Monthly Archives: January 2016

Ed Lachman ASC on Super 16mm “Carol”

Rarely has a film looked as beautiful as “Carol,” especially a film shot in Super 16mm. A lot of stars aligned. Todd Haynes directed. Ed Lachman, ASC was the cinematographer, with breathtaking lighting, moving camera, motivated reflections, mirrors, flares, streaks and muted colors. There was a confluence of excellent choices: among them, Cooke vintage lenses, Kodak Vision3 16mm film, Arriscan, and two great actresses, gorgeously glowing in muted lightread more…

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Masaya Maeda named next Canon President

Canon Inc. announced that Senior Managing Director Masaya Maeda will succeed Fujio Mitarai as President in March. Mr. Mitarai will remain chairman and CEO. The Japan Times writes that  Mitarai told a news conference in Tokyo that Maeda was chosen because of his efforts to position Canon at the top of the digital camera market. “As a digital leader, (Maeda) was one step ahead in advancing the digitalization of cameras,” Mitarai said. Maeda formerly led Canon’s camera division and launched the Cinema EOS series. read more…

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BSC Expo London

1/29/16 – 1/30/16
BSC Expo London: BSC Expo 2016 at Battersea Park

The BSC Expo 2016 will be at Battersea Evolution in Battersea Park from the 29th – 30th January 2016. The 2016 event will host over 100 companies and brands showing the  latest technologies for the film & TV production industry. In addition there will be a variety of technical presentations within a dedicated seminar theatre located inside the main exhibition hall.  … read more…

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Imperial Hotel Tokyo

  The story of the Imperial Hotel‘s triple reincarnation in Tokyo reads like a film script, full of drama, disasters, earthquakes, fires, conflict, rivalries and resolution. When in Tokyo, an antidote for “Lost in Translation” ennui is the Imperial Hotel. You enter a golden, glowing mini city across from the Imperial Palace into a two-story high, football field-size lobby lounge where… read more…

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Panasonic Yamagata Lens Factory Tour

Tendo City, Yamagata is a one-hour flight north from Tokyo’s  Haneda Airport. The mountainous area is known for its hot springs, ramen and soba noodles, and factories that make most of Japan’s Shogi (chess) sets. We are here to visit a different kind of factory: Panasonic’s Yamagata Lens Factory. A year earlier, Panasonic’s principal  lens designer Mr. Kazutake Boku had suggested a visit to their optical factory. “It’s like nothing you’ve ever written about before,” he said. So here we are. read more…

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Milton Keslow 1935-2015

The motion picture business mourns the loss of yet another prominent member in the past week. Milton L. Keslow, Co-Founder of General Camera and founder of Keslow Television, passed away on December 29, 2015, at age 80. read more…

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Linus Sandgren, Re-Coated and Vintage Glass

LINUS SANDGREN: “For “Joy,” I worked with CamTec Motion Picture Camera Rentals. Kavon Elhami and the crew there have been experimenting with vintage lenses for a long time. In our current digital era, we cinematographers need to find ways to make the image interesting. The trend to use vintage lenses has been booming…” read more…

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Vilmos Zsigmond, ASC, HSC 1930-2016

Vilmos Zsigmond, ASC, HSC passed away on January 1, 2016. He was born June 16, 1930 in Szeged, Hungary. In 1956, he filmed the Hungarian Revolution and escaped to the West. He originally wound up in Germany. But then he said, “As long as we’re this far, might as well go to Hollywood.”  In 1971 , Robert Altman hired Vilmos to shoot “McCabe and Mrs. Miller.” His next films have become classics: “Deliverance” ( John Boorman), “The Deer Hunter” and “Heaven’s Gate” (Michael Cimino), “Cinderella Liberty” (Mark Rydell), “Sugarland Express” and “Close Encounters of the Third Kind” (Steven Spielberg), “Blow Out,” “The Black Dahlia,” and  “The Bonfire of the Vanities”  (Brian de Palma), “You Will Meet a Tall Dark Stranger,” Melinda and Melinda,” and “Cassandra’s Dream” (Woody Allen).” In 1977, Vilmos Zsigmond received an Oscar for best cinematography on “Close Encounters of the Third Kind.”  In 1997, he received a Lifetime Achievement Award at Camerimage, and in 1999 from the American Society of Cinematographers. In 2014, Vilmos was honored with the Pierre Angenieux EXCELLENS Award at the Cannes Film Festival. read more…

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