December 2021: Issue 112
December 2021
- Sony VENICE 2 8K and 6K Camera Introduction 4
- There are two VENICE 2 Camera Models 5
- Sake Theory and 8K 6
- Research, Rentals and Owners 7
- Sony VENICE 2 – Camera Left Side 8
- Sony VENICE 2 – Camera Right Side 9
- Sony VENICE 2 – Front 10
- Sony VENICE 2 – Rear, Top 11
- How to see that it’s a VENICE 2 8K 12
- How to see if it’s a VENICE 2 or original VENICE 13
- VENICE 2 vs original VENICE 14
- VENICE 2 vs original VENICE with AXS-R7 Recorder 15
- VENICE 2 vs original VENICE Front and Rear 16
- 6K and 8K Sensor Blocks 17
- Sony Cinema Line: FX3, FX6, FX9 18
- Sony Cinema Line: VENICE, VENICE 2 6K, VENICE 2 8K 19
- Nobutatsu Takahashi, General Manager of Sony Cinema Line 20
- Nobu Takahashi 21
- Nobu Takahashi, General Manager of Cinema Line 22
- Nobu Takahashi: “We empower creators to bring a new era” 23
- Q&A with VENICE 2 Team 24
- VENICE 2 Q&A: Name, Nameplates, Highlights, EVF 25
- VENICE 2 Q&A: Sensor Blocks, Data, Storage, Users 26
- VENICE 2 Q&A: Data Rate, Drives, Rialto, Archiving 27
- VENICE 2 Q&A: Formats, Anamorphic, Aspect Ratios, Dual Base ISO 28
- VENICE 2 Q&A: Lens Metadata, Challenges, Design 29
- VENICE 2 Camera Body Views 30
- VENICE 2 Camera Views 31
- VENICE 2 8K Imager Modes (v1.0) 32
- VENICE 2 6K Imager Modes (same as original VENICE, v6.0) 33
- New 1 TB S66 AXSM Memory Cards 34
- Camera Control 35
- RIALTO Extension Unit 35
- Outfitting VENICE 2 36
- VENICE 2 with Preston Light Ranger 2, Bright Tangerine 37
- VENICE 2, LR2M, Expert Kit, Misfit Kick, Atomos Shinobi 7, Leitz 38
- VENICE 2, Dionic XT 90 VM, Bolt 4K 1500, D-Box, Cine 7, Optimo 39
- VENICE 2, Dionic XT 90, Bolt 4K 1500, D-Box, Angénieux Optimo 40
- Cooke S7/i and Anamorphic/i Primes on VENICE 2 41
- ZEISS Supreme and Radiance Primes on VENICE 2 42
- Leitz Thalia Primes on VENICE 2 43
- Cooke Varotal/i on VENICE 2 44
- FUJINON Premista Zooms on VENICE 2 45
- Premista and Varotal/i Top Views on VENICE 2 46
- Angénieux Optimo Ultra Compact Zoom on VENICE 2 47
- VENICE Removable PL Mount 48
- Sony E-mount G Master on VENICE 2 48
- SIGMA DG DN E-mount lenses on VENICE 2 49
- Sony E-mount 50
- Leitz M 0.8 Mount and Leica M 0.8 Noctilux 50
- Leitz ELSIE LPL Mount Prime on VENICE 2 51
- ARRI LPL Mount Signature Zoom and Prime on VENICE 2 52
- Rob Mclachlan ASC, CSC on Available Light – Homecoming 53
- Rob Mclachlan: Palm Springs 54
- Rob Mclachlan: British Columbia 55
- Rob Mclachlan: Available Light 56
- Rob Mclachlan 57
- Claudio Miranda, ASC, ACC on The Camera Test 58
- Claudio Miranda’s The Camera Test Frames 59
- Claudio Miranda’s The Camera Test Firelight Frames 60
- Claudio Miranda’s The Camera Test Camera Setup 61
