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April 2014: Issue 60
NAB 2014

  • ARRI Amira Jumpstart Guide…………………………………………….. 4-7
  • ARRI Amira Menus……………………………………………………………..8
  • New Canon 17-120 T2.9-3.9 with Servo Handgrip……………… 9-13
  • Angénieux Style Zoom Lenses…………………………………………….14
  • Angénieux Servo Unit………………………………………………………..15
  • Fujinon Cabrio 25-300 T3.5……………………………………………….16
  • The Growing Cabrio Family…………………………………………………17
  • Cooke Anamorphic Test in Paris………………………………………….18
  • “Look” Cooke Anamorphic Test in New York…………………………..19
  • A Look at Cooke Anamorphic/i………………………………………. 20-21
  • Cooke Anamorphic Optical Design Team…………………………. 22-27
  • Cooke Anamorphic Mechanical Design Team…………………… 28-29
  • Above the Line at Cooke………………………………………………. 30-31
  • Cooke Optics Ltd Factory Tour………………………………………. 32-37
  • Mick Maher on Traditional Polishing……………………………………..36
  • Paul Utting on Traditional Edging………………………………………….37
  • Sony F5/F55 Updates………………………………………………………..38
  • Still Moving Pictures: Curt Schaller, BVK………………………………..39
  • Still Moving Pictures: David Darby, ASC…………………………………40
  • Monument Valley in Monochrom from Leica…………………………..41
  • 100th Leica Summilux-C Set Delivered…………………………………42
  • Leica Summicron and Summilux Cine Lenses…………………………43
  • Leica Summicron-C and Leica Summilux-C Specs…………………..44
  • Origins of the Leica Summicron-C Cine Lenses……………………….45
  • Christian Skrein, 50 Years a Leica Fan………………………………….45
  • Tiffen 4K Diffusion Filter Tests………………………………………. 46-48
  • Element Technica Wireless Control System…………………………….49
  • ARRI/ZEISS Master Anamorphics…………………………………………50
  • ARRI/ZEISS Master Anamorphic Framegrabs………………………….51
  • ZEISS Compact Zooms………………………………………………………52
  • ZEISS CP.2, CZ.2, Z, Otus, Master, Ultra… ……………………………53
  • Scorpiolens Anamorphics…………………………………………………..54
  • Denz Blackmagic Camera PL Conversion……………………………….55
  • OConnor 120EX: A Visit to the Factory…………………………….. 56-57
  • Schneider Optics Cine Xenar III and Xenon FF…………………………58
  • Sony α7R PL Finder – Image Circles and Confusion………………….59
  • Codex Vault Updates…………………………………………………………60
  • Codex Action CAM……………………………………………………………61
  • Phantom Flex4K – Beyond the Sensor…………………………….. 62-63
  • IB/E Optics at AbelCine………………………………………………………64
  • cmotion………………………………………………………………………….65
  • Vocas…………………………………………………………………………….65
  • Manfrotto 055 Tripod Series……………………………………………….66
  • Manfrotto 1×1 LED Panels………………………………………………….66
  • SHAPE …………………………………………………………………………..67
  • Nikon D4s………………………………………………………………………67
  • Schulz Quickfix System……………………………………………………..67
  • ARRI Wireless Controls: UMC-4, SMC-1, EMC-1……………………..68
  • ARRI Accessories: Studio Mattebox, QRP-1, Rods……………………68
  • ARRI Alexa SUP 10.0………………………………………………………..69
  • ARRI UWZ 9.5 – 18 mm T2.9………………………………………………69
  • Matthews Minivator II………………………………………………………..70
  • AJA Io 4K goes 50/60 fps………………………………………………….70
  • Panasonic 35mm 4K VariCam…………………………………………….70
  • Litepanels Sola 9 and Inca 9……………………………………………….71
  • Litepanels Hilio D12 and T12………………………………………………71
  • Litepanels 1×1 LS Traveler Kits……………………………………………71
  • Cartoni…………………………………………………………………………..72
  • Anton/Bauer……………………………………………………………………73
  • Chrosziel MagNum……………………………………………………………73
  • Band Pro: 4K at NAB and 30th Anniversary……………………… 74-75
  • Claudio Miranda, ASC on “Tomorrowland”……………………….. 76-77
  • Keslowized F65 + F55 Cameras on “Tomorrowland”……………….78
  • Michael Price: Three F55 Cameras on TV Series……………….. 79-81
  • Andrew Osborne, DIT and Mark Wilkins, Technicolor………………..81
  • Wooden Camera Blackmagic 4K Mount…………………………………82
  • Wooden Camera C-Box, NATO Handle Plus……………………………82
  • Wooden Camera Universal Lens Support……………………………….82
  • Half Gimbals……………………………………………………………………83
  • Ronford-Baker Atlas 7……………………………………………………….83
  • Gravity One……………………………………………………………………..83
  • Orca bags………………………………………………………………………83
  • GoPro…………………………………………………………………………….84
  • Odyssey’s Odyssey…………………………………………………………..85
  • Athena 4K Player/Recorder…………………………………………………85
  • Tony Dustin on DaVinci Resolve at Technicolor…………………. 86-87
  • Bertone Visuals 4x F65 4K Slow Motion………………………….. 88-90
  • Aaton Digital……………………………………………………………………91
  • Transvideo………………………………………………………………………91
  • K5600…………………………………………………………………………..91
  • Andra Focus……………………………………………………………………91
  • People, Places, Production Postcards……………………………………92
  • Storaro’s The Art of Cinematography…………………………………….93

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