Dec 2007 Combined Issues 13 & 14
| Jena Optical Museum |
3-5 |
| Lighting with Paint |
6 |
|
Leading Ladies |
|
| Sony EX1 and Z7U |
7-11 |
| ASC and Avid on Color |
14 |
| Zeiss PL Still Camera |
15 |
| Transvideo HD Monitor |
12-13 |
| 12 Days of Bogen |
16-17 |
| Hawk V-Lites |
18 |
| Cooke Sees Red |
19 |
| Panavision G Series |
20 |
| Lentequip SR3 Adapter |
21 |
| NY Pro Tech Expo |
22-23 |
| Oli at ARRI and IBC |
24-25 |
| Primal Streams |
26-27 |
| Canon Confluence |
28 |
| CineBags |
29 |
| 16x9inc EX Wide |
15 |
| Good Books |
30 |
Sept 2007 Issue 12
| iPhone |
1-3 |
| Tiffen Dfx Software |
4-5 |
| Hedén Lens Motors |
6 |
| Oli in Asia, Infocomm and Cine Gear Expo |
7-9 |
| Still Life: Canon EOS 40D, EOS-1Ds Mk III |
10 |
| ARRI Updates: 416, 235, Arricam Lite |
15 |
| Lighting with Paint |
12-13 |
|
A tale of Two Caravaggios: The Fortune Teller |
|
| Cinematographer Style in Rome |
15 |
June 2007 Issue 11
| Red, Green, Blue |
1-3 |
|
RED camera, Lwel Rifa, Canon HV20 |
|
| Aaton Penelope |
4 |
| Phantom HD AND 65 |
5 |
| Oli Laperal at NAB |
6,7 |
| Cooke Tour: How to Build a Lens |
8-13 |
| Lighting with Paint |
15 |
|
Bellini, Titian |
March 2007 Issue 10
| Sci-Tech Awards |
1 |
| Richard Edlund, ASC |
2,3 |
| New Monitors from Transvideo |
4 |
|
Rainbow II RF UHF, Rainbow II Extrem, CineMonitorHD6, Starlite DV |
|
| Wizards of Wireless |
5-7 |
|
Lens control systems honored at Sci-Tech Awards |
|
|
Preston Cinema Systems, cMotion, ARRI |
|
| Cooke /i dataLink |
8 |
| Camera Tracking 101: Pixel Farm and Avid |
9,10 |
| Sony F23 |
11 |
| Tiffen Steadicam Merlin and DFX Digital Filter Suite |
12 |
| Digital Dustbuster: Kodak Digital Ice and ARRISCAN |
12 |
| 16×9 Inc 1.5x Tele Converter for HDV Camcorders |
13 |
| JVC PL Mount Adapter |
13 |
| Canon XHA1 and XHG1 Camcorders |
14-15 |
| Kata Camcorder Guards |
16 |
| Setting grads, Formatt Grads |
16 |
| ARRI at NAB |
17 |
|
MasterPrimes, 416, 235, Lighting, D-20 |
|
| Lighting with Paint |
19 |
|
Rembrandt Portraits |
Jan 2007 Issue 9
| Camerimage, Cooke, Lodz |
1, 2 |
| Band Pro One World HD Expo |
2 |
| SONY F23 HD 2/3″ Camera |
3 |
| SONY HVR-V1U HDV Camera |
4 |
| Lighting with Paint & Mirrors |
5 |
| Cooke Tour: Lenses in Leicester |
6-7 |
| JVC GY-HD250U HDV Camera |
8-9 |
| Practical Info on Focal Length |
10-11 |
| Arriflex 416 Intro Notes |
12-13 |
| Color Temperature & Gossen 3-F |
15 |
November 2006 Issue 8
| Lighting with Paint: Vincent Van Gogh, “The Weaver” |
2 |
| ARRIMAX and Maxmover |
3 |
| Lenses at Cinec |
4, 5 |
|
Cooke CXX |
15-40 |
|
Zeiss/ARRI LWZ |
15.5-45 |
|
Angenieux |
15-40 |
|
Angenieux, Cooke SK4 Super 16 lenses, Hawk lenses, JDC lenses, Preston Cinema Systems lens controls, Cinematography Electronics |
28-78 |
|
cMotion |
|
| Light and Grip at Cinec |
4-6 |
| Transvideo 4 inch Starlight Monitor |
7-10 |
| Zeiss, Digis, Masters, and Ultras |
11-12 |
| Cinematographer Style Film and DVD |
13-14 |
September 2006 Issue 7
| Demise of the Video Store |
1 |
| Superstars |
1 |
| Lighting with Paint |
2 |
|
Caravaggio, “St. Jerome,” “Christ at the Column” Lighting is Overrated, by Paul Ryan, ASC |
3-5 |
|
Picasso “Les Demoiselles d’Avignon” |
|
| Focus Issues with HD and SD, by Denny Clairmont |
6-7 |
| Panavision Lenses, by Elina Shatkin |
8-9 |
| Vantage Anamorphics, by Peter Martin |
10 |
| Cool Tools |
11 |
|
Anamorphic lenses and contrast glass from Joe Dunton, Tie-down screwdriver from Boston Camera, |
|
|
JL Fisher Accessory shelf and low-mode attachment |
|
| BrainDrain for Batteries from Lentequip |
12-13 |
| Checking Flange Focal Depth of Arricam and Arriflex 235 |
14 |
June 2006 Issue 6
| Arriflex 416 unwrapped at NAB, RED revealed and Sony F23 prototype introduced at NAB |
1 |
| Cinematographer Style Feature Documentary: 110 Interviews |
2 |
| Lighting with Paint: What’s wrong with this Pieter de Hooch Picture? |
3 |
| Depth of Field in Cinematography, by Mark Craig Gerchman and Jon Maxwell |
4 |
| The Gods of Focus, by Howard Preston |
6 |
| Preston FI+Z Hand Unit3 |
6-9 |
| Back Focus and Zeiss Sharpmax, by Michael Bravin |
10 |
| One Chip or Three Chips? by Laurance Thorpe |
12 |
| End Credit: Herbert Raditschnig |
April 2006 Issue 5
| Super 16mm from Rune Ericson to now |
1, 3 |
| Astrid Preston, artist |
1 |
| New HD Cameras and Lenses |
2 |
| Pre-release Arriflex 416 whispers |
3 |
| New Aaton Super 16mm camera: XTRprod2 |
4 |
| Super 16 Lenses from Cooke, Canon and ARRI |
4 |
| Sony XDCAM HD PDW-F350 |
5 |
| How to do a Digital Intermediate |
6, 7 |
|
John Dowdell and Tim Spitzer of Goldcrest Post Productions |
|
| Sensitometry in English, by Bart Durkin |
8 |
| Super 16 and Digital Intermediates, by Michael Phillips, AVID |
9 |
| CamTram |
10 |
| P+S Skater Mini and Scope |
10 |
| Raw Files, by Tom Reid |
11 |
| Kodak KLMS 2 |
11 |
| Lighting with Paint: Masters of Darkness |
12 |
|
Rembrandt “Self portrait as the Apostle St. Paul,” Gordon Willis, ASC |
|
| Lowel Caselite4 |
13 |
| Kinoflo 4Bank |
13 |
| Doggicam Sparrow |
14 |
| Opening Credit: Garh Thielges |
14 |
| Ikonoscop a-cam Super 16 |
14 |
January 2006 Issue 4
| Peepshows and iPeep: Apple iPod Video |
3 |
| Cooke 15-40mm CXX S4i Zoom Lens |
5 |
| Tiffen Filters |
6 |
|
Glimmerglass, Digital Diffusion DFX, HDTV FX, Nude FX |
|
| Retrofit Syndrome: mounting ARRI EXD-1 External Display on Arriflex 235 camera |
7 |
| Lens Pen |
7 |
| JVC GY-HD100 |
4, 8-9 |
| High Definition and Your TV Spot by David Friedman, djm Post Production |
10 |
| Opening Credit: Barbara Lowry |
11 |
|
Director, Cooke Optics |
|
| Vittorio Storaro, ASC, AIC on why he is a Cinematographer, not a “Director of Photography” |
11 |
| Lighting with Paint |
12 |
|
Thomas Eakins “Singing a Pathetic Song,” “The Agnew Clinic” |
|
| Lighting in Tight Places |
12 |
|
Matthews MAX, Finnlight Toplight, ARRIMAX 18/12, Litepanels Mini |
|
| Lowel Ego Light |
14 |
| Eye Cushions and Chamois from Bluestar – Lentequip |
14 |
October 2005 Issue 3
| SONY Z1 HDV Jumpstart Guide | |
| Digital Intermediates | 2 |
| SONY HVR-Z1 | 4 |
| Z1 Menu | 7 |
| Lighting with Paint | 14 |
|
Vermeer “The Geographer,” “Girl Reading a Letter at an Open Window” |
|
| 3D Digital Projection | 15 |
July/August 2005 Issue 2
| NAB: The Year of HD, HDV, HDTV | 2 |
| Cine Gear: The Year of Moving Cameras | 3 |
| Cranes, Cars, Remote Heads | 4 |
| Low Angle Shots | 5 |
| Lenses | 6, 7 |
| Lens Accessories | 8 |
| Power, Batteries | 9 |
| Video Assist | 9 |
| Digital Cameras | 10 |
| Arriflex 235 Accessories | 11 |
| Painting with Lights | 12 |
| Lighting with Paint | 12 |
| AKS, Bags | 13 |
| Books, Software | 13 |
| Kodak 7299 Film, KLMS | 13 |
| Opening Credits | 13 |
| Water | 14 |
| Camera History: 1895 | 15 |
May/June 2005 Issue 1
| About this New Newsletter | 2 |
| Lighting with Paint: | 3 |
|
Rembrandt van Rijn, “Philosopher in Meditation” |
|
| Andrew Laszlo, ASC “Every Frame a Rembrandt” | |
| Camera Reports | 3,14 |
|
Digital Intermediate, SD20, Genesis, DALSA, Arriflex 235 Accessories, Hydroflex 235 Splash Bag, Super 16, Aaton a-minima, a-cam, Cooke, Bolex Super16, HDV, Sony HVR Z1U |
|
| How to Shoot Steadily at Sea | 4-5 |
|
Arriflex 235 Sony HDR-FX1 HDV Panasonic DVX-100a Canon XL-2 |
|
| Kodak Look Manager System (KLMS) | 6 |
| Intro to the New Arriflex 235 | 7 |
|
Arriflex 235 quick review |
8-11 |
|
Arriflex 235 Parts, Camera Comparisons |
12 |
|
235 Setup; Loading Mags |
13 |
| JDC 235 Splash Bag | 13 |
| Opening Credits: Howard Preston | 13 |
|
Microforce Zoom control and lens controls, FI+Z, Speed Aperture Computer, Microforce lens motors |
|
| Hylén System from Panavision | 14 |
| Camera History: Sept 1922 | 15 |
|
Sept 35mm camera |
