Contents Feb 2018 Issue 86

• ARRI ALEXA LF 4
• ARRI ALEXA LF 2-Minute Pitch 5
• ALEXA LF Camera Views 6-7
• ALEXA LF 3-Minute Guide 8-9
• Comparing ALEXA LF to ALEXA 65 10
• Sensor Sizes and Mounts: SXT, LF, 65 11
• Why Large Format? 12-14
• Large Format Art 15
• Aspect Ratio Independence 15
• Stephan Schenk 16-17
• Marc Shipman-Mueller 18-19
• Klemens Kehrer 20
• Achim Oehler 21
• ALEXA LF Sensor 22-23
• Building an ALEXA LF 24-26
• Programming and Testing and Color Science 27
• ARRI Signature Primes 28-29
• Thorsten Meywald 30-31
• ARRI Signature Primes 32
• The Signature 33
• Signature Prime Lens Manufacturing 34
• Building Signature Primes 35-36
• LDS-2 Lens Data System 37
• Lens QC 38
• Image Testing 39
• New LPL Mount 40
• PL-to-LPL Adapter 40
• LPL and PL Lenses on ALEXA LF 41
• LPL Lenses on ALEXAs, Mini & AMIRA 41
• PL-to-LPL Adapter 42
• Sensor Modes 43
• Frame Rates and Resolution 44
• 16:9 UHD Sensor Mode, Image Ø & Illumination Circle 45
• Frameline Composer 46
• Framing Chart and Cropping in Post 47
• Framelines 48
• Large Format Math 49
• ALEXA LF Test by Matias Boucard 50-55
• The ALEXA LF System 56-57
• Aspect Ratio Independence 58
• ARRI ALEXA LF Camera Views 58
• ALEXA LF Dimensions 59
• ARRI Large Format Credits 60
• ALEXA LF Specifications 61-63
• How Full Frame Came to Be 64
• Full Frame DSLR & Mirrorless Still Cameras 65
• Full Frame Sony 66
• Large Format ARRI 67
• Large Format RED 68
• Large Format Panavision 69
• VENICE Breaking News 70
• Sony VENICE Imager Modes 71
• Gods of Focus Speak about Preston LR 2 72-74
• Aaton-Digital and Transvideo 75
• Massis, Monstro, Mont Blanc 76-79
• Loumasystems – Recent Jobs 80-81
• PhotoCineView 82-83
• Panasonic EVA1 PL Mount from Wooden Camera 84
• Hawk Trilogy 85-87
• “Obusebito” 88-89
• DaVinci Resolve for DPs and DITs 89
• Guillaume Deffontaines, AFC and Leica M0.8 Lenses 90-91
• ClearLEE Filter Wash 92
• Ronford-Baker Atlas 50 92
• 703 Bolt Wireless Monitor 93