mk II 126
• Nanlite FC-500B and FC-300B 127
• Ovide Smart Assist Octo 22″ Video Assist 128
• Ovide KOKO 10″ Video Assist 129
• Sebastiaan van Zuylen and Yke Erkens buy Camalot 130-131
• Canon RF Mount Cine Lenses 132-133
• CVP European Lens Summit 134-137
• Fujifilm GFX 100II – Larger Format 138-140
• New Fujifilm GF Lenses 141

Contents June 2023 Issue 121

• Salt-E Dog from Anton/Bauer 4-5
• Andrew Hutton, Product Manager, on Salt-E Dog 6-7
• Salt-E Dog Sodium BESS “E-Generator” vs Diesel Generator 8
• Nicola Dal Toso, Pat Grosswendt, Mike Bauman 9
• David Pasko, Engineering Manager, on Salt-E Dog 10
• AbelCine and Lux Lighting 11
• Canon Flex Zooms 12
• Canon Flex Zooms: Swap Full Frame and Super35 13-15
• Setting up Frame.io for Camera to Cloud 16
• Setting up Frame.io 17
• Fujifilm X-H2S and Frame.io Camera to Cloud 18
• Fujifilm File Transmitter FT-XH 18
• Fujifilm X-H2S and C2C 19
• Setting up Fujifilm X-H2S for Frame.io C2C 20-23
• Grant Petty, CEO of Blackmagic Design 24-26
• Blackmagic URSA Mini Pro 12K OLPF – Netflix Approval 27
• Tashi Trieu on Grading Avatar: The Way of Water 28-29
• Sony FX3 and Wooden Camera Accessories 30
• Wooden Camera Accessories for Sony FX3 and FX30 31
• Jarred Land, President of RED, on new KOMODO-X 32-33
• Jarred Land on new RED KOMODO-X 34
• RED KOMODO-X 35-36
• RED KOMODO-X Specs 37
• Pierre Angénieux Tribute at Cannes to Barry Ackroyd, BSC 38
• Barry Ackroyd, BSC 39-45
• Preston All-Points Lens Mapping 46-49
• Nikon Z 8 Cine & Stills 50-51
• Nanlux Evoke 900C 52-53
• Matt Sakatani Roe, VENICE 2 Rialto and Tonight We Ride 54
• DJI Ronin 4D Flex 59
• Ben Affleck on Air 60

Contents: April 2023 Issue 120

• Claudio Miranda, ASC on DJI Inspire 3…………………………….4-7
• DJI Inspire 3…………………………………………………………….8-10
• DJI Ronin 4D Flex………………………………………………………..11
• RED V-RAPTOR XL 8K VV………………………………………….12-15
• Camera to Cloud (C2C) with RED and Frame.io…………………..16
• Frame.io Camera to Cloud (C2C) with RED………………………..17
• Frame.io C2C with RED V-RAPTOR XL 8K VV…………………18-19
• Wooden Camera Elite AKS for Sony VENICE 2………………..20-23
• Canon Flex Zooms…………………………………………………..24-25
• Tiffen Night Fog and Black Fog……………………………………….26
• Sony FR7 Tutorial with AbelCine………………………………………28
• Sony FR7…………………………………………………………………..29
• NODO Inertia Wheels…………………………………………………….30
• Chrosziel CDM-SFR Zoom Control f on Sony FR7………………..31
• with BMW in Japan………………………………………………………32
• Framegrabs from with BMW…………………………………………..33
• Blackmagic Cameras on Nokian Tyres Commercial………….34-35
• ARRI ZMU-4 Wired/Wireless Zoom Control……………………36-37
• AJA ColorBox v2.0 …………………………………………………38-40
• AJA FS-HDR v4.2………………………………………………………..41
• J-M Dreujou, AFC, ASC, Notre Dame on Fire………………….42-44
• CARTONI Lifto 25. E-Maxima. News…………………………………45
• Tilta China……………………………………………………………..46-49
• Tilta USA……………………………………………………………………50
• Tilta Hydra Arm Mini……………………………………………………..51
• Brompton Technology……………………………………………………52
• VENICE 2, Rialto 2, Optimo Primes, Stargate, Band Pro…….53-55
• FUJINON Duvo 25-1000 Zoom……………………………………….56
• Wooden Camera Duvo Cage…………………………………………..56
• SIGMA DG DN | Contemporary Primes………………………………57
• Laowa Proteus Anamorphics…………………………………………..58
• Venus Optics Nanomorphs……………………………………………..58
• CINEPADs…………………………………………………………………..59
• Lensworks NEO-AO 2x Anamorphics………………………………..60
• Vocas Accessories for RED V-RAPTOR XL …………………………61

Contents: Mar 2023 Issue 119

• SmallHD………………………………………………………………………4
• SmallHD Design and Development………………………………….5-6
• SmallHD R&D and Development………………………………………..7
• SmallHD Testing…………………………………………………………….8
• SmallHD User Interface and Development……………………………9
• SmallHD Manufacturing…………………………………………………10
• SmallHD Ready to Ship………………………………………………….11
• Greg Smokler and Blake Johnson……………………………….12-14
• Greg Smokler and Mike Claes…………………………………….15-16
• EL Zone on SmallHD Cine 24 Monitor……………………………….17
• How to use EL Zone in SmallHD PageOS 5………………………..18
• SmallHD Cine 7 Pages for EL Zone Exposure, Look and Log….19
• Where to Stay near SmallHD –Umstead…………………………….20
• Where to Dine near SmallHD – Herons……………………………..21
• SIGMA fp and fp L: first mirrorless cameras with EL Zone …….22
• SIGMA fp and fp L EL Zone…………………………………………….23
• Firmware Updates for SIGMA fp L and fp…………………………..23
• Suggested SIGMA fp L Settings………………………………………24
• SIGMA fp L: Unlimited Framelines……………………………………25
• fp L DP/Director’s Finder……………………………………………….25
• Geoffrey Haley, SOC on Steadicam VOLT……………………….26-28
• Utsi Martin on Grading ALEXA 35 in DaVinci Resolve……………29
• Utsi on DaVinci for DPs with ALEXA 35…………………………30-33
• DaVinci Resolve for iPad……………………………………………34-35
• Original LOWEL TOTA……………………………………………………36
• New Lowel TOTA LED XL……………………………………………….36
• Lowel TOTA LED XL………………………………………………………37
• Nanlite PavoTube II…………………………………………………..38-39
• NANLITE Forza II……………………………………………………..40-41
• Canon CINE-SERVO 15-120mm T2.95-3.95 EF/PL…………42-43
• A Review of Canon Cine Zoom Lenses………………………………44
• Canon Cine Zoom Lenses………………………………………………45
• Canon Servo Drive Unit………………………………………………….45
• SIGMA 50mm F1.4 DG DN | Art Lens……………………………….46
• SIGMA 60-600mm F4.5-6.3 DG DN OS | Sports Lens………….46
• OPTICA MAGNUS Finder………………………………………………..47
• Blackmagic Ultimatte 12……………………………………………….48
• Blackmagic Ultimatte 12 HD Mini…………………………………….49
• ARRI Impression V Filters for Signature Primes……………….50-51
• Thorsten Meywald on ARRI Impression V Filters …………….52-53
• Art Adams on ARRI Impression V Filters………………………..54-55
• Eight ARRI Impression V Filters………………………………………..56
• Art Adams on ARRI Impression V Filters…………………………….57
• ARRI Impression V Filters……………………………………………….58
• TAT70 Finder………………………………………………………………59
• ZEISS Cine Service Center in Korea………………………………….60
• CVP BSC Expo 2023…………………………………………………….61

Cover:

SmallHD Research, Development and Manufacturing Headquarters in Cary, NC as viewed with EL Zone Exposure System on a SmallHD Monitor.

• VENICE 2 Version 2.00 Firmware Update…………………………….4
• All VENICE 2 8K Imager Modes (v2.00)……………………………….5
• Previous VENICE 2 8K Imager Modes (v1.00)……………………….5
• VENICE 2 Version 2.00 Imager Modes………………………………..6
• VENICE 2 6K Imager Modes (same as original VENICE, v6.0)……7
• Quick Review: VENICE, VENICE 2 6K, VENICE 2 8K………………..8
• Sony VENICE 2 8K – Front……………………………………………….9
• Zoom to Fit anamorphic monitoring………………………………….10
• How to update VENICE Firmware……………………………………..10
• Sony VENICE 2 Exploded View…………………………………………11
• 6K and 8K Sensor Blocks………………………………………………11
• Sony VENICE Extension System 2 (Rialto 2)………………………..12
• Setting up Rialto 2……………………………………………………….13
• Joshua Pines & Picture Shop Family of VENICE LUTs……………14
• Joshua Pines on LUTS, CDLs, Looks, Transforms, VENICE 2…..16
• Jason Fabbro on Grading VENICE 2………………………………….18
• Nobutatsu Takahashi, General Manager of Sony Cinema Line…20
• Autumn D. Arkapaw, ASC on Black Panther: Wakanda Forever…22
• Rob McLachlan, ASC, CSC on American Gigolo…………………..34
• Claudio Miranda, ASC on Top Gun: Maverick………………………40
• Russell Carpenter, ASC on Avatar: The Way of Water……………44
• Adriano Goldman, ASC, BSC, ABC on Andor and The Crown…..49
• Geoffrey Haley, SOC, on The Gray Man…………………………….. 54
• Taylor Matheson, 1st AC on The Gray Man…………………………57
• Chris Teague on Only Murders in the Building…………………….58
• Chayse Irvin, ASC, CSC on Blonde……………………………………62
• Arnau Valls Colomer, AEC on The English…………………………..66
• Carlos Caba, DIT on The English……………………………………..69
• Aidan Farell, Senior Colorist, Picture Shop on The English……..66
• Jonny Mass and Pete Konczal on Cowboy Currency…………….70
• Jon Chema, Cinematographer…………………………………………74

• Leitz Park………………………………………………………………….4-5
• Leitz Cine Confab………………………………………………………..6-8
• Assembling Hugo…………………………………………………………..9
• Leitz Cine Lens Lines……………………………………………….10-11
• Leitz Cine Lenses: Comparison Chart……………………………….12
• Mounts and Adapters……………………………………………………13
• Leitz LPL Mount for Sony VENICE 1 and 2………………………….14
• Leitz Elsie…………………………………………………………………..15
• Leitz Hugo………………………………………………………………….16
• “Shoot wide open, no excuses”……………………………………….17
• HUGO 75mm and 90mm: Eyes Wide Open at T1.5………………18
• As seen with Hugo at T1.5…………………………………………19-27
• SLATE from Tribe7…………………………………………………..28-29
• Cooke Varotal/i FF T2.9 Full Frame Spherical Zoom Lenses…..30
• Cooke Varotal/i FF T2.9 Full Frame Spherical Zooms……….31-33
• Cooke Varotal/i FF Focal Lengths: 19-40, 30-95, 80-215 …….34
• Cooke S8/i and Varotal/i FF Size Comparisons……………………34
• We took a Look at Cooke Varotal/i FF in Industry City……………35
• BTS: Cooke Looks at Industry City……………………………………36
• Framegrabs: Cooke Looks at Industry City…………………………37
• Cooke Looks at Industry City………………………………………38-41
• Cooke Super35 Varotal Zoom Lens History……………………42-43
• Fabian Weston, Protists and Pocket Cinema Cameras……..44-47
• Top Chef 2022 Winner Buddha Lo of HUSA in New York……….48
• Top Chef Buddha Lo seen through a Nikon Z 9…………………..49
• Nikon Z 9 for Cine………………………………………………………..50
• Nikon Z 9: Some Cine Menu Settings……………………………….51
• Nikon Z 9 Cine 8.3K N-RAW 12-bit Framegrabs…………….52-53
• Michael Cioni on Frame.io C2C and Partners…………………54-55
• Fujifilm X-H2S + FT-XH + C2C with Frame.io…………………….56
• Fujifilm File Transmitter FT-XH…………………………………………56
• Fujifilm X-H2S…………………………………………………………….57
• Fujifilm X-H2S Zooms……………………………………………………58
• Chrosziel Meta Mount (E to PL with Metadata)……………………59
• FUJINON 25-1000 F2.8-5.0 PL Mount Zoom………………..60-62
• Mike Prickett on 100 Foot Wave, 50-1000mm Zooms………….63
• 100 Foot Wave, 50-1000mm Zooms……………………………….64
• Mike Prickett on 100 Foot Wave, 50-1000mm Zooms………….65
• Mike Prickett on 100 Foot Wave……………………………………..66
• 100 Foot Wave, 50-1000mm Zooms……………………………….67
• Naomi Kawase, Director of TOKYO 2020………………………68-72
• Masaya Suzuki, Principal DP of TOKYO 2020…………………73-75
• Live Under Covid……………………………………………………..76-79
• Ji-Sun Yoo, DP of D.P……………………………………………………80
• SIGMA Classics on D.P………………………………………………….81
• Francisco Campos-Lopez on DamBusters………………………….82
• DamBusters……………………………………………………………83-87
• Darren Lew on The Car Stage…………………………………….88-89
• New ARRI Rental North America HQ in LIC ……………………90-91
• Ang.nieux Optimo Ultra Compact FF & U35 Full Pack………….92
• Aymeric Colas, Steadicamer on Athena…………………………….93
• Sponsors and Educational Partners …………………………………95

June 6 SUP. Minor updates–mostly typos.

• Introduction: ALEXA 35 4-5
• ALEXA 35 Details 6-9
• ALEXA 35 Camera Body 10
• “Accessories oft Proclaim the Camera” 11
• Camera Prep: Lens Mounts and Front 12
• Prep: Camera Left Side 13
• Prep: Camera Right Side 14
• Prep: Camera Right Rear with PDM-1 15
• Prep: Camera Left Rear 16
• Prep: Camera Top 17
• Camera Bottom 17
• Cool Running 18
• This BUD’s for Air and Balance 19
• Outfitting ALEXA 35 20
• Studio Mode 21-22
• Almost Unlimited Viewfinder Positions 23
• Multi Viewfinder MVF-2 In-Out, Front-Back Positions 24
• Multi Viewfinder MVF-2 25
• ALEXA 35 Textures 26
• ALEXA 35 Lens Mounts 26
• Batteries 27
• ARRI Camera Companion on iPad (or M1 Macs) 28
• ARRI Camera Companion on iPhone 29
• ALEXA 35 and DaVinci Resolve Introduction 30-31
• Sensor Modes, Resolutions, Formats, Dimensions, Frame Rates 32
• Recording Formats, Data Rates, Recording Time 33
• Recording Formats and Pre-Record 33
• ALEXA 35 Specifications 34-35
• Some ALEXA 35 Sensor Modes (Recording Formats) 36
• Some ALEXA 35 Framelines 36
• ALEXA History 37
• Christoph Stahl, ARRI Shareholder Representative 38-39
• Dr. Matthias Erb & Dr. Michael Neuhaeuser, ARRI Executive Board 40-41
• Stephan Schenk, ARRI General Manager Global Sales and Solutions 42-43
• Walter Trauninger, Head of Business Unit Camera Systems 44
• Marc Shipman-Mueller, Senior Product Manager at ARRI 45-49
• Dr. Achim Oehler, Head of Sensor Design and Imaging Front-End 50-51
• Harald Brendel on Image Science 52-55
• Dr. Tamara Seybold on Textures 56-57
• Christian (Geoffrey) Grafwallner, Workflow Product Manager 58-60
• ARRI Reference Tool (ART) 61
• Christian Hartl, Director of Global Production 62-63
• Sandra Yap, Head of Assembly and Testing 64-65
• Jeanfre Fachon, Product Manager for Camera Support Systems 66-67
• “Jeanfre Wants to See Daylight through the Accessories” 68
• Dr. Michael Frank, Head of Business Unit Camera Systems and R&D 69-71
• Elisa Weiss, Head of Center of Competence R&D Excellence 72-73
• Clean Room 74
• Michael Stadler, Head of Testing 75-76
• Jan Heugel, Global Field Test Coordinator 77
• Field Tests 78
• Henning Raedlein on ALEXA 35 Encounters 79-80
• Eleven ALEXA 35 Encounters 81
• Argentina:  An Ancestral Path 82
• Argentina:  An Ancestral Path 83
• Australia:  Sweetheart 84
• China:  Tigerine 85
• France: Avoid Boredom 86
• Germany:  Nice 87
• India: Through the Colors 88
• Japan: Found It 89
• Korea: Treasure Hunter 90
• Nigeria: The Painting 91
• UK: The Siren 92
• USA: The Swing 93

• Cooke S8/i T1.4 Full Frame Primes……………………………………………………… 4
• Cooke S8/i Look……………………………………………………………………………… 5
• Cooke S8/i Specifications………………………………………………………………….. 6
• Additional Cooke S8/i Focal Lengths in Development……………………………….. 6
• Cooke S8/i T1.4 on Fishy Chess Move………………………………………………7-11
• Cooke S8/i on High Desert……………………………………………………………12-13
• Kees van Oostrum, ASC, NSC, SBC, AIC, Cooke Chairman…………………..14-17
• Iain Neil, Cooke Chief Optics Advisor………………………………………………18-21
• RED V-RAPTOR Design……………………………………………………………………. 22
• RED+Creative Solutions Accessories Design………………………………………… 23
• DSMC3 RED Touch / SmallHD 7.0″ LCD Monitor…………………………………… 24
• V-RAPTOR in KOMODO Mode…………………………………………………………… 24
• RED V-RAPTOR 8K…………………………………………………………………………. 25
• RED V-RAPTOR RF Mount and EF Mount Adapters………………………………… 26
• Vocas Support for RED V-RAPTOR & Level…………………………………………… 27
• John Brawley, ACS on The Desperate Hour………………………………………28-34
• Rawlite OLPF for Blackmagic URSA Mini Pro 12K………………………………….. 35
• Hans Hijmering on Rawlite OLPF for URSA 12K…………………………………….. 36
• Blackmagic URSA 12K Anamorphic Menus………………………………………….. 37
• Atlas Lens Co. Orion Anamorphic Primes…………………………………………….. 37
• ARRI TRINITY 2 & ARTEMIS 2……………………………………………………………. 38
• ARRI PCA for Sony VENICE 2……………………………………………………………. 39
• James Guest on Sachtler aktiv Fluid Heads………………………………………40-41
• 14 ZEISS Supreme Primes …………………………………………………………… 42
• New Supreme Prime 15 mm T1.8 ………………………………………………43-44
• Supreme Prime 15 mm Full Frame & Super35……………………………………… 45
• ZEISS SP 15……………………………………………………………………………..46-47
• SP15: Rectilinear in and in front of Grand Central Station……………………48-51
• SIGMA 20mm F2 DG DN Contemporary I series Prime……………………….52-53
• Leitz HENRI DP/Director’s Finder……………………………………………………….. 54
• Leitz Elsie Prime Lenses………………………………………………………………….. 54
• Leitz HENRI + SIGMA fp L + Screenshot……………………………………………… 55
• Kazuto Yamaki, CEO of SIGMA Corporation, on Supply Chain……………………. 56
• Steadicam M-2 Core Kit………………………………………………………………….. 57
• LEE Lighting and Camera Filters……………………………………………………….. 58
• MYT Works Optiglide Reticle & PAT-ACC Charts at Band Pro……………………. 59
• Band Pro Lens Service……………………………………………………………………. 60
• Angénieux Integrated Optical Palette in Optimo Primes…………………………… 61
• Optimo Prime IOP Looks………………………………………………………………62-63
• Swapping Optimo Prime Integrated Optical Palette (IOP) elements…………….. 64
• Swapping Optimo Prime IOP elements……………………………………………….. 65
• Sony a7 IV Focus Mapping………………………………………………………………. 66
• Focus Mapping on Sony a7 IV…………………………………………………………… 67
• Sony a7 IV Focus Breathing Compensation………………………………………68-69
• Breathless Sony 16-35 F4 Zoom………………………………………………………. 70
• Nanlux Evoke 1200………………………………………………………………………… 71
• Nanlite PavoTube T8-7X………………………………………………………………….. 71
• Canon EOS R5 C……………………………………………………………………………. 72
• Canon EOS R5 C Movie Mode, Photo Mode…………………………………………. 73
• Canon R5 C Manual Focus Guides…………………………………………………….. 74
• Bright Tangerine Rangefinder Bracket…………………………………………………. 75
• Bright Tangerine KASBAH System……………………………………………………… 75
• AJA Io X3…………………………………………………………………………………76-77
• AJA Desktop Software v16.2………………………………………………………..78-79
• Chrosziel Servo for Fujinon Premista………………………………………………….. 80
• DZOFILM FF 35-80 & 70-135 T2.9 …………………………………………………… 80
• New IDX V-Mount and Gold Mount Batteries………………………………………… 81
• Tilta Mirage Lightweight Mattebox with Wireless VND…………………………82-83
• CINEPADS 7 Monitor…………………………………………………………………..84-85
• Carstage in New York……………………………………………………………………… 86
• Preston Diopter, Dolly-Zoom, Expander and More Updates…………………..87-89
• Loumasystems News………………………………………………………………….90-91
• EMIT 40th Anniversary………………………………………………………………..92-93

Contents FDTimes February 2022 – Issue 113

• Leitz HENRI DP/Director’s Finder……………………………..4-5
• Leitz HENRI. Choice of SL2-S or fp L Camera……………….. 6
• Leitz HENRI DP/Director’s Finder with Leica SL2-S………… 7
• Leitz HENRI with Leica SL2-S…………………………………….8
• SL2-S DP/Director’s Finder……………………………………….9
• HENRI + SL2-S with Leica M 0.8 Primes……………………10
• HENRI DP/Director’s Finder with SIGMA fp L……………….11
• HENRI with SIGMA fp L + EVF-11 + SSD……………………12
• HENRI + SIGMA fp L + Primes…………………………………13
• HENRI + SIGMA fp L + Zooms…………………………………13
• fp L: Unlimited Framelines………………………………………14
• Leitz HENRI + SIGMA fp L + Screenshot…………………….15
• Claudia Raschke on Fauci…………………………………..16-17
• Claudia Raschke on Canon EOS C500 Mark II……………..18
• Claudia Raschke on Fauci……………………………………….19
• Canon EOS R5 C………………………………………………20-21
• Cooke Varotal 30-95 FF Zoom…………………………………22
• Cooke Varotal 30-95 and 85-215 T2.9 FF Zooms……….. 23
• Si Bell on A Very British Scandal………………………………24
• Frames from A Very British Scandal………………………….25
• Si Bell on A Very British Scandal, cont’d…………………….26
• Si Bell’s Lighting Notes for A Very British Scandal…….27-28
• tick, tick…Alice Brooks, ASC……………………………………29
• Alice Brooks, ASC on tick, tick…BOOM!…………………30-32
• Framegrabs from tick, tick…BOOM!………………………….33
• Frank Mirbach on Swiss Air Rescue…………………………..34
• Blackmagic Pocket Cinema Cameras………………………..35
• Swiss Air Rescue, DaVinci Resolve Clone Tool…………36-39
• Blackmagic URSA 12K Camera Update 7.7………………..40
• Easyrig’s new STABIL Light……………………………………..41
• Inside Angénieux Optimo Ultra Compact Zooms…………..42
• Interview with Cl.ment Mond.sert……………………………43
• Inside Angénieux Optimo Ultra Compact Zooms………44-45
• Estelle McGechie, ATOMOS CEO………………………….46-49
• Musashi Optical OptMore Extenders……………………..50-51
• Sachtler aktiv 10, 12 and 14 fluid heads……………………52
• Sachtler aktiv and flowtech……………………………………..53
• Quasar Science……………………………………………………54
• Mounting Quasars…………………………………………………55
• DJI Mavic 3…………………………………………………………56
• DJI Mavic 3 Cine………………………………………………57-58
• Tiffen Mavic 3 Filters……………………………………………..59
• Tiffen Warm Diffusion Filters……………………………………60
• Denz Lens Adapters………………………………………………61

• Sony VENICE 2 8K and 6K Camera Introduction 4
• There are two VENICE 2 Camera Models 5
• Sake Theory and 8K 6
• Research, Rentals and Owners 7
• Sony VENICE 2 – Camera Left Side 8
• Sony VENICE 2 – Camera Right Side 9
• Sony VENICE 2 – Front 10
• Sony VENICE 2 – Rear, Top 11
• How to see that it’s a VENICE 2 8K 12
• How to see if it’s a VENICE 2 or original VENICE 13
• VENICE 2 vs original VENICE 14
• VENICE 2 vs original VENICE with AXS-R7 Recorder 15
• VENICE 2 vs original VENICE Front and Rear 16
• 6K and 8K Sensor Blocks 17
• Sony Cinema Line: FX3, FX6, FX9 18
• Sony Cinema Line: VENICE, VENICE 2 6K, VENICE 2 8K 19
• Nobutatsu Takahashi, General Manager of Sony Cinema Line 20
• Nobu Takahashi 21
• Nobu Takahashi, General Manager of Cinema Line 22
• Nobu Takahashi: “We empower creators to bring a new era” 23
• Q&A with VENICE 2 Team 24
• VENICE 2 Q&A: Name, Nameplates, Highlights, EVF 25
• VENICE 2 Q&A: Sensor Blocks, Data, Storage, Users 26
• VENICE 2 Q&A: Data Rate, Drives, Rialto, Archiving 27
• VENICE 2 Q&A: Formats, Anamorphic, Aspect Ratios, Dual Base ISO 28
• VENICE 2 Q&A: Lens Metadata, Challenges, Design 29
• VENICE 2 Camera Body Views 30
• VENICE 2 Camera Views 31
• VENICE 2 8K Imager Modes (v1.0) 32
• VENICE 2 6K Imager Modes (same as original VENICE, v6.0) 33
• New 1 TB S66 AXSM Memory Cards 34
• Camera Control 35
• RIALTO Extension Unit 35
• Outfitting VENICE 2 36
• VENICE 2 with Preston Light Ranger 2, Bright Tangerine 37
• VENICE 2, LR2M, Expert Kit, Misfit Kick, Atomos Shinobi 7, Leitz 38
• VENICE 2, Dionic XT 90 VM, Bolt 4K 1500, D-Box, Cine 7, Optimo 39
• VENICE 2, Dionic XT 90, Bolt 4K 1500, D-Box, Angénieux Optimo 40
• Cooke S7/i and Anamorphic/i Primes on VENICE 2 41
• ZEISS Supreme and Radiance Primes on VENICE 2 42
• Leitz Thalia Primes on VENICE 2 43
• Cooke Varotal/i on VENICE 2 44
• FUJINON Premista Zooms on VENICE 2 45
• Premista and Varotal/i Top Views on VENICE 2 46
• Angénieux Optimo Ultra Compact Zoom on VENICE 2 47
• VENICE Removable PL Mount 48
• Sony E-mount G Master on VENICE 2 48
• SIGMA DG DN E-mount lenses on VENICE 2 49
• Sony E-mount 50
• Leitz M 0.8 Mount and Leica M 0.8 Noctilux 50
• Leitz ELSIE LPL Mount Prime on VENICE 2 51
• ARRI LPL Mount Signature Zoom and Prime on VENICE 2 52
• Rob Mclachlan ASC, CSC on Available Light – Homecoming 53
• Rob Mclachlan: Palm Springs 54
• Rob Mclachlan: British Columbia 55
• Rob Mclachlan: Available Light 56
• Rob Mclachlan 57
• Claudio Miranda, ASC, ACC on The Camera Test 58
• Claudio Miranda’s The Camera Test Frames 59
• Claudio Miranda’s The Camera Test Firelight Frames 60
• Claudio Miranda’s The Camera Test Camera Setup 61

• DJI Ronin 4D 4-5
• DJI Ronin 4D Discussion 6-7
• Let’s set up a Ronin 4D 8
• Attaching Lens and Lidar on Ronin 4D 9
• Balance Pan and Tilt 10
• Power Ronin 4D On 11
• Auto Tune Ronin 4D 12
• Ronin 4D Menus 13
• On-Screen Settings 14
• Ronin 4D Views 15
• Dual Handgrips with Controls 16
• High-Bright Remote Monitor 17
• Lenses for Ronin 4D 18
• DX and DL Lens Mounts 19
• Leitz M 0.8 Lenses on Ronin 4D 20
• Ronin 4D Lens Motor 21
• Ronin 4D with Master Wheels 22
• Ronin 4D Remote Head 23
• DJI Ronin 4D Specs 24-25
• Running with Ronin 4D 26-27
• ARRI Rental Moviecam and ALFA primes 28
• ARRI Rental ALFA primes 29
• Manfred Jahn on ARRI Rental Moviecam Primes 30-31
• 28mm T2 & 135mm T2.8 Moviecam at Home 32
• Christoph Hoffsten on ALFA Anamorphic 2x LF Primes 33-34
• ALFA 40mm & 90mm 2x Anamorphic Frames 35
• Jarred Land Interview on RED V-RAPTOR 36-45
• RED V-RAPTOR Specs 46
• Greg Smokler Interview on V-RAPTOR Accessories 47-50
• Lowel Blender XL LED Light 51
• Lowel Blender XL LED with Tota/Omni Frame 52
• Lowel Blender XL LED with Tota-Brella 53
• AJA T-TAP Pro 54-55
• LUMIX BS1H Full-Frame L-Mount Cine Camera 56-57
• BS1H External RAW Recording via HDMI 58
• LEE Elements Filters 59
• Michael Liman & LVRUSA Cine & Lighting Rentals 60-61

Cover: Elsie Kühn-Leitz with her father Ernst Leitz II in 1926.

Contents September 2021 Issue 110

• Elsie Kühn-Leitz 4
• Rainer Hercher on ELSIE 5
• ELSIE 25mm T2.1 6
• ELSIE Prime Lens Specifications 7
• Oliver Nass on Elsie Kühn-Leitz 8-11
• Wolfgang Kisselbach on Elsie Kühn-Leitz 12
• Andreas Kaufmann on ELSIE 13
• ELSIE with SL2-S 14
• Leica SL2-S LPL 15
• ELSIE in the Park with SL2-S 16-17
• Leica SL2-S 18-19
• SL2-S as Director’s Finder with ELSIE 20-21
• LPL World 22-23
• Business of the Business: Tim Pugh, CEO of Cooke Optics 24
• Tim Pugh, CEO of Cooke Optics 25-27
• RED V-RAPTOR 28-30
• Rob McLachlan, ASC, CSC, Supreme, Radiance, VENICE… 31
• Bertram van Munster Race to the Center of the Earth 32-33
• Josh Gitersonke on Race to the Center of the Earth 34-39
• Race to the Center of the Earth 40-41
• Dominick Aiello at Creative Solutions 42
• Canon EOS R3 43-44
• Canon RF Lenses 45
• Atomos Ninja V+ 8K ProRes RAW from Canon EOS R5 46
• Ninja V+ with EOS R5 47
• Canon EOS R5 Setup to prep ProRes RAW 8K on Ninja V+ 48
• Atomos Ninja V+ Setup 49
• Tilta Cooling System 50
• Chrosziel Zoomer 51
• Lensbaby Obscura 16 52
• Aaton Cantar X3 with frame.io 53
• Angénieux Optimo Ultra Compact Zooms 54-55
• Angénieux Optimo Ultra Compact USA Launch 56-57
• Focus on Full Look Fashion Shows 58-61
• SIGMA 150-600mm F5-6.3 DG DN OS | Sports 62-65
• SIGMA DG DN | Contemporary | I Series 66
• SIGMA 24mm F2 & 90mm F2.8 I Series 67
• SIGMA DG DN | Contemporary | I Series 68
• SIGMA I Series 90mm DG DN ECU 69
• Atlas Lens Co. Orion Series 70
• Atlas Lens Co. Orion Series Silver Edition 71
• Atlas Lens Co. Orion Series: Original, SE, S35 & FF 72-73
• ARRI ALEXA Mini LF SUP 7.1 74
• ARRI ALEXA Mini LF 1:1 Sensor Mode for 2:1 Anamorphic 75
• ARRI ALEXA Mini LF SUP 7.1 76-77