Tag Archives: Sony

“A Beautiful Planet” – Canon, IMAX

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Three Canon EOS C500 4K Digital Cinema Cameras and two EOS-1D C cameras were sent to the International Space Station for the IMAX production A Beautiful Planet. FDTimes discussed the technique and technology of this production with James Neihouse, ASC and Marsha Ivins, along with Tim Smith and Leigh Nofi of Canon. As Variety wrote, “Short of putting Emmanuel Lubezki through Astronaut training, it’s difficult to imagine more rapturously beautiful images of the Earth from orbit than those supplied by A Beautiful Planet, the latest collaboration between IMAX and NASA.” read more…

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Sony AXS-R7 X-OCN (Original Camera Negative)

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As many suspected, Sony’s new AXS-R7 Recorder does a lot more than 4K RAW, full resolution 120p recording, and 30 second caching. Why else would it be larger than its older brother, the R5? The big news is X-OCN.  … read more…

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Meeting Sony Designers and Planners in Tokyo

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Meeting the Designers and Planners Shinagawa sits on the southeastern shore of Tokyo, just before you hit Tokyo Bay. It’s a collection of modern highrise office towers housing many of the area’s major corporations. The large building with the diamond… read more…

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Sony Full Frame FE 50mm F1.4 ZA Prime Lens

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Sony Electronics has just introduced a new Planar T* FE 50mm F1.4 ZA lens with an E-mount. It’s part of the Sony/ZEISS strategic partnership that includes the 16-35mm F4, 24-70 F4, 16-70mm F4, 135mm F1.8, 55mm F1.8, 35mm F1.4, 35mm F2.8, 24mm F2, and 24mm F1.8 lenses. read more…

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Sony Thailand Lens & Camera Factory

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Chonburi. An hour south of Bangkok. Sony’s a7 Series cameras, e-mount lenses, and the new G Master lenses are assembled in this massive, high-tech factory. Full report coming in NAB April FDTimes.

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Sony RX1R2 Palm-Size Full Frame Camera

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Sony unveiled the new palm-sized full-frame RX1R2 Camera.  It’s a 35mm full-frame format (24x36mm) digital still camera with a 42.4 Megapixel sensor, attached ZEISS Sonnar 35mm f/2 lens, variable optical low pass filter, and pop-up EVF. The variable OPLF of the Sony RX1R2 lets you adjust the amount of moiré and artifact reduction. read more…

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Sony a7R II – 4K FF, 4K S35

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  At a penthouse press conference and demo in the Parker Meridien Hotel overlooking midtown and Central Park, Sony gave us the camera I was wishing for: The α7R II (model ILCE-7RM2). It does everything I was whining about at Cine Gear:… read more…

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Sony Starts NAB

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For many of us, NAB traditionally begins on Sunday afternoon with Sony’s annual Press Event at the Mirage. Monday morning kicks off with AJA, Blackmagic, Panasonic, and ARRI press conferences. There’s usually an unveiling–and Mr. Hiroshi Kiriyamadidn’t disappoint, as he whisked… read more…

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EMMY for Sony Multi-Format Camera

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On January 8, Hiroshi Kiriyama was awarded a Technology & Engineering EMMY. Mr. Kiriyama is General Manager of Sony’s Content Creation Professional Design Team, responsible for professional camera development, including the F55. read more…

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Sony F55 Doc Dock

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Updates from InterBEE in Tokyo. Sony showed the latest improvements on their “Doc Dock” (also known as Build Up Kit) that turns the F55 into a comfortable, shoulder-resting Documentary/ENG style cameras system. Introduced a few months as a prototype, the… read more…

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Sony 28-135mm f/4 FF Zoom

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Meet Masahiro Hosoi, Sony Designer of the 28-135mm f/4 Full Frame (24x36mm) Zoom Lens. It could be what you would call “disruptive technology.” How can a 35mm cine zoom have a suggested price of a mere $2,500 when it ships in December? Admittedly, it… read more…

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Sony F55 Doc Dock

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The Doc Dock for Sony’s F55 Camera is officially named “CBK-55BK build-up kit.” It bolts to the base and turns the F55 into a single-operator, documentary/ENG-style, shoulder-resting camera. A working prototype of the Doc Dock (CBK-55BK) will spend an evening in Los Angeles at the… read more…

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Sony 28-135 Zoom

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At Photokina, Sony’s new 28-135 mm f/4 E-mount zoom is another hint of where I think things are heading for motion picture cameras and lenses. It’s a full-frame still format (24x36mm) zoom. And it has optical image stabilization. I had not realized… read more…

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Sony F55 ENG & Doc Dock

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  Sony introduced a totally new F5/F55 shoulder dock. From the people who brought you many shoulder-resting ENG camcorders—this kit provides familiar camcorder functions to the F5/F55. Basically, it’s a base and rear that attaches to the bottom of the… read more…

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Sony α7s 4K Camera

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My favorite part of Sony’s annual NAB press conference is the new product  unveiling. This year, it was Mr. Shigeki Ishizuka, Sony Deputy President of Imaging Products (he’s in charge of still and motion picture cameras) who announced the new… read more…

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Sony α7R and α7 full-frame cameras

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I think I accidentally stumbled onto a clue as to the direction we’re headed in motion picture cameras. It comes, once again, from the digital still world. Full-frame, format-agnostic sensors. Comfortable with B4, Super16, Super35, Anamorphic, Full frame and many… read more…

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Sony PXW-Z100 4K under $6.5K

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Sony’s latest  4K camera, PXW-Z100 XDCAM camcorder, shoots HD, QFHD and 4K. With a list price of less than $6,500 (street price probably $5,500), jaws were dropping at a press briefing. “This new camcorder puts professional 4K capabilities in your… read more…

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Sony F5 and F55

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Demo shorts shot with Sony F55 cameras were screened on November 28 at Sony Pictures in LA and Camerimage in Poland. “Mahout” premiered in Los Angeles. It was directed by Sam Nicholson, produced by Stargate Studios, and shot in Sri… read more…

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Sony F5 and F55 LA Launch

11/28/12
Sony F5 and F55 LA Launch: Sony premieres the new F5 and F55 cameras: November 28, 6:30 - 9:30 pm at Sony Pictures Studios in Los Angeles.
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Sony premieres their new F5 and F55 cameras: November 28, 6:30 – 9:30 pm at Sony Pictures Studios in Los Angeles. Register for a 4K screening of the first demos shot with the F5 and F55 and a presentation of… read more…

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F5 and F55 Audio Module

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Some additional information on audio for Sony’s new F5 and F55 cameras. Audio recording is Linear PCM, 2 channel, 24-bit, 48 khz. The module will have two standard 3-pin XLR female connectors, switchable from Analog to Digital: Analog: CH 1 and… read more…

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