September 2019: Issue 97
IBC 2019 Edition
- Canon EOS C500 Mark II – Full-Frame 5.9K 4
- Size Comparison: Canon C500 Mark II and C700 FF 5
- Canon C500 Mark II — Body Parts 6
- Canon C500 Mark II in Minimalist Mode 7
- Canon C500 Mark II — User Interchangeable Lens Mounts 8
- Expansion Unit EU-V2, LCD Monitor, Handle, GR-V1 Grip 8
- Canon C500 Mark II Connections 9
- Canon C500 Mark II Recording Formats and Speeds 10
- Slow & Fast Motion 10
- Canon Cinema RAW Light 11
- Sensor Modes 11
- Recording Formats: Relative Sizes 11
- Canon EOS C500 MKII Specs 12
- Canon EOS C500 MKII Production Stills by Jacob Niblett 13
- ARRI ALEXA Mini LF 14
- ARRI ALEXA Mini LF Studio Mode, Top View 15
- ALEXA Mini LF Handheld, Front View 15
- ARRI ALEXA Mini LF Studio Setup 16
- ARRI ALEXA Mini LF Handheld Setup 17
- Servicevison New K35 18
- Servicevision Scorpiorama 70 Full-Frame 1.65x Anamorphics 19
- AJA Ki Pro GO 20
- Aaton Intelligent Handgrip, Aaton and Transvideo News 21
- Elisabetta Cartoni and the Cartoni MAXIMA 5.0 22-23
- Sony PXW-FX9 24-27
- Sony FX9 Full-Frame compared to FS7 II Super35 27
- Sony FX9 Ergonomics 28
- Sony FX9 with XDCA-FX9 Extension Unit 29
- Sony FX9 30
- Sony F EC 16-35mm T3.1 G Cinema Lens 30
- Sony FX9 at 8,000 feet in Granby, Colorado 31
- SmallHD Cine7 RED Camera Control 32
- Small4K 33
- Teradek Bolt 4K MAX 33
- Panasonic LUMIX DC-S1H Full-Frame 6K 34-35
- Discussion with Panasonic S1H Design & Engineering Teams 36
- Panasonic LUMIX DC-S1H Views 37-38
- Atomos RAW over HDMI from Lumix S1H 39
- Atomos Shogun 7 40
- IDX IPL Series Stackable Batteries 41
- Blackmagic Pocket Cinema Camera 6K 42-44
- Blackmagic Pocket Cinema Camera 6K Specs 45
- Kazuto Yamaki, SIGMA CEO 46-47
- SIGMA Full-Frame Classic Art Primes 48-50
- SIGMA FF High Speed Cine Lens Art Primes 51
- SIGMA PL to L-Mount Converter 52
- SIGMA fp as Director’s Viewfinder (and PL mount Cine Camera) 52
- SIGMA fp 14-bit RAW Still Camera & 12-bit RAW Cine Camera 53
- SIGMA fp Full-Frame Camera 54
- FUJIFILM GFX100 with PL Mount 55
- FUJIFILM GFX100, ALPA PL, XO, Premista 28-100mm T2.9 56
- FUJIFILM GFX100 and ALPA XO 57
- What does Angénieux know about Primes? Ask Orson Welles. . 58
- Band Pro tests Angénieux Optimo Primes 59-60
- Angénieux Optimo Primes 61
- Angénieux Optimo Prime 40mm Framegrabs 62-63
- Cooke Anamorphic, Canon C700 FF, Holleran 64
- Holleran, Cooke, Canon C700 FF, Easyrig Vario 5 65
- Cooke Anamorphic, Canon C700 FF, Preston LR2 66
- Ronford-Baker Atlas 7, Atlas 50, Slider 67
- LEITZ THALIA-T 90mm 68
- LEITZ THALIA-T 90mm Frames 69-70
- LEITZ THALIA-T 90mm. Not Just for Portraits. 71
- ZEISS Supreme Prime 150mm 72
- ZEISS Burbank 73
- Anton/Bauer Dionic 26V Series 74
- Anton/Bauer Titon-SL 14.4 V Series 74
- Wooden Camera 26 V Gold Mounts 75
- Wooden Camera LPL Mounts for Cameras 76
- Graduating from IRND to Tiffen Full Spectrum NATural ND Grads 77
- DENZ OIC FF 78
- SHAPE Cages, Batteries and Chargers 79
- cmotion cPRO camera control & cvision 80
- Bright Tangerine Left Field Cage for Canon EOS C500 Mark II 81
- Tilta Armor Man 3 82
- Canon DP-V3120 4K Reference Display 83
- Kino Flo and the Planckian Locus: Turning Tables on LUTs 84
- Easyrig STABIL 85
- ARRI Orbiter 86
- Trading Faces: ARRI Orbiter Options 87
- ARRI Orbiter Software, Control Panel, Connections 88
- OConnor Ultimate 1040 flowtech100 System 89
- RED RANGER HELIUM & RANGER GEMINI 90
- Jarred Land on RED RANGER HELIUM & RANGER GEMINI 91
- RED RANGER Family 92
- IB/E Optics SmartFinder Pro 93
