Archive for the 'Angénieux' Category

FDTimes New Issue 32+33 Now Online

Film and Digital Times Mid-Year Cine Gear 2010 Edition (issue 32+33) is now online for subscribers.

We will be all over Cine Gear.

Visit us at Booth # 126 for a complimentary paper copy.

See you there: June 4-5.www.cinegearexpo.com

Cooke and Angénieux see /i to /i

Cooke Optics Ltd. and Thales Angénieux will announce a partnership agreement in which Angénieux will incorporate Cooke’s /i Technology into its line of lenses. We’ll hear the complete details at the press conference scheduled for 11am on Monday, April 12 in conference room N242 of the LVCC (North Hall Level 2, up the escalators near the cafeteria and book store).

The idea behind Cooke’s /i Technology is a universal, license-free, open-architecture standard for sharing lens information. Lens data connects via contacts in the lens mount or by cable to any device —  providing focus distance, iris setting, what kind of lens it is, serial number and depth of field for any given setting. This is metadata. And what can you do with all this lens data?” you may ask. Camera assistants get instant and continuous depth of field readout. Stereographers can match lenses easily. Script supervisors get instant information. Special effects teams can track shots continuously. DPs get camera notes. It doesn’t stop there: it’s an open system, camera agnostic. The circuit can be external, and the data can include any other information you’d imagine should be included. For more information on /i Technology, click here.

We’ll report more, with pictures, on this big development. Their booths are close to Film and Digital Times: Cooke Optics is at C5347 and Thales Angénieux is C6037.

Optimo Bleu

The Angénieux Optimo DP lenses are no longer only red. If you’re lining up for an ARRI Blue Alexa, you can get the 16-42 and 30-80 mm with blue rubber barrel rings. The two DP lenses fit Alexa EV models. Note: they will not work on the spinning mirror Alexa to be announced later this year. Check out the Optimo Bleu lenses at Angénieux’s NAB booth.

Hot Rod Mods Canon EOS PL

Adapter or Surgery

There are two ways to put a PL mount on a Canon EOS camera. The painless way is a PL-to-Canon mount adapter, leaving the mirror and electronics of the camera intact. This works with a select set of lenses, notably Angénieux Optimo zooms whose rear elements do not protrude beyond the rear of the adapter. The more intrusive PL mount retrofit requires major surgery by brave machinists to extract mirror, mechanics and electronics of the original Canon EOS camera. The salubrious benefit of this more drastic modification is compatibility with most PL mounted cine lenses.

Mirror-removed, PL-mounted retrofit for Canon EOS Cameras

The new Hod Rod Cameras Canon EOS 7D PL modification should be available Wednesday, February 17. You will be able to send in your existing Canon EOS 7D for modification (prices begin around $2600). You will also be able to purchase a brand new 7D-PL Deluxe Kit (beginning around $4800.) Turn-around time to modify your camera is expected to be less than 2 weeks, though I wonder whether Illya realizes whether even UPS and Fedex in LA have enough trucks to deliver cameras to his loading dock. Disclaimer: we haven’t tested it yet–but will very soon.

Hot Rod Cameras will also announce an Extended Warranty program. Since this kind of modification obviously voids the original factory warranty, HRC will offer its own coverage (up to 3 years) in case your camera fails during normal use. Warranty is optional and costs extra–and service under the warranty program is handled by an authorized Canon DSLR service facility in either Los Angeles or the New York tri-state area. The same facilities can do the repair work at their normal hourly rate. This is an exclusive extended warranty program for cameras modified by Hot Rod Cameras only.

Hot Rod Cameras will also begin modifying Canon EOS 5D Mk II cameras beginning around March 1. Modifications of the Canon EOS-1D Mk IV PL begin around the end of March.

The History of the Hot Rod Cameras Custom Canon Retrofit

Hot Rod Cameras has been retrofitting cameras with custom accessories since Spring 2009. In late 2009, Hot Rod Cameras began “hot rodding” HDSLR camera bodies.

Illya Friedman explains, “In 2009, I had about a dozen DPs asking us to put a PL lens mount on their Canon camera bodies. I turned them all down.”

I know, I was one of them.

Illya continues, “Looking back now, I think I was full of self-doubt. But with that doubt I also felt extremely justified in my ‘no Canon mod’ opinion. When I started saying no, the Canon 5D Mk II was the only HDSLR camera Canon had released, and its large full-frame 35mm (stills) format sensor meant that most PL mount cinema lenses (except Zeiss Compact Primes, which cover the entire sensor) would vignette, and it only shot 30p at the time. When I was first approached about doing the work, it didn’t even have manual control over exposure or ISO with its non-standard (i.e. non-Blu-ray, non-DCI, non-broadcast) HD mode. In short I didn’t think it was worth my trouble to learn the camera well enough to disassemble it safely, and if I really goofed–well, it could be a $2500 mistake.

“Then Canon introduced the 7D, which has an actual 24p frame rate and full manual control. It also has a cost of only $1700. However, I was still not convinced it would be worth my time and effort. I started working on an optical adapter that used a custom lens element to extend the flange focal depth. I was helped by a couple optical designers who lent me their years of experience in designing optical systems for top secret “downward facing imaging platforms”, in other words, spy satellites. I pretty much hit a wall. It was going to start getting really expensive.

“Then–serendipity–I got a phone call from a complete stranger. He said, ‘Hey, I’ve seen your work, it looks really good. I know you don’t mod Canon cameras, but I purchased three of these new 7D cameras, and production paid for them. I’m willing to give one to you if you want to try to modify it to PL mount–no strings attached; if you break it, it’s no problem.’

So I took the caller up on his offer, and week one pretty much looked like the exploded picture at bottom left. A few weeks later, we finished, and as you can see in the top picture, we mounted a Cooke S4/i 180mm on it. This turned out much better than the optical adapter we originally planned. I was grateful that I came to my senses and went down this other path. I’m also grateful for that phone call. The custom mod PL is so much better than having an extra piece of glass between the camera and the lens. I’ve had two prototype 7D-PL cameras out on several shoots over the past 6-weeks, and the usual response has been “wow!”

More details  to come.

AFC Micro Salon 2010

Highlights of AFC Micro Salon 2010. Full report coming soon. Click here for full-screen slideshow.

Angénieux on Canon

Machinists, rental house gurus and cinematographers have been working late for the past few weeks, seeking the cinematographic grail of  attaching PL-mounted lenses onto Canon EOS D1 Mk IV and 7D cameras. The quest, more than a recurring manifestation of retrofit syndrome, is to be able to use high-end cine lenses with their familiar capacity for repeatable follow focus, manual aperture and mechanically controlled zooms. A few rental houses and machine shops are making headway, extracting mirror and shutter assemblies, in the transmogrification of  Canon EOS 1D Mk IV and 7D HDSLRs into modern-day electronic Eymos.

But wait — hold your Dremels and dental drills!  You don’t have to totally void your camera’s warranty in the first few days of ownership. You can keep your mirror, Canon mount, and Canon still lenses. We did some more testing of MBF Filmtechnik’s PL mount to Canon EOS adapter using Angénieux Optimo zooms. We shot tests at Clairmont Camera (above), with thanks to Alan Albert, Denny Clairmont and Andre Martin for their time, patience and hospitality.

The Angénieux 35mm Film Format Optimos shown on this page are the only zooms I’ve tested that work with the MBF adapter on Canon EOS 1D Mk IV and 7D cameras without modification. These Optimos have a retrofocus design, which means the rear element doesn’t protrude into the lens cavity. (The MBF adapter doesn’t work with the two Optimo DP Rouge lenses—16-42 mm and 30-80 mm—because their rear elements hit the mirror.)

The Optimo zooms are perfect PL companions for high-end Canon EOS HDSLR cinematography. Last year, the Academy presented a Sci-Tech Award for “the mechanical…and optical design of the compact and lightweight Angénieux 15-40 mm and 28-76 mm zoom lenses for handheld motion picture photography. With focus and zoom functions that can be easily controlled by either the operator or focus puller while filming handheld, these lightweight zoom lenses demonstrate a very high degree of engineering, supporting both ease of use and quick interchange.” Who would have imagined that just a year later these lenses could be successfully used on digital still/HD cameras?

By the way, I neglected to follow my own advice in the picture above. I highly recommend using a baseplate to support the lens and camera body. Although the 15-40 and 28-76 zooms are lightweight, these lenses are still heavier than the camera, so a baseplate helps keep weight and torque off the mount.

Here are the Angénieux Optimo zooms that work on Canon EOS 7D and 1D Mk IV with MBF Adapter:

Optimo 15-40 mm (2.7x) T2.6 zoom

Minimum object distance: 0.6m / 2′
Weight (approx): 1.92 kg / 4.2 lbs
Length: 186 mm Front diameter: 114 mm

Optimo 28-76 mm (2.7x) T2.6 zoom

Minimum object distance: 0.6m / 2′
Weight (approx): 2 kg / 4.4 lbs
Length: 205 mm Front diameter: 114 mm

Optimo 24-290 mm (12x) T2.8 zoom

Minimum object distance: 1.22m / 4′
Weight (approx): 11 kg / 24 lbs
Length: 440 mm Front diameter: 162 mm

Canon PL Adapter Instructions

Here are instructions on attaching Matthias Uhlig’s MBF Filmtechnik PL to Canon EOS adapter on an Angenieux Optimo 24-290.

http://www.matthias-uhlig.de/?page_id=429&lang=en

PL Lenses w MBF Adapter on Canon 1D MkIV

IMG_1088Mount

We tested Matthias Uhlig’s MBF Filmtechnik PL lens to Canon EOS adapter on a Canon EOS 7D and 1D Mark IV. The adapter works with more lenses than we thought–not just the Angenieux 24-290. Angenieux Optimo 15-40mm and 28-70mm zooms are perfect with this mount. No interference with the mirror, so you can pre-focus optically before switching to live view. The mount also works with Clairmont Swing-Shift lenses. Be sure to use lens supports and rods.  Continue reading…

FDTimes December 2009 Issue 29 Now Online

29FDTimes_coverthmb

The December 2009 Issue of Film and Digital Times has gone to press in LA and should be in the mail soon. Our online edition is now ready to download (PDF files) for all Subscribers and Members. We end the year in low light, with articles on: Forgetting Three-Point Lighting; Lighting with Paint at one footcandle; ISO 12,800 to 102,400; Game-Changing Hybrid Cameras; Why We Still Need Big Lights on Cranes; Twice the Distance = One Quarter the Light; Anamorphic Ahead; Anamorphic 2x and 1.3x; Sensors; Backpack Cinematography; People and Products of the Year; Run & Gun Kit from iDC Photography; and more.

Forget Three-Point Lighting; Lighting with Paint in Low Light (one footcandle); ISO 12,800 to 102,400; Game-Changing Hybrid Cameras; Why We Still Need Big Lights on Cranes; Twice the Distance = One Quarter the Light; Anamorphic Ahead; Anamorphic 2x and 1.3x; Sensors: Film and Digital
Backpack Cinematography; People and Products of the Year; Run & Gun Kit from iDC Photography

Canon PL

IMG_9095MatthiasUhlig

Matthias Uhlig of MBF Filmtechnik Hamburg is leading the Ron Dexter PL Mount for Canon EOS competition. Their Canon-PL Adapter is shown here with a 300 mm Canon Century. The 300 mm works with the 5D without vignetting. They’ve also tested the Angenieux Optimo 24-290 with a D60. Matthias writes, “I hope to finally get our 7Ds next week to start serious testing. We might make a couple of more of these adapters if people are interested and if our tests are satisfying. BTW, we did not gut the cameras and never will.” Remember: this mount works with PL lenses that do not protrude beyond the rear flange. See the picture, below. The rear tube of the lens PL mount can not be deeper than 7 mm–otherwise it will hit the rear of the mount.  http://www.mbf.de