Teradek Bolt 6 approved for 6GHz in EU & UK
The EU and UK have officially approved the 6GHz frequency band to be used in Teradek’s Bolt 6 series of products. This means low-interference, zero-delay wireless on-set video for European productions. Existing Bolt 6 users can now update their systems with a free firmware upgrade. This enables immediate operation in the newly-approved 6GHz frequency band while preserving compatibility with Bolt 4K systems in 5GHz. read more…
L-Mount Alliance welcomes Blackmagic Design
Blackmagic Design has joined the L-Mount Alliance. It did not go unnoticed at yesterday’s launch that the new Full Frame L-Mount Blackmagic Cinema Camera 6K has an L-Mount.
Andreas Kaufmann, Chairman of the Supervisory Board of Leica Camera AG, said, “We’re welcoming our new member in the L-Mount Alliance—Blackmgic Design. With the L-Mount, first shown in the Leica T (Top 701) 2014, photographers and cinematographers have the most versatile choices in lenses ever! Welcome to the club, dear friends at Blackmagic!” read more…
Blackmagic Full Frame L-Mount 6K Cine Camera
The new Blackmagic Cinema Camera 6K has launched.
Full Frame 36 x 24mm Sensor.
6K (6048 x 4032).
Full height 3:2 format.
Optical low-pass filter.
L-Mount.
Dual native ISO up to 25,600.
Records full resolution up to 36 fps or 120 fps windowed.
Records to CFexpress cards.
HDR 1500 nit LCD screen. read more…
Sony BURANO Camera Report
Burano, Italy is s a 45-minute vaporetto ride from Piazza San Marco in Venice to the north end of the Lagoon. Buildings are painted in beautifully bright colors that could work as an on-location color chart. Burano is known for its seafood. Try the risotto de gò, but better to taste it in a Burano restaurant than try to catch the spiny grass goby (gò) fish yourself.
BURANO is the new camera from Sony. Its Full Frame 8.6K sensor can capture every nuance and color painted on the houses of Burano island. BURANO, the camera, is the latest addition to the Sony Cinema Line.
With in-body image stabilization and in-camera variable ND filters, BURANO is unique, ergonomic, and extremely mobile. BURANO could fit in a backpack on a documentary about the Venetian Lagoon. BURANO might also work as a companion camera to its larger sibling, VENICE. Let’s take a tour in this BURANO Report. Most of it is also in the September 2023 Edition of FDTimes.
Tags: BURANO, Sony BURANO Camera
Fujifilm GFX100 II Larger Format Camera
FDTimes September-October Issue 122-123 goes live at 10:15am EDT. Go to www.fdtimes.com for more information on the new Fujifilm GFX100 II and more.
Stockholm, Sweden. September 12, 2023. Fujifilm launches their newly designed 102 Megapixel GFX 1000II. It has enough new features to astonish even the most laconic attendees at the Fujikina launch in Sweden, land of Garbo, Bergman, Easyrig, Ljud & Bildmedia, Saab, Smörgåsbord, ABBA and, it does not go unnoticed, Hasselblad.
The new GFX 100II is not much larger than a Full Frame camera. Call it “Medium Format” and you might think its 8K, 4K, FHD multi-format 43.8 x 32.9mm sensor would be smaller than so-called “Large Format” 36 x 24mm Full Frame, once known as Leica Format.
I think we should call it “Larger Format,” as originally suggested off the record by a Fujifilm executive. read more…
An evening with ARRI Signature Lenses
9/14/23
An evening with ARRI Signature Lenses: Join Art Adams, Logan Schneider and Jeff Berlin for an evening with ARRi Signature Primes & Zooms
Join cinema lens product specialist Art Adams, cinematographer Logan Schneider and fashion director/cinematographer Jeff Berlin for an evening with ARRI Signature Primes and Zooms, Impression Filters and more. Topics will include: A discussion with Logan Schneider about intercutting Signature Zooms with Signature Primes on “Arnold” and working with prototype ARRI Impression filters Live comparisons of ARRI Primes and Zooms A detailed… read more…
Graham Cassely, Cooke Optical Designer on SP3
Graham Cassely is an optical designer at Cooke. He described the SP3 project, “When we started on the Panchro/i Classic project about 8 or more years ago, we did a lot of digging through lots of paperwork at Cooke to find the original Speed Panchro designs. We found the old prescriptions—the optical designs written down by hand. The SP3 series are essentially another variation of the Speed Panchro design. In terms of the look of the lens, we tried to keep it very similar to what a Speed Panchro or a Panchro/i Classic would look like. We’re using the same types of single layer coatings that they would have used back in the 50s or 60s… read more…
New Cooke SP3 Prime Lenses
Cooke Optics introduces a new line of compact, lightweight, mirrorless-mount, affordable lenses. The new Cooke SP3 primes are based on a reincarnation of the legendary Cooke Speed Panchros.
Tim Pugh, CEO at Cooke Optics, calls the SP3 lens series “a significant strategic move into an exciting new sector that expands the horizons for such an iconic brand.”
The new SP3 primes are based on original Speed Panchros.
They have modern mechanics and a single optical coating.
At launch, there are five SP3 primes: 25, 32, 50, 75 and 100 mm.
They all cover Full Frame and have a T2.4 maximum aperture. The lens mount is easy to swap. You do not have to be a lens tech, nor do you need a clean room.
SP3 will come in E-Mount and RF-Mount as standard (RF-Mount will follow shortly after launch and customers can receive them free of charge). L-Mount and M-Mount are available as accessories. M comes in early 2024. read more…
Tags: Cooke Optics, Cooke SP3, SP3, Speed Panchro
New Angénieux EZ-3 Zoom Lens
Angénieux announced their new EZ-3 Zoom Lens. Covering 68-250 mm in Full Frame, and 45-165 mm in Super35, this is the third in the EZ Zoom series. These are not ordinary Full Frame lenses that happen to over-cover Super35. The IRO (Interchangeable Rear Optics) module lets you use the same lens to swap between Full Frame format (up to 46.3mm image diagonal) and Super 35 (up to 30.4mm image diagonal). By swapping the rear IRO (Interchangeable Rear Optics) module, the lens becomes a wider and faster Super35 zoom. You can configure the lenses easily for S35 and FF formats by swapping the rear group yourself.
The new EZ-3 is even easier and faster to change from FF to S35 and back again thanks to a new, quick IRO technology mechanism. In fact, it takes less than 5 minutes and can be done on location. read more…
ZEISS CinCraft Scenario
ZEISS has acquired Ncam and they have been working together for the past two years on an innovative, easy-to-use, lightweight, portable, affordable, real-time camera tracking system that sits on top of your camera or mattebox. It’s called ZEISS CinCraft Scenario. There are basically 3 pieces of CinCraft Scenario hardware: CamBar, Link and Origin. read more…
ZEISS Acquires Ncam
ZEISS has acquired Ncam Technologies Ltd, the UK-based camera tracking company. What does this acquisition mean? ZEISS is expanding its technology portfolio for the cinema, broadcast, and visual effects industries. This appears to be a natural progression for ZEISS in its cinema product line which currently includes Supreme Prime and Supreme Prime Radiance, Cinema Zoom and CP.3 lenses as well as their recent focus on lens metadata with CinCraft Mapper. Together, ZEISS and Ncam are planning to demystify and democratize tracking and VFX for professional productions. read more…
Tags: Ncam, ZEISS, ZEISS Acquires Ncam
Ben Affleck on AIR
Ben Affleck discusses his work directing AIR, shooting “D” camera, and producing the film with co-star Matt Damon and their production company Artists Equity. Bob Richardson, ASC, was the cinematographer. read more…
Bob Richardson, ASC on AIR
Bob Richardson, ASC seems to have a habit of being first to shoot with new prototype cameras. AIR was the first feature that I know of to use the ALEXA 35. Pre-production models, of course.
Bob explained, “When we heard about the ARRI ALEXA 35, I was instantly attracted to it. Not only was it receiving interesting reports from DITs I knew, but I was also doing research. I thought, ‘Okay, let’s go see this.’ Ben Affleck and I went to test it for AIR and we just said, ‘This is beautiful. Let’s try to get this camera.’ The added advantage of the ALEXA 35 camera was that it was Super35, not Large Format, so now it opened up a wide range of lensing.” read more…
Tiffen Rear Filters for ARRI Signature Primes
Tiffen Magnetic Rear Filters for ARRI Signature Prime Lenses are now approved, tested and authorized by ARRI. They come in many of the popular Tiffen looks and grades: Glimmerglass, Promist, Fog, Black Satin, etc. read more…
CVP European Lens Summit
Sorry for delayed posts—Sweaty Tours from London to Cannes has been running at 120 fps while Internet barely crawled. Catching up: first stop was CVP’s newly-renovated headquarters in Brentford, outside London, at the European Lens Summit on May 20 and 21.
The two-day European Lens Summit (ELS) was produced in partnership with Koerner Camera, hosts of the ever-popular Pacific Northwest Lens Summit since 2017. With lens repair clinics taught by factory representatives, technical workshops, masterclasses, and in-depth discussions, the London event was busy, fun and educational. read more…
Tags: CVP European Lens Summit
Barry Ackroyd, BSC – Angenieux Tribute at Cannes
May 26, 2023. Interview with Barry Ackroyd, BSC. He will be honored with the Pierre Angénieux Tribute this evening at the Cannes Film Festival. Above: Barry Ackroyd, BSC handheld with Aaton Penelope on Captain Phillips. Right handgrip is a gear shift from a car. Barry said, “The single handle leaves the left hand free to steady the camera but more importantly free to zoom.” Olly Driscoll, Focus Puller, at right. Photo © Jonathan Olley. read more…
Jarred Land Interview about new KOMODO-X
The last time we saw Jarred Land holding the KOMODO for FDTimes was in a cover photo that just happened to be taken by Brad Pitt in Los Angeles. This time, Jarred is holding the new KOMODO-X in the trendy fashion film and photo stages at Pier 59 in New York, this time taken by me. His interview begins, “We call the new camera KOMODO-X and it’s not a KOMODO 2. KOMODO-X gives you twice the frame rates of KOMODO (up to 80 fps at 6K 17:9 and 120 fps at 4K 17:9). It uses a much faster CFexpress card for data, just like the RAPTOR. KOMODO-X fits nicely between the KOMODO and the Super35 V-RAPTOR, at a reasonable price. read more…
Nikon Z 8
If you loved the Nikon Z 9 but wished for a lighter, smaller Full Frame mirrorless hybrid still/video camera, Nikon now has the new Z 8. Nikon is definitely focused on cine as well as stills—the Z 8 records RAW internally: 12-bit N-RAW up to 8K 60p and ProRes RAW up to 4K 60p.
There are so many impressive things about this new camera that exclamation marks should replace bullet points: read more…
Tags: Nikon Z 8
Claudio Miranda, ASC on DJI Inspire 3
The new DJI Inspire 3 can work like a hovering dolly with repeatable waypoints and 1 cm accuracy.
That’s Claudio Miranda, ASC out of focus on the cover. He shot a 2 1/2 minute launch film for the new Inspire 3. It is a spirited sand-and-sandals epic chase through an ancient Roman marketplace.
EXT. Imperium Romanum Market – DAY.
Wide crane shot moves into CU of a pickpocket snatching the purse from a vintage vegetable vendor. Wait, wait—this cannot be a crane shot because the camera keeps moving along a narrow alleyway. Centurions pursue pickpocket, jumping over carts, skirting columns and obstacles, under beams, through a torch-lit interior, culminating in a fun anachronism of an ending as the camera soars from extremely close to very, very wide. read more…
AJA ColorBox v2.0
AJA updates ColorBox with firmware v2.0 for Colorfront Engine support, the latest ORION-CONVERT and BBC HLG LUTs, — and introduces new user overlay features and expanded test patterns.
ColorBox is a compact, high-performance conversion, look and color management device for cine production, live events and broadcasting.
ColorBox is controlled with a web browser user interface that includes video preview.
ColorBox supports Standard Dynamic Range (SDR), High Dynamic Range (HDR), and Wide Color Gamut (WCG) signals using 12G-SDI and HDMI 2.0 single wire connections for 4K/UltraHD HDR up to 4:2:2 10-bit 60p or 4:4:4 12-bit 30p. read more…
Tags: AJA ColorBox v2.0
