Monthly Archives: June 2018
Sony VENICE Version 2 Released Today
Great expectations were rewarded today as Sony released the long-awaited VENICE Version 2 firmware. It’s a major release that makes the VENICE do what almost everyone wanted it to do. Sony’s engineering team were probably working long hours for many months. They scrambled and came through with these new updates ahead of schedule. Version 2 makes VENICE fully functional. The… read more…
CW Sonderoptic renamed Leitz Cine Wetzlar
The name and logo on the outside of CW Sonderoptic’s new headquarters and factory in Wetzlar seemed permanent a couple of months ago. Curiously, a fabric banner covered the name yesterday at the inauguration of Leitz-Park III. Today, during an event attended by thousands of visitors, the banner came down and the new name and logo were revealed. CW Sonderoptic is now Ernst Leitz Cine Wetzlar. read more…
ZEISS Full Frame Lens Workshop
ZEISS Full Frame Lens Workshop. Thursday June 28th from 1-4pm at Band Pro Burbank HQ. Free Zeiss Cine Lens Specialist, Snehal Patel, will be on hand to go over the latest ZEISS lenses, including CP.3 primes, CZ.2 Zooms, and the recently announced Full Frame Supreme Primes.
Claudio Miranda ASC and GIRLS LIKE YOU
Claudio Miranda, ASC talks about “the making of” Maroon 5 and Cardi B’s GIRLS LIKE YOU music video on which he was the cinematographer—using Sony VENICE, motion control, programmed lighting, 250 takes, manual focus and more. The video has been viewed more than 48 million times.
Claudio explained, “The way Director David Dobkin conceived the shoot was to have actors coming in at different times but to make it feel like everyone was there at the same time. So, we decided to design it as a motion control round track shot.
We knew we had to get all these actors at different times, because they would never be available on the same day. It turned into a five-day non-consecutive shoot because of talent schedules. We plotted where everyone would go so they could interact with each other and the lead singer, Adam Levine. Motion control (MoCo) was really the only viable option.
To hold the MoCo two shots, we used the Sony VENICE camera’s dual base ISO of 2500. I had a beta firmware of version 2 at the time. The added depth of field definitely helped get everyone into focus—close up and far away. But we still had to manually pull focus on every take. read more…
Cine Gear Expo 2018 Slideshow
Lots of launches at Cine Gear Expo 2018. ZEISS Supreme Primes; Sony VENICE V2.0 with 1-60 fps in 4K, E-mount capability, Dual Base 500 and 2500 ISO; Sony VENICE tether; Panavision Primo X, Ultra Vista large format 1.6x squeeze anamorphics, Panavision H series, PanaSpeed large format T1.4; Panavision Liquid Crystal variable ND mattebox filter; Panavision DXL-M; Leica M mount for Sony VENICE… and more… read more…
Tags: Cine Gear Expo 2018