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February 2025: Issue 129
February 2025 – Online and In Print

Issue 129 Contents

  • The Bigger Picture…………………………………………………………………………… 4
  • 1985: ARRIFLEX 765 Film Camera………………………………………………………. 5
  • 2014: 65mm Rebooted—ARRI ALEXA 65 Digital Camera…………………………. 6
  • 2025: ALEXA 265. Walter Trauninger……………………………………………………. 7
  • David Zucker and Andrew Prior…………………………………………………………… 8
  • Achim Oehler………………………………………………………………………………….. 9
  • Michael Göpel ………………………………………………………………………………… 9
  • ALEXA 265 Handheld Setup…………………………………………………………….. 10
  • ALEXA 265 Studio Setup…………………………………………………………………. 10
  • 265 AKS – Accessories……………………………………………………………………. 11
  • 265 Filter Cartridge………………………………………………………………………… 11
  • ALEXA 265 Camera Views……………………………………………………………12-13
  • ALEXA 265 — 3 Sensor Modes………………………………………………………… 14
  • ALEXA 265 compared to ARRIFLEX 765, ALEXA Mini & Mini LF……….. 14
  • ALEXA 265 Framelines……………………………………………………………………. 15
  • ALEXA 265 Partial List of Specs………………………………………………………… 16
  • ALEXA 265 dimensions compared with ALEXA 65 ……………………………. 17
  • Cooke Panchro 65/i Lens Series……………………………………………………….. 18
  • Cooke Panchro 65/i Lens Series……………………………………………………….. 19
  • Blackmagic URSA Cine 17K 65……………………………………………………..20-21
  • Blackmagic URSA Cine 17K 65 — Formats, Aspect Ratios, Image Size, etc… 21
  • Blackmagic URSA Cine 17K 65 — Formats……………………………………..22-23
  • Blackmagic Camera Menus and Style…………………………………………………. 24
  • Blackmagic PYXIS 6K……………………………………………………………………… 25
  • Blackmagic PYXIS 6K……………………………………………………………………… 26
  • Q&A with Kristian Lam, Senior Product Manager, Blackmagic Design………… 27
  • Blackmagic PYXIS 6K………………………………………………………………….28-29
  • Blackmagic PYXIS 6K Viewing…………………………………………………………… 30
  • PYXIS 6K EVF Positions…………………………………………………………………… 31
  • Leica SL3-S Stills and Cine………………………………………………………………. 32
  • Leica SL3-S………………………………………………………………………………….. 33
  • Leica SL3-S Jump Start………………………………………………………………….. 34
  • SL3-S Controls……………………………………………………………………………… 35
  • Leica SL3-S Framelines………………………………………………………………….. 36
  • Leica SL3-S Video Profiles……………………………………………………………….. 37
  • Leitz ELSIE 15mm T2.1…………………………………………………………………… 38
  • Holding Still and Moving – Leica SL3-S and Leitz ELSIE 15mm T2.1………….. 39
  • Holding Still and Moving: SL3-S & ELSIE 15mm……………………………………. 40
  • Still Moving Pictures: SL3-S & ELSIE 15mm………………………………………… 41
  • A DP Walks into a Museum with SL3-S and ELSIE…………………………………. 42
  • Ralph Gibson………………………………………………………………………………… 45
  • 11 Leitz THALIA 65 Primes………………………………………………………………. 46
  • New Leitz 20mm THALIA 65…………………………………………………………….. 47
  • IB/E Optics Full Frame to 65mm Format Expanders……………………………….. 48
  • IB/E Optics Full Frame RAPTOR Scope……………………………………………….. 49
  • Johanna Coelho, Cinematographer of THE PITT……………………………………. 50
  • Johanna Coelho on THE PITT………………………………………………………..51-54
  • Ronford-Baker Atlas Mini 7 Manual & Motorized…………………………………… 55
  • ALEXA 35 Base Model with Flexible Licenses……………………………………….. 56
  • License Options for ALEXA 35 Base Model………………………………………….. 57
  • ALEXA 35 Base……………………………………………………………………………… 58
  • ALEXA 35 Licensing……………………………………………………………………….. 58
  • ALEXA 35 Base……………………………………………………………………………… 59
  • CODEX Compact Drive Express 1TB – ProRes………………………………………. 59
  • Nanlux Evoke 5000B 5kW LED…………………………………………………………. 60
  • Nanlite Rapid 90 and 120 Parabolic Softboxes……………………………………… 61
  • A Complete Unknown – Phedon Papamichael, ASC, GSC, GCA…………………. 62
  • Phedon Papamichael on A Complete Unknown ………………………………..63-67
  • P. Scott Sakamoto, SOC……………………………………………………………….68-69
  • Serra on Senna………………………………………………………………………….70-73
  • Kinefinity HDMI e-Viewfinder ……………………………………………………………. 74
  • Kinefinity HDMI e-Viewfinder on SIGMA fp L………………………………………… 75
  • Anton/Bauer EDEN 2.5kWh Mobile Power System……………………………..76-77
  • Happy 10th Birthday — Bright Tangerine Misfit Atom…………………………….. 78

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