Contents: Feb 2026 Issue 133-134

• Foreword……………………………………………………………………………………….. 3
• James Friend, ASC, BSC on Ballad of a Small Player……………………………4-17
• ZEISS Aatma Cine Lenses………………………………………………………………… 18
• ZEISS Aatma Full Frame Cine Lenses with Character……………………………… 19
• Christophe Casenave on ZEISS Aatma Cine Lenses……………………………….. 20
• Christophe Casenave on Aatma: Lenses with Character………………………….. 21
• Jeanfre Fachon & Benjamin Hagen Introduce Aatma……………………………… 22
• Benjamin Hagen & Jeanfre Fachon Introduce Aatma …………………………….. 23
• ZEISS Aatma Optical Design…………………………………………………………24-26
• ZEISS Aatma Manufacturing…………………………………………………………27-28
• Waltzing with Brando…………………………………………………………………..30-31
• Garrett O’Brien on Waltzing with Brando………………………………………….32-43
• Optical Support……………………………………………………………………………… 44
• Preston WMF2 Wireless Micro Force 2……………………………………………….. 45
• Preston ALC — Anywhere Lens Control………………………………………….46-47
• DJI RS 5…………………………………………………………………………………..48-51
• DJI Osmo Action 6……………………………………………………………………..52-53
• NANLUX Parallel Beam Reflectors………………………………………………….54-55
• NANLITE PavoSlim 360C……………………………………………………………..56-57
• Nanlux Evoke 150C & 600C with 8-Color Nebula Light Engine……………..58-59
• Sigma AF Cine Line: 28-45mm T2 FF and 28-105mm T3 FF…………………… 60
• Character: Sigma AF Cine Line 28-45mm T2 FF……………………………….61-62
• Another Character: Sigma 75mm T1.3 LF Aizu Prime…………………………63-64
• Sigma Aizu Prime Line…………………………………………………………………….. 65
• Leitz Cine HEKTOR Prime Lenses…………………………………………………..66-67
• Leitz HEKTOR at Aretsky’s Patroon…………………………………………………….. 68
• Canon Cinema EOS C50 and Canon EOS R6 Mark III……………………………… 69
• Canon RF14mm F1.4 L VCM & RF7–14mm F2.8–3.5 L FISHEYE ………..70-71
• Ovide Koko 10″ Monitor/Recorder/Video Assist…………………………………72-73
• Brendan Harvey: A Knife in the Valley……………………………………………..74-83
• Blackmagic Design PYXIS 12K & URSA Cine 17K 65………………………….84-87
• Blackmagic PYXIS 12K………………………………………………………………88-101
• Blackmagic PYXIS 12K on Cartoni MIXO 21………………………………….102-103
• Cartoni Mixo 21 Head + SDS Carbonfiber Tripod System………………………. 104
• Blackmagic URSA Cine 17K 65………………………………………………….105-113
• URSA Cine 17K 65 – Sensor Modes, Aspect Ratios, Image Size…………114-117
• DaVinci Resolve Studio for DPs with URSA Cine 17K 65………………….118-121
• Angenieux Optimo Primes cover URSA Cine 17K 65……………………….122-123
• Small, Medium, Large, Larger Formats……………………………………………… 124
• Blackmagic Camera ProDock………………………………………………………….. 125
• Tilta Khronos for iPhone 17 Pro Max…………………………………………..126-131
• Fujifilm GFX ETERNA 55…………………………………………………………..132-150
• Fujifilm GFX ETERNA 55 with Cooke Panchro65………………………………….. 151
• Tasting & Testing GFX ETERNA 55 with Leitz THALIA 65………………….152-153
• Fujifilm GFX ETERNA 55 with Atlas Kaizen Anamorphic……………………154-158
• FUJIFILM GFX ETERNA 55 Launch in Amsterdam…………………………..159-161
• EVF for GFX ETERNA 55 & Cutaways ………………………………………….162-164
• GFX ETERNA with Tilta Rig……………………………………………………………… 165
• Tilta Camera Cage for GFX ETERNA Pro Kit ………………………………….166-167
• Fujifilm GFX ETERNA with Fujinon 32-90, Cartoni MIXO 21, Tilta Rig……….. 168
• Bright Tangerine on GFX ETERNA 55……………………………………………….. 169
• ARRI PCA for Fujifilm GFX ETERNA 55………………………………………………. 170
• Wooden Camera for Fujifilm GFX ETERNA 55……………………………………… 171
• Manfrotto One……………………………………………………………………….172-173
• ZR Cinema Camera from Nikon and RED…………………………………………… 174
• RED V-RAPTOR XE……………………………………………………………………….. 175
• Laowa Probe Zoom 15-35mm T12 – T40……………………………………176-178
• The Next Shot is in the Glass………………………………………………………….. 179
• The Martini Shot…………………………………………………………………….180-181