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April 2020: Issue 101
Latest Edition – Free PDF Download

  • Introduction, Part 1: Film in Coronavirus Times……………………………………….. 4
  • Part 2: Working in this Town Again………………………………………………………. 5
  • Canon EOS C300 Mark III Super35 Camera…………………………………………… 6
  • Canon EOS C300 Mark III with CINE-SERVO 25-250mm T2.95-3.95………….. 7
  • Canon EOS C300 Mark III Super35 Camera……………………………………….8-14
  • Steve Holleran on EOS C300 Mark III and CINE-SERVO 25-250 Zoom……….. 15
  • Steve Holleran on Canon EOS C300 Mark III…………………………………….16-17
  • Steve Holleran on CINE-SERVO 25-250………………………………………………. 18
  • Steve Holleran on Boneyard Ballet……………………………………………………… 19
  • Steve Holleran on Boneyard Ballet……………………………………………………… 21
  • Gods of Focus: Dennis Scully……………………………………………………………. 22
  • Dennis Scully: What’s on the Camera…………………………………………………. 23
  • Dennis Scully…………………………………………………………………………….24-25
  • Canon EOS C300 Mark III…………………………………………………………….26-27
  • Boneyard Ballet Frames……………………………………………………………….28-31
  • Canon EOS C300 Mark III Specifications………………………………………….32-33
  • Canon EOS C300 Mark III Formats…………………………………………………….. 34
  • Resolution, Bit Depth, Max FPS, Slow & Fast, etc…………………………………… 34
  • Sensor Modes………………………………………………………………………………. 35
  • Frame Rates…………………………………………………………………………………. 35
  • Recording Times……………………………………………………………………………. 35
  • Canon CINE-SERVO 25-250 mm T2.95-3.95 Zoom ………………………….36-39
  • Canon CINE-SERVO 25-250mm T2.95-3.95 Specs………………………………. 40
  • Canon CINE-SERVO 25-250mm T2.95-3.95 Image Coverage…………………. 41
  • Aperture Ramping Explained…………………………………………………………….. 41
  • Teradek Bolt 4K…………………………………………………………………………42-43
  • Apple ProRes RAW with Panasonic LUMIX DC-S1H and Atomos Ninja V……… 44
  • Panasonic LUMIX DC-S1H Firmware Version 2.0…………………………………… 45
  • Panasonic LUMIX DC-S1H……………………………………………………………….. 46
  • Panasonic LUMIX DC-S1H, Atomos Ninja V & Apple ProRes RAW……………… 47
  • Discussion with Panasonic S1H Design & Engineering Team……………………. 48
  • Panasonic S1H Image Area Dimensions……………………………………………… 49
  • Panasonic S1H Sensor Modes………………………………………………………….. 49
  • Panasonic S1H Selected Settings for Apple ProRes RAW Output………………. 50
  • Panasonic S1H Menu Settings………………………………………………………….. 51
  • Chris Sieniawski on Panasonic S1H and Atomos ProRes RAW………………52-54
  • Jeromy Young, CEO of Atomos………………………………………………………55-57
  • Codex Compact Drive Dock for ARRI ALEXA Mini LF…………………………..58-59
  • Codex Compact Drive Reader…………………………………………………………… 59
  • Codex Compact Drive Adapter………………………………………………………….. 59
  • Attila Kaldy, Australian Bigfoot and Blackmagic Pocket Cinema Camera 4K…. 60
  • Attila Kaldy, Australian Bigfoot, Pocket Cinema Camera 4K………………….61-63
  • Into The Rising Sun with Blackmagic Pocket Cinema Camera 6K……………… 64
  • Into The Rising Sun with Pocket Cinema Camera 6K………………………….65-69
  • Cooke Optics: Factory Tour 2020………………………………………………………. 70
  • The Ins and Outs of Cooke Optics……………………………………………………… 71
  • Les Zellan, Chairman of Cooke Optics…………………………………………….72-75
  • Robert Howard, CEO of Cooke Optics……………………………………………..76-77
  • Alan Merrills, COO………………………………………………………………………….. 78
  • Allison Langley, Front of House…………………………………………………………. 78
  • Chris Marriott, Next COO…………………………………………………………………. 79
  • New Optical Design and Mechanical Engineering Offices………………………… 80
  • John Monahan, Production Engineering Manager …………………………………. 81
  • Steve Pope, Director of Engineering…………………………………………………… 81
  • Building Cooke Lenses……………………………………………………………………. 82
  • Grinding and Polishing……………………………………………………………………. 83
  • Polishing……………………………………………………………………………………… 84
  • Paul Prendergast, Glass Production Manager……………………………………….. 85
  • Paul Utting, Supervisor of Edging and Blacking…………………………………….. 86
  • Edging…………………………………………………………………………………….87-88
  • Blacking………………………………………………………………………………………. 89
  • Irises…………………………………………………………………………………………… 89
  • Metrology…………………………………………………………………………………….. 90
  • Ian Johnson, Coater for Cooke Optics…………………………………………………. 91
  • Keith Wykes, Production Manager for Assembly……………………………………. 92
  • Jamie Cluer, Assembly Supervisor and Service Manager…………………………. 93
  • Cooke Clean Room…………………………………………………………………….94-95
  • Marking the Focus Scale……………………………………………………………..96-97
  • Projection…………………………………………………………………………………….. 98
  • Delivery……………………………………………………………………………………….. 99
  • New: Cooke S7/i Full Frame Macro 1:1 60mm, 90mm, 150mm Primes…… 100
  • ERM Wireless Range Extenders for ARRI……………………………………………. 101
  • ARRI EF Mount with LBUS for ALEXA Mini, Mini LF and LF ………………102-103
  • Lenses and Mounts for Large Format ARRI ALEXA LF and Mini LF ………….. 103
  • ARRI OCU-1 Operator Control Unit……………………………………………………. 104
  • ARRI Master Grips………………………………………………………………………… 105
  • ARRI OCU-1 and Master Grips Around the World……………………………106-107
  • ARRI Master Grips Around the World………………………………………………… 108
  • Mole LED Spacelites…………………………………………………………………….. 109
  • Mole 20K LED…………………………………………………………………………….. 109
  • DENZ FDC-LPL Flange Focal Depth Tester…………………………………………. 110
  • DENZ FDC Multi…………………………………………………………………………… 111
  • Hunters, Rexer, SIGMA, RED……………………………………………………..112-114
  • Gods of Focus: Michael Burke on Hunters………………………………………….. 115
  • Michael Burke on Hunters……………………………………………………………… 116
  • Hunters Equipment List……………………………………………………………117-119
  • FUJINON Premista Production Stills from Around the World……………………. 120
  • Paolo Sodi – Director / Cinematographer …………………………………………… 121
  • David Dellaria – Cinematographer…………………………………………………….. 122
  • Patrick Longman – Aerial Cinematographer………………………………………… 123
  • Bill Bennett, ASC – Cinematographer ……………………………………………….. 124
  • AJ Bleyer – Director ……………………………………………………………………… 125
  • Jeff McCoy – Owner, Industrial Digital ………………………………………………. 126
  • Corey Koniniec – Cinematographer / Motion State Co-Owner…………………. 127
  • Mohd Abudin Abdullah, Focus Puller at Work in Malaysia…………………128-129

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