Tag Archives: Claudio Miranda ASC

Claudio Miranda ASC, Dan Ming, Nobu Takahashi and Sony Team on F1

This is an in-depth discussion about the making of F1—with the following cast of characters:

Claudio Miranda, ASC, Cinematographer on F1; Dan Ming, First Camera Assistant / Systems Engineer on F1; Nobu Takahashi, Head of Sony’s Cinema Line Division; Tanya Lyon, Sony Cinema Line Marketing North America; Shunjiro Nishi, Sony Mechanical Engineer; Koji Morioka, Sony Mechanical Engineer; Kenji Sasaki, Sony Mechanical Engineer and F1 Camera Support; Kohei Suganuma, Sony Electrical Engineer; Keita Yasui, Sony Public Relations. read more…

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Claudio Miranda, ASC on DJI Inspire 3

The new DJI Inspire 3 can work like a hovering dolly with repeatable waypoints and 1 cm accuracy.

The cover story of FDTimes April 2023 Issue 120 is the new DJI Inspire 3. Read all about it — pages 4-10 in the free online PDF.     https://www.fdtimes.com

That’s Claudio Miranda, ASC out of focus on the cover. He shot a  2 1/2 minute launch film for the new Inspire 3. It is a spirited sand-and-sandals epic chase through an ancient Roman marketplace.

EXT. Imperium Romanum Market – DAY.

Wide crane shot moves into CU of a pickpocket snatching the purse from a vintage vegetable vendor. Wait, wait—this cannot be a crane shot because the camera keeps moving along a narrow alleyway. Centurions pursue pickpocket, jumping over carts, skirting columns and obstacles, under beams, through a torch-lit interior, culminating in a fun anachronism of an ending as the camera soars from extremely close to very, very wide.  read more…

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“Top Gun: Maverick,” Miranda, Lenses, Cameras

The camera and lens list on TOP GUN: MAVERICK is long. As Admiral Cain, played by Ed Harris, asked, “Why is that?”

Claudio Miranda, ASC replied, “It’s one of life’s mysteries.” Seriously, Joe Kosinski, our Director, wanted to shoot Full Frame. SIGMA covered the wide end, and the Master Primes covered the long end. We were using the SIGMAs from 14mm to 50mm. The Master Primes in those focal lengths don’t cover Full Frame. But the 50, 75, 100 and 150mm Master Primes do cover Full Frame. In terms of sharpness and resolution, they’re pretty close. In grading, even if things are just a little bit off, you can kind of blend them all in.

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