Products

AJA CION to Ship December

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Tokyo. InterBEE. Nov 19. If you are good and the elves in Grass Valley deem the camera to be ready, AJA CION is expected to ship around Christmas time. AJA announced at InterBEE this morning that they are now accepting orders…

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Hurricane Wheels

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Wheels for GimbalRigs. Matthias Uhlig is releasing the successor to his Brushless Gimbal RC Interface (BGRCI) (http://www.hurricanewheels.tv) — the new Brushless Gimbal RC Interface MK2. The BGRCI offers a more professional way of controlling handheld (or airborne, crane mounted, car mounted…) gimbal rigs…

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FDTimes Japan

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November 1614. The two-year Siege of Osaka began. The Tokugawa shogun ended the last opposition to rule from Tokyo (Edo). November 2014. A 400th anniversary celebration in Osaka, with Samurai museums, tours of the castle, concert by Aiko, and the launch of Film and Digital Times Japan.

 

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Sony 28-135mm f/4 FF Zoom

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Meet Masahiro Hosoi, Sony Designer of the 28-135mm f/4 Full Frame (24x36mm) Zoom Lens. It could be what you would call “disruptive technology.” How can a 35mm cine zoom have a suggested price of a mere $2,500 when it ships in December? Admittedly, it…

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Canon 50-1000 T5-8.9 Cine Zoom

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Today, Canon officially introduces: New Canon Cine-Servo 50-1000mm T5.0-8.9 Ultra-Telephoto Zoom Lens with Built-In 1.5x Extender for 35mm digital cine cameras Sports, nature and documentary cinematographers will salivate–here is a lens for 35mm format that could rival long 2/3″ format…

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Denz Monitor/Finder Bracket

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Two “D’s” — Denz and Deity. Here’s a very good Denz bracket to mount the superb Deity Mira eyepiece on a Canon C300/500 onboard monitor. The Denz handle replaces the Canon attaches to the top hotshoe of the C300/500 and replaces the original…

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K-Tek ProShot

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Tino Liberatore and Brenda Klemme Parker were carrying this intriguingly versatile ProShot rig around Cinec the other day. It’s a cool combination of monopod, baby legs, stabilizer, and shoulder rig–all in one and easily configurable without tools. A “secret” to its success is the…

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Denz BP12 Adapter for Alexa

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Seen at Cinec, the latest Denz BP12 adapter attaches to the base of ARRI Alexas. The baseplate slides onto industry-standard bridgeplates. Denz bridgeplates come in lengths of 600, 440, 325 and 200 mm and have almost indestructible, Teflon-impregnated hard-coat which provides a smooth surface. www.denz-deniz.com

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Sony 28-135 Zoom

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At Photokina, Sony’s new 28-135 mm f/4 E-mount zoom is another hint of where I think things are heading for motion picture cameras and lenses. It’s a full-frame still format (24x36mm) zoom. And it has optical image stabilization. I had not realized…

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Denz 90° Camera Bracket

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Denz Digital Camera Bracket 90°  (DCB 90) Portrait mode framing is increasingly popular. (Yes, it’s easier to hold the iPhone vertically to take pictures.) This will surely affect how we view and compose not only stills, but also video. To avoid cropping or…

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Canon C500 & C300 Updates

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As Canon celebrates its 80th anniversary and delivery of 100 Million EF lenses, free firmware upgrades were announced for the Cinema EOS C500 4K and C300 cameras, to be released in November. Canon’s 30-inch Canon DP-V3010 4K display gets a new firmware upgrade: support for ITU-R BT.2020 color gamut (Rec. 2020) and ACES (Academy Color Encoding System) color management standard.

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ARRI Alexa 3.2K ProRes for UHD

ARRI will offer no codec before its time. That time is when the image and color scientists on Tuerkenstrasse declare picture perfection. In an upgrade announcement reminiscent of the famous Orson Welles line (“we will serve no wine before its time”), ARRI Alexa…

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ProRes UHD for AMIRA

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A new software upgrade for ARRI’s documentary-style AMIRA camera will allow it to record ProRes UHD files offering future-proof headache relief. Producers, studios and companies considering the longevity of their programs wanted assurance that they would be suitable for UHD transmission, viewing, streaming or downloading. The old mantra of “we’ll just do the re-make when the next standard rears its head” is no longer credible. (Remember how long it took stations and studios to move from standard 16mm to Super 16mm, long after every new camera in the world was already fitted with a S16 gate?)

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Denz Anamorphic Viewfinder

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  Here’s an anamorphic update on the venerable DENZ optical viewfinder. The OIC 35-A from Munich-based Denz is can switch back and forth between spherical and anamorphic viewing. The ground glass holder has been adapted from the OIC 35 and allows use of…

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Blackmagic Camera Updates

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Blackmagic Design announced a discount for their  Pocket Cinema Camera, previously  US $995, now $495. Limited time: sale ends August 31, 2014, subject to limited availability. Price reverts back to original rate, or (pure speculation–is a new model coming for IBC?)

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Adam Wilt’s Cine Meter II

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Adam Wilt has done it again. His new Cine Meter II is an essential app for every cinematographer. I just downloaded it from the Apple App Store. Adam’s original Cine Meter app for iPhone and iOS was brilliant. This one is even better. The new Cine…

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Nikon D810

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Nikon revealed the new D810 full-frame (FX) DSLR camera today. It has an OLPF-less  36.3-megapixel (7360 x 4912) CMOS sensor. As photosite count increases,  dreaded moiré decreases, and there’s less need for an optical low-pass filter to “smudge” the image. Sensor Size: 35.9 mm x 24 mm ISO:…

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Fauer Face-Friendly 4K Filter Factory

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The idea arrived with the first bottle of Kanzler 2011 Sonoma Coast Pinot Noir and Ahi tuna tempura sashimi at Chinois on Main yesterday. By the time the Shanghai Lobster with curry sauce came with a second bottle of Pinot, Howard Preston had the…

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Camtec Lens Tests

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Here’s an interesting test from Camtec with some of their popular modern and vintage spherical lenses. The tests were shot with an ARRI Alexa XT Plus in ProRes 4444 Log-C. Framegrabs were exported from FCP 7 as high-rez .PNG files. Note…

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Preston Light Ranger 2

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Light Ranger 2 from Preston Cinema Systems — premiering at Cine Gear–could be the most important invention of the year for motion picture production. It is an innovative tool that graphically divides a monitor into zones and intuitively guides your focus pulling in the correct direction. The system consists of two units. The sensor unit sits atop the camera, preferably above the lens. Using parallax correction found in the on-screen menu, it can be placed anywhere that’s convenient. A quick setting calibrates the offset.The Video Interface box attaches easily to the back of almost any monitor. It receives focus information from both the Light Ranger 2 and the Preston FIZ HU3 Hand Unit.