April 2014: Issue 60
NAB 2014
- ARRI Amira Jumpstart Guide…………………………………………….. 4-7
- ARRI Amira Menus……………………………………………………………..8
- New Canon 17-120 T2.9-3.9 with Servo Handgrip……………… 9-13
- Angénieux Style Zoom Lenses…………………………………………….14
- Angénieux Servo Unit………………………………………………………..15
- Fujinon Cabrio 25-300 T3.5……………………………………………….16
- The Growing Cabrio Family…………………………………………………17
- Cooke Anamorphic Test in Paris………………………………………….18
- “Look” Cooke Anamorphic Test in New York…………………………..19
- A Look at Cooke Anamorphic/i………………………………………. 20-21
- Cooke Anamorphic Optical Design Team…………………………. 22-27
- Cooke Anamorphic Mechanical Design Team…………………… 28-29
- Above the Line at Cooke………………………………………………. 30-31
- Cooke Optics Ltd Factory Tour………………………………………. 32-37
- Mick Maher on Traditional Polishing……………………………………..36
- Paul Utting on Traditional Edging………………………………………….37
- Sony F5/F55 Updates………………………………………………………..38
- Still Moving Pictures: Curt Schaller, BVK………………………………..39
- Still Moving Pictures: David Darby, ASC…………………………………40
- Monument Valley in Monochrom from Leica…………………………..41
- 100th Leica Summilux-C Set Delivered…………………………………42
- Leica Summicron and Summilux Cine Lenses…………………………43
- Leica Summicron-C and Leica Summilux-C Specs…………………..44
- Origins of the Leica Summicron-C Cine Lenses……………………….45
- Christian Skrein, 50 Years a Leica Fan………………………………….45
- Tiffen 4K Diffusion Filter Tests………………………………………. 46-48
- Element Technica Wireless Control System…………………………….49
- ARRI/ZEISS Master Anamorphics…………………………………………50
- ARRI/ZEISS Master Anamorphic Framegrabs………………………….51
- ZEISS Compact Zooms………………………………………………………52
- ZEISS CP.2, CZ.2, Z, Otus, Master, Ultra… ……………………………53
- Scorpiolens Anamorphics…………………………………………………..54
- Denz Blackmagic Camera PL Conversion……………………………….55
- OConnor 120EX: A Visit to the Factory…………………………….. 56-57
- Schneider Optics Cine Xenar III and Xenon FF…………………………58
- Sony α7R PL Finder – Image Circles and Confusion………………….59
- Codex Vault Updates…………………………………………………………60
- Codex Action CAM……………………………………………………………61
- Phantom Flex4K – Beyond the Sensor…………………………….. 62-63
- IB/E Optics at AbelCine………………………………………………………64
- cmotion………………………………………………………………………….65
- Vocas…………………………………………………………………………….65
- Manfrotto 055 Tripod Series……………………………………………….66
- Manfrotto 1×1 LED Panels………………………………………………….66
- SHAPE …………………………………………………………………………..67
- Nikon D4s………………………………………………………………………67
- Schulz Quickfix System……………………………………………………..67
- ARRI Wireless Controls: UMC-4, SMC-1, EMC-1……………………..68
- ARRI Accessories: Studio Mattebox, QRP-1, Rods……………………68
- ARRI Alexa SUP 10.0………………………………………………………..69
- ARRI UWZ 9.5 – 18 mm T2.9………………………………………………69
- Matthews Minivator II………………………………………………………..70
- AJA Io 4K goes 50/60 fps………………………………………………….70
- Panasonic 35mm 4K VariCam…………………………………………….70
- Litepanels Sola 9 and Inca 9……………………………………………….71
- Litepanels Hilio D12 and T12………………………………………………71
- Litepanels 1×1 LS Traveler Kits……………………………………………71
- Cartoni…………………………………………………………………………..72
- Anton/Bauer……………………………………………………………………73
- Chrosziel MagNum……………………………………………………………73
- Band Pro: 4K at NAB and 30th Anniversary……………………… 74-75
- Claudio Miranda, ASC on “Tomorrowland”……………………….. 76-77
- Keslowized F65 + F55 Cameras on “Tomorrowland”……………….78
- Michael Price: Three F55 Cameras on TV Series……………….. 79-81
- Andrew Osborne, DIT and Mark Wilkins, Technicolor………………..81
- Wooden Camera Blackmagic 4K Mount…………………………………82
- Wooden Camera C-Box, NATO Handle Plus……………………………82
- Wooden Camera Universal Lens Support……………………………….82
- Half Gimbals……………………………………………………………………83
- Ronford-Baker Atlas 7……………………………………………………….83
- Gravity One……………………………………………………………………..83
- Orca bags………………………………………………………………………83
- GoPro…………………………………………………………………………….84
- Odyssey’s Odyssey…………………………………………………………..85
- Athena 4K Player/Recorder…………………………………………………85
- Tony Dustin on DaVinci Resolve at Technicolor…………………. 86-87
- Bertone Visuals 4x F65 4K Slow Motion………………………….. 88-90
- Aaton Digital……………………………………………………………………91
- Transvideo………………………………………………………………………91
- K5600…………………………………………………………………………..91
- Andra Focus……………………………………………………………………91
- People, Places, Production Postcards……………………………………92
- Storaro’s The Art of Cinematography…………………………………….93