Archive for the '3-D' Category

Race Tracking for Film Production

Kiel Week is the largest sailing event in the world, with 5,000 competitors on 2,000 boats from 50 countries.

Keeping track of 400 starts on 40 courses is helped by MyLaps, an interesting GPS real time tracking system that could be useful in film production. MYLAPS is one of the leading companies in research and development for sports timing and tracking.

The device used in Kiel is smaller than most cellphones and works like a waterproof iPhone. A SIM card inside transmits continuous GPS position information via mobile phone frequencies to a central server.

Each boat or sailor carries a tracker, which is programmed with name, sail number and other information.

Spectators can track all the sailboats racing in real time.

How could we use this in film production?

Imagine your armada of production trucks has been scattered in appalling traffic.

With MyLaps in each truck, you can see that the camera truck is an hour away, the lead actor’s camper is parked in front of a fancy restaurant, and it appears the director is heading home.

Or, you’re shooting the largest crowd scene the world has ever seen. Ready when you are, CB…

Attach a tracker on key characters or select extras, and watch the ensuing mayhem in real time.

The tracking system can also do 3D views, which might suggest applications where live action needs to be tracked into CGI backgrounds.

For video demos of MyLaps Tracking, check out:

http://www.youtube.com/watch?v=SBmtIXWa4sE

http://www.youtube.com/watch?v=NhP_peFSjG0

Element Technica 3D Rigs at Soccer World Cup in South Africa

Element Technica Quasar 3D rigs are being used exclusively for the 3D broadcasts of the world championship soccer tournament from South Africa this summer.

A total of 22 ET Quasar rigs are being used for 3D camera positions in the Ellis Park and Soccer City stadiums in Johannesburg, and at stadiums in Durban, Cape Town and Port Elizabeth. 25 soccer matches in all will be shot in 3D, using Sony HDC-1500 cameras with Canon HJ22EX7.6B zooms.

The 3D production equipment must be moved between five soccer venues. The rigs have to be quickly and easily reassembled, and calibrated each time. The Quasar is set up in under/thru configuration so as not to block spectators.

P+S Technik 3D Freestyle Rig

Here’s Anna Piffl, modeling the new P+S Technik Freestyle Rig, shown here with two SI-2K cameras. This 3D mirror rig is made of Carbon Fiber, also used for Formula 1 race cars. Wireless remote control systems work with the rig’s integrated motors for stereo base and convergence adjustments.

The Freestyle Rig has been tested with Sony HDW 750, Sony EX3, Red, Canon HDSLR, and SI-2K cameras–accommodating camera and lens packages up to  7 kg per camera.

The 3D mirror rig is universal, so it mounts to all recent Steadicam, artemis, and other stabilizing systems. It can be used in regular and goofy mode.

The Freestyle Rig is a longtime collaboration between P+S Technik as designer and manufacturer, and Philippe Bordelais as Steadicam operator and Stereographer. See article in current Micro Salon Issue of Film and Digital Times, page 35.

The chassis and the mirror box of the Freestyle Rig are made by a German carbon specialist, well-known for carbon fiber monococques for Formula 1 racing teams. Structural parts made of carbon fiber are good not only for Formula 1, but also for Steadicam applications. The main features of this technology are the very high stiffness, dimensional accuracy and high surface quality of the produced laminate, as well as high temperature resistance (up to 240 degrees). That means the Freestyle Rig can be subjected to the very most extreme conditions without warping or even damage (e.g. high, low or changing temperatures, high impact stress, heavy cameras.) Take it for a test drive at NAB.

Pace on “Avatar” 3D

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“Avatar,” James Cameron’s most recent epic, opens on December 18, 2009. The camera systems and 3D rigs were supplied by PACE. I recently spoke with Vince Pace, CEO of PACE. Vince is a long-time colleague, renaissance inventor and filmmaker, whose high tech company supplied the 3D cameras and rigs on “Avatar,” “Journey to the Center of the Earth,” “Aliens of the Deep,” and many other major productions. Vince has a long history of innovation for the motion picture business, having designed and built underwater housings, lights, camera rigs and accessories. He also has a long string of credits as DP.  Here’s what Vince had to say about “Avatar,” 3D, cameras, rigs and much more:

 Continue reading…

FDTimes December 2009 Issue 29 Now Online

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The December 2009 Issue of Film and Digital Times has gone to press in LA and should be in the mail soon. Our online edition is now ready to download (PDF files) for all Subscribers and Members. We end the year in low light, with articles on: Forgetting Three-Point Lighting; Lighting with Paint at one footcandle; ISO 12,800 to 102,400; Game-Changing Hybrid Cameras; Why We Still Need Big Lights on Cranes; Twice the Distance = One Quarter the Light; Anamorphic Ahead; Anamorphic 2x and 1.3x; Sensors; Backpack Cinematography; People and Products of the Year; Run & Gun Kit from iDC Photography; and more.

Forget Three-Point Lighting; Lighting with Paint in Low Light (one footcandle); ISO 12,800 to 102,400; Game-Changing Hybrid Cameras; Why We Still Need Big Lights on Cranes; Twice the Distance = One Quarter the Light; Anamorphic Ahead; Anamorphic 2x and 1.3x; Sensors: Film and Digital
Backpack Cinematography; People and Products of the Year; Run & Gun Kit from iDC Photography

3D Workshop

dsc_0693_96dZGC Inc and Florian Maier, expert 3D consultant and developer of the P+S Technik 3D Rig, presented 3D workshops to sold-out seessions in New York, LA and Vancouver. Highly recommended: everything you always wanted to know about 3D, how to prep, rig, shoot, edit, present, and more. Florian compared good and bad 3D, secrets of the pros, gentle 3D and Advil 3D, and above all, demonstrated that 3D is a viable, practical format with a healthy future when done right. Equipment included the 3D Rig from P+S Technik, two Sony EX3 Cameras on an OConnor 120EX Fluid Head and Legs, Transvideo CineMonitorHD 3DView, and more. There will be more seminars in the future. For more pictures from the seminar, go to:   picasaweb.google.com/fdtimes

3D Workshops

My friend Florian Maier, articulate 3D wizard, will conduct 3D workshops in 3 cities: Los Angeles, Vancouver and New York City – in February and March, 2009. Florian is the inventor of the P+S Technik 3D Stereo Rig.

Day 1: A Taste of Stereoscopy and Hands On a 3D Rig

This beginner session is for people who are interested in 3D but haven’t
made the commitment. You will get a solid overview of what a 3D production
involves, experience a 3D film and learn how it was made. Learn what it
means to shoot and produce in 3D. After the workshop you should have the
information you need to confidently answer the question, “Do I want to
start a 3D production?”

Day 2: Shooting Good 3D

Learn in detail how 3D works and how to shoot good 3D without putting a
strain on the viewer’s eye. You’ll learn how to operate the 3D Rig and how
to influence the 3D effect by means of the 3D Rig.

Day 3: Producing a 3D Film From Pre- to Post Production

For producers, DPs and camera assistants. Learn the entire workflow from
recording through post production and displaying the material — how 3D
works, how good 3D is made and how to operate the 3D Rig. Learn the most
important facts that make 3D post production stand out from normal 2D post
production.

Locations and Dates:

February 23 – 25, 2009
Holiday Inn Universal Studios – Beverly Garland
4222 Vineland Avenue / Hollywood, CA 91602   /  800-972-2576

February 27 – March 1, 2009
Holiday Inn Vancouver Centre
711 West Broadway  /  Vancouver, British Columbia, V5Z 3Y2  /  888-465-4329

March 4 – 6, 2009
Holiday Inn Midtown
440 West 57th Street  /  New York, NY 10019   /  888-465-4329

Workshop Fee  (Lunch is provided)
Day 1     $150   /  Days 1 and 2      $350  /  All 3 Days  $700.

Go to the ZGC website at  www.zgc.com to print the registration form.