April 2020: Issue 101
April 2020 Edition
- Introduction, Part 1: Film in Coronavirus Times……………………………………….. 4
- Part 2: Working in this Town Again………………………………………………………. 5
- Canon EOS C300 Mark III Super35 Camera…………………………………………… 6
- Canon EOS C300 Mark III with CINE-SERVO 25-250mm T2.95-3.95………….. 7
- Canon EOS C300 Mark III Super35 Camera……………………………………….8-14
- Steve Holleran on EOS C300 Mark III and CINE-SERVO 25-250 Zoom……….. 15
- Steve Holleran on Canon EOS C300 Mark III…………………………………….16-17
- Steve Holleran on CINE-SERVO 25-250………………………………………………. 18
- Steve Holleran on Boneyard Ballet……………………………………………………… 19
- Steve Holleran on Boneyard Ballet……………………………………………………… 21
- Gods of Focus: Dennis Scully……………………………………………………………. 22
- Dennis Scully: What’s on the Camera…………………………………………………. 23
- Dennis Scully…………………………………………………………………………….24-25
- Canon EOS C300 Mark III…………………………………………………………….26-27
- Boneyard Ballet Frames……………………………………………………………….28-31
- Canon EOS C300 Mark III Specifications………………………………………….32-33
- Canon EOS C300 Mark III Formats…………………………………………………….. 34
- Resolution, Bit Depth, Max FPS, Slow & Fast, etc…………………………………… 34
- Sensor Modes………………………………………………………………………………. 35
- Frame Rates…………………………………………………………………………………. 35
- Recording Times……………………………………………………………………………. 35
- Canon CINE-SERVO 25-250 mm T2.95-3.95 Zoom ………………………….36-39
- Canon CINE-SERVO 25-250mm T2.95-3.95 Specs………………………………. 40
- Canon CINE-SERVO 25-250mm T2.95-3.95 Image Coverage…………………. 41
- Aperture Ramping Explained…………………………………………………………….. 41
- Teradek Bolt 4K…………………………………………………………………………42-43
- Apple ProRes RAW with Panasonic LUMIX DC-S1H and Atomos Ninja V……… 44
- Panasonic LUMIX DC-S1H Firmware Version 2.0…………………………………… 45
- Panasonic LUMIX DC-S1H……………………………………………………………….. 46
- Panasonic LUMIX DC-S1H, Atomos Ninja V & Apple ProRes RAW……………… 47
- Discussion with Panasonic S1H Design & Engineering Team……………………. 48
- Panasonic S1H Image Area Dimensions……………………………………………… 49
- Panasonic S1H Sensor Modes………………………………………………………….. 49
- Panasonic S1H Selected Settings for Apple ProRes RAW Output………………. 50
- Panasonic S1H Menu Settings………………………………………………………….. 51
- Chris Sieniawski on Panasonic S1H and Atomos ProRes RAW………………52-54
- Jeromy Young, CEO of Atomos………………………………………………………55-57
- Codex Compact Drive Dock for ARRI ALEXA Mini LF…………………………..58-59
- Codex Compact Drive Reader…………………………………………………………… 59
- Codex Compact Drive Adapter………………………………………………………….. 59
- Attila Kaldy, Australian Bigfoot and Blackmagic Pocket Cinema Camera 4K…. 60
- Attila Kaldy, Australian Bigfoot, Pocket Cinema Camera 4K………………….61-63
- Into The Rising Sun with Blackmagic Pocket Cinema Camera 6K……………… 64
- Into The Rising Sun with Pocket Cinema Camera 6K………………………….65-69
- Cooke Optics: Factory Tour 2020………………………………………………………. 70
- The Ins and Outs of Cooke Optics……………………………………………………… 71
- Les Zellan, Chairman of Cooke Optics…………………………………………….72-75
- Robert Howard, CEO of Cooke Optics……………………………………………..76-77
- Alan Merrills, COO………………………………………………………………………….. 78
- Allison Langley, Front of House…………………………………………………………. 78
- Chris Marriott, Next COO…………………………………………………………………. 79
- New Optical Design and Mechanical Engineering Offices………………………… 80
- John Monahan, Production Engineering Manager …………………………………. 81
- Steve Pope, Director of Engineering…………………………………………………… 81
- Building Cooke Lenses……………………………………………………………………. 82
- Grinding and Polishing……………………………………………………………………. 83
- Polishing……………………………………………………………………………………… 84
- Paul Prendergast, Glass Production Manager……………………………………….. 85
- Paul Utting, Supervisor of Edging and Blacking…………………………………….. 86
- Edging…………………………………………………………………………………….87-88
- Blacking………………………………………………………………………………………. 89
- Irises…………………………………………………………………………………………… 89
- Metrology…………………………………………………………………………………….. 90
- Ian Johnson, Coater for Cooke Optics…………………………………………………. 91
- Keith Wykes, Production Manager for Assembly……………………………………. 92
- Jamie Cluer, Assembly Supervisor and Service Manager…………………………. 93
- Cooke Clean Room…………………………………………………………………….94-95
- Marking the Focus Scale……………………………………………………………..96-97
- Projection…………………………………………………………………………………….. 98
- Delivery……………………………………………………………………………………….. 99
- New: Cooke S7/i Full Frame Macro 1:1 60mm, 90mm, 150mm Primes…… 100
- ERM Wireless Range Extenders for ARRI……………………………………………. 101
- ARRI EF Mount with LBUS for ALEXA Mini, Mini LF and LF ………………102-103
- Lenses and Mounts for Large Format ARRI ALEXA LF and Mini LF ………….. 103
- ARRI OCU-1 Operator Control Unit……………………………………………………. 104
- ARRI Master Grips………………………………………………………………………… 105
- ARRI OCU-1 and Master Grips Around the World……………………………106-107
- ARRI Master Grips Around the World………………………………………………… 108
- Mole LED Spacelites…………………………………………………………………….. 109
- Mole 20K LED…………………………………………………………………………….. 109
- DENZ FDC-LPL Flange Focal Depth Tester…………………………………………. 110
- DENZ FDC Multi…………………………………………………………………………… 111
- Hunters, Rexer, SIGMA, RED……………………………………………………..112-114
- Gods of Focus: Michael Burke on Hunters………………………………………….. 115
- Michael Burke on Hunters……………………………………………………………… 116
- Hunters Equipment List……………………………………………………………117-119
- FUJINON Premista Production Stills from Around the World……………………. 120
- Paolo Sodi – Director / Cinematographer …………………………………………… 121
- David Dellaria – Cinematographer…………………………………………………….. 122
- Patrick Longman – Aerial Cinematographer………………………………………… 123
- Bill Bennett, ASC – Cinematographer ……………………………………………….. 124
- AJ Bleyer – Director ……………………………………………………………………… 125
- Jeff McCoy – Owner, Industrial Digital ………………………………………………. 126
- Corey Koniniec – Cinematographer / Motion State Co-Owner…………………. 127
- Mohd Abudin Abdullah, Focus Puller at Work in Malaysia…………………128-129
